Claudiaplatz

Claudiaplatz

Worth knowing

Around 1900, a new, globalized world emerged. Telegraphy and the telephone had enabled the rapid spread of news for 50 years, creating a sense of “simultaneity” between what happened and how it was reported in the media. Innsbruck’s first telephone device likely went into operation in 1877, and the city’s first telephone exchange followed 16 years later. Another 14 years would pass before the first long-distance call to the capital, Vienna, could be made. Entertainment, on the other hand, worked in the opposite direction. Cinema and the gramophone allowed, for the first time, a larger audience to store events and consume them “non-simultaneously.” In transportation, bicycles began to conquer streets that were increasingly illuminated even at night. Electric sewing machines and irons made housework easier for affluent ladies and their staff thanks to the expanding power grid. Zweig, Klimt, Kokoschka, Schiele, Mahler, Wagner, Schönberg, and Freud still shape a nostalgic image of Vienna and Austria abroad today. Innsbruck was not Vienna, and the Fin de Siècle was not celebrated in Tirol as it was in Paris, yet the bourgeoisie of the Alpine region was influenced by Europe. While nations drifted further apart politically, high culture and architecture in many European cities grew closer. The new bourgeois elites in Buenos Aires, Istanbul, Madrid, London, New York, and Vienna had embraced Historicism. Innsbruck was no exception. A touch of this era’s flair can still be sensed around Claudiaplatz. The central roundabout, named after Claudia de Medici, remains something like the heart of the Saggen district. It separates the “Villen­saggen” in the northwest from the “Blocksaggen,” with its apartment buildings, in the east of the district. Not only architecturally but also socially, Claudiaplatz has always formed a kind of boundary. While freelancers and white-collar workers mostly settled in the residential blocks of the Blocksaggen, the villas housed an elite of minor nobility, entrepreneurs, and wholesalers. The development of Claudiaplatz reflects the capitalization of Innsbruck’s real estate market during the late monarchy. Developers and entrepreneurs with capital were already investing their money in “concrete gold.” Claudiaplatz 1, 2, and 3 as well as Elisabethstraße 11 were financed from 1898 onwards by Reinhold Boos. Originally from the Rhineland, Boos founded a roofing company in Innsbruck before establishing a name and wealth as a real estate dealer. He had these stately residential buildings constructed with up to seven apartments for a wealthy clientele. Unlike the villas, these properties were intended as rental objects. The magnificent houses have trapezoidal floor plans and are attractively decorated with bay windows and lavish ornamentation. Even the staircases, built during the Gründerzeit, were small works of art and meant to prepare visitors for the apartments and their ambience. Five streets lead into the Claudiaplatz roundabout. To the west, Elisabethstraße leads into the villa district, while Kaiser-Franz-Josef-Straße—with its charming green median strip—is lined with larger but equally notable residential buildings. Particularly remarkable is the house at Conradstraße 6, located just a few meters from Claudiaplatz. Quarry owner Josef Leutsch had this Art Nouveau building designed by architect Josef Mayr. Opposite, Claudiastraße flows into the square, marking the beginning of the Blocksaggen. The colorful houses in this row are a popular photo motif from within the roundabout. This area attracted those who had enough money for a luxury apartment, but not enough for a villa. The social environment in this part of Innsbruck, consisting of academics and freelancers, has been preserved to some degree to this day.

Klingler, Huter, Retter & Co: master builders of expansion

he buildings of the late monarchy still characterise the cityscape of Innsbruck today. The last decades of the 19th century were characterised as Wilhelminian style in the history of Austria. After an economic crisis in 1873, the city began to expand in a revival. From 1880 to 1900, Innsbruck's population grew from 20,000 to 26,000. Wilten, which was incorporated in 1904, tripled in size from 4,000 to 12,000. Between 1850 and 1900, the number of buildings within the city grew from 600 to over 900, most of which were multi-storey apartment blocks, unlike the small buildings of the early modern period. The infrastructure also changed in the course of technical innovations. Gas, water and electricity became part of everyday life for more and more people. The old city hospital gave way to the new hospital. The orphanage and Sieberer's old people's asylum were built in Saggen.

The buildings constructed in the new neighbourhoods were a reflection of this new society. Entrepreneurs, freelancers, employees and workers with political voting rights developed different needs than subjects without this right. From the 1870s, a modern banking system emerged in Innsbruck. Credit institutions such as the Sparkasse, founded in 1821, or the Kreditanstalt, whose building erected in 1910 still stands like a small palace in Maria-Theresien-Straße, not only made it possible to take out loans, but also acted as builders themselves. The apartment blocks that were built also enabled non-homeowners to lead a modern life. Unlike in rural areas of Tyrol, where farming families and their farmhands and maids lived in farmhouses as part of a clan, life in the city came close to the family life we know today. The living space had to correspond to this. The lifestyle of city dwellers demanded multi-room flats and open spaces for relaxation after work. The wealthy middle classes, consisting of entrepreneurs and freelancers, had not yet overtaken the aristocracy, but they had narrowed the gap. They were the ones who not only commissioned private building projects, but also decided on public buildings through their position on the local council.

The 40 years before the First World War were a kind of gold-rush period for construction companies, craftsmen, master builders and architects. The buildings reflected the world view of their clients. Master builders combined several roles and often replaced the architect. Most clients had very clear ideas about what they wanted. They were not to be breathtaking new creations, but copies and references to existing buildings. In keeping with the spirit of the times, the Innsbruck master builders designed the buildings in the styles of historicism and classicism as well as the Tyrolean Heimatstil in accordance with the wishes of the financially strong clients. The choice of style used to build a home was often not only a visual but also an ideological statement by the client. Liberals usually favoured classicism, while conservatives were in favour of the Tyrolean Heimatstil. While the Heimatstil was neo-baroque and featured many paintings, clear forms, statues and columns were style-defining elements in the construction of new classicist buildings. The ideas that people had of classical Greece and ancient Rome were realised in a sometimes wild mix of styles. Not only railway stations and public buildings, but also large apartment blocks and entire streets, even churches and cemeteries were built in this design along the old corridors. The upper middle classes showed their penchant for antiquity with neoclassical façades. Catholic traditionalists had images of saints and depictions of Tyrol's regional history painted on the walls of their Heimatstil houses. While neoclassicism dominates in Saggen and Wilten, most of the buildings in Pradl are in the conservative Heimatstil style.

For a long time, many building experts turned up their noses at the buildings of the upstarts and nouveau riche. Heinrich Hammer wrote in his standard work "Art history of the city of Innsbruck":

"Of course, this first rapid expansion of the city took place in an era that was unfruitful in terms of architectural art, in which architecture, instead of developing an independent, contemporary style, repeated the architectural styles of the past one after the other."

The era of large villas, which imitated the aristocratic residences of days gone by with a bourgeois touch, came to an end after a few wild decades due to a lack of space. Further development of the urban area with individual houses was no longer possible, the space had become too narrow. The area of Falkstrasse / Gänsbachstrasse / Bienerstrasse is still regarded as a neighbourhood today. Villensaggenthe areas to the east as Blocksaggen. In Wilten and Pradl, this type of development did not even occur. Nevertheless, master builders sealed more and more ground in the gold rush. Albert Gruber gave a cautionary speech on this growth in 1907, in which he warned against uncontrolled growth in urban planning and land speculation.

"It is the most difficult and responsible task facing our city fathers. Up until the 1980s (note: 1880), let's say in view of our circumstances, a certain slow pace was maintained in urban expansion. Since the last 10 years, however, it can be said that cityscapes have been expanding at a tremendous pace. Old houses are being torn down and new ones erected in their place. Of course, if this demolition and construction is carried out haphazardly, without any thought, only for the benefit of the individual, then disasters, so-called architectural crimes, usually occur. In order to prevent such haphazard building, which does not benefit the general public, every city must ensure that individuals cannot do as they please: the city must set a limit to unrestricted speculation in the area of urban expansion. This includes above all land speculation."

A handful of master builders and the Innsbruck building authority accompanied this development in Innsbruck. If Wilhelm Greil is described as the mayor of the expansion, the Viennese-born Eduard Klingler (1861 - 1916) probably deserves the title of its architect. Klingler played a key role in shaping Innsbruck's cityscape in his role as a civil servant and master builder. He began working for the state of Tyrol in 1883. In 1889, he joined the municipal building department, which he headed from 1902. In Innsbruck, the commercial academy, the Leitgebule school, the Pradl cemetery, the dermatological clinic in the hospital area, the municipal kindergarten in Michael-Gaismair-Straße, the Trainkaserne (note: today a residential building), the market hall and the Tyrolean State Conservatory are all attributable to Klingler as head of the building department. The Ulrichhaus on Mount Isel, which is now home to the Alt-Kaiserjäger-Club, is a building worth seeing in the Heimatstil style based on his design.

The most important building office in Innsbruck was Johann Huter & Sons. Johann Huter took over his father's brickworks. In 1856, he acquired the first company premises, the Hutergründeon the Innrain. Three years later, the first prestigious headquarters were built in Meranerstraße. The company registration together with his sons Josef and Peter in 1860 marked the official start of the company that still exists today. Huter & Söhne like many of its competitors, saw itself as a complete service provider. The company had its own brickworks, a cement factory, a joinery and a locksmith's shop as well as a planning office and the actual construction company. In 1906/07, the Huters built their own company headquarters at Kaiser-Josef-Straße 15 in the typical style of the last pre-war years. The stately house combines the Tyrolean Heimatstil surrounded by gardens and nature with neo-Gothic and neo-Romanesque elements. Famous from Huter & Söhne buildings erected in Innsbruck include the Monastery of Perpetual Adoration, the parish church of St Nicholas, the first building of the new clinic and several buildings on Claudiaplatz. Shortly before the outbreak of the First World War, the construction company employed more than 700 people.

The second major player was Josef Retter (1872 - 1954). Born in Lower Austria with Tyrolean roots, he completed an apprenticeship as a bricklayer before joining the k.k. State Trade School in Vienna and attended the foreman's school in the building trade department. After gaining professional experience in Vienna, Croatia and Bolzano throughout the Danube Monarchy, he was able to open his own construction company in Innsbruck at the age of 29 thanks to his wife's dowry. Like Huter, his company also included a sawmill, a sand and gravel works and a workshop for stonemasonry work. In 1904, he opened his residential and office building at Schöpfstraße 23a, which is still used today as a Rescuer's house is well known. The dark, neo-Gothic building with its striking bay window with columns and a turret is adorned with a remarkable mosaic depicting an allegory of architecture. The gable relief shows the combination of art and craftsmanship, a symbol of Retter's career. His company was particularly influential in Wilten and Saggen. With the new Academic Grammar School, the castle-like school building for the Commercial Academy, the Evangelical Church of Christ in Saggen, the Zelgerhaus in Anichstraße, the Sonnenburg in Wilten and the neo-Gothic Mentlberg Castle on Sieglanger, he realised many of the most important buildings of this era in Innsbruck.

Late in life but with a similarly practice-orientated background that was typical of 19th century master builders, Anton Fritz started his construction company in 1888. He grew up remotely in Graun in the Vinschgau Valley. After working as a foreman, plasterer and bricklayer, he decided to attend the trade school in Innsbruck at the age of 36. Talent and luck brought him his breakthrough as a planner with the country-style villa at Karmelitergasse 12. In its heyday, his construction company employed 150 people. In 1912, shortly before the outbreak of the First World War and the resulting slump in the construction industry, he handed over his company to his son Adalbert. Anton Fritz's legacy includes his own home at Müllerstraße 4, the Mader house in Glasmalereistraße and houses on Claudiaplatz and Sonnenburgplatz.

With Carl Kohnle, Carl Albert, Karl Lubomirski and Simon Tommasi, Innsbruck had other master builders who immortalised themselves in the cityscape with buildings typical of the late 19th century. They all made Innsbruck's new streets shine in the prevailing architectural zeitgeist of the last 30 years of the Danube Monarchy. Residential buildings, railway stations, official buildings and churches in the vast empire between the Ukraine and Tyrol looked similar across the board. New trends such as Art Nouveau emerged only hesitantly. In Innsbruck, it was the Munich architect Josef Bachmann who set a new accent in civic design with the redesign of the façade of the Winklerhaus. Building activity came to a halt at the beginning of the First World War. After the war, the era of neoclassical historicism and Heimatstil was finally history. Times were more austere and the requirements for residential buildings had changed. More important than a representative façade and large, stately rooms became affordable living space and modern facilities with sanitary installations during the housing shortage of the sparse, young Republic of German-Austria. The more professional training of master builders and architects at the k.k. Staatsgewerbeschule also contributed to a new understanding of the building trade than the often self-taught veterans of the gold-digger era of classicism had. Walks in Saggen and parts of Wilten and Pradl still take you back to the days of the Wilhelminian style. Claudiaplatz and Sonnenburgplatz are among the most impressive examples. The construction company Huter and Sons still exists today. The company is now located in Sieglanger in Josef-Franz-Huter-Straße, named after the company founder. Although the residential building in Kaiser-Josef-Straße no longer bears the company's logo, its opulence is still a relic of the era that changed Innsbruck's appearance forever. In addition to his home in Schöpfstraße, Wilten is home to a second building belonging to the Retter family. On the Innrain opposite the university is the Villa Retter. Josef Retter's eldest daughter Maria Josefa, who herself was educated by the reform pedagogue Maria Montessori, opened the first „House of the child“ of Innsbruck. Above the entrance is a portrait of the patron Josef Retter, while the south façade is adorned with a mosaic in the typical style of the 1930s, hinting at the building's original purpose. A smiling, blonde girl embraces her mother, who is holding a book, and her father, who is carrying a hammer. The small burial chapel at the Westfriedhof cemetery, which serves as the Retters' family burial place, is also a legacy of this important family for Innsbruck that is well worth seeing.

The year 1848 and its consequences

The year 1848 occupies a mythical place in European history. Although the hotspots were not to be found in secluded Tyrol, but in the major metropolises such as Paris, Vienna, Budapest, Milan and Berlin, even in the Holy Land however, the revolutionary year left its mark. In contrast to the rural surroundings, an enlightened educated middle class had developed in Innsbruck. Enlightened people no longer wanted to be subjects of a monarch or sovereign, but citizens with rights and duties towards the state. Students and freelancers demanded political participation, freedom of the press and civil rights. Workers demanded better wages and working conditions. Radical liberals and nationalists in particular even questioned the omnipotence of the church.

In March 1848, this socially and politically highly explosive mixture erupted in riots in many European cities. In Innsbruck, students and professors celebrated the newly enacted freedom of the press with a torchlight procession. On the whole, however, the revolution proceeded calmly in the leisurely Tyrol. It would be foolhardy to speak of a spontaneous outburst of emotion; the date of the procession was postponed from 20 to 21 March due to bad weather. There were hardly any anti-Habsburg riots or attacks; a stray stone thrown into a Jesuit window was one of the highlights of the Alpine version of the 1848 revolution. The students even helped the city magistrate to monitor public order in order to show their gratitude to the monarch for the newly granted freedoms and their loyalty.

The initial enthusiasm for bourgeois revolution was quickly replaced by German nationalist, patriotic fervour in Innsbruck. On 6 April 1848, the German flag was waved by the governor of Tyrol during a ceremonial procession. A German flag was also raised on the city tower. Tricolour was hoisted. While students, workers, liberal-nationalist-minded citizens, republicans, supporters of a constitutional monarchy and Catholic conservatives disagreed on social issues such as freedom of the press, they shared a dislike of the Italian independence movement that had spread from Piedmont and Milan to northern Italy. Innsbruck students and marksmen marched to Trentino with the support of the k.k. The Innsbruck students and riflemen moved into Trentino to nip the unrest and uprisings in the bud. Well-known members of this corps were Father Haspinger, who had already fought with Andreas Hofer in 1809, and Adolf Pichler. Johann Nepomuk Mahl-Schedl, wealthy owner of Büchsenhausen Castle, even equipped his own company with which he marched across the Brenner Pass to secure the border.

The city of Innsbruck, as the political and economic centre of the multinational crown land of Tyrol and home to many Italian speakers, also became the arena of this nationality conflict. Combined with copious amounts of alcohol, anti-Italian sentiment in Innsbruck posed more of a threat to public order than civil liberties. A quarrel between a German-speaking craftsman and an Italian-speaking Ladin got so heated that it almost led to a pogrom against the numerous businesses and restaurants owned by Italian-speaking Tyroleans.

The relative tranquillity of Innsbruck suited the imperial house, which was under pressure. When things did not stop boiling in Vienna even after March, Emperor Ferdinand fled to Tyrol in May. According to press reports from this time, he was received enthusiastically by the population.

"Wie heißt das Land, dem solche Ehre zu Theil wird, wer ist das Volk, das ein solches Vertrauen genießt in dieser verhängnißvollen Zeit? Stützt sich die Ruhe und Sicherheit hier bloß auf die Sage aus alter Zeit, oder liegt auch in der Gegenwart ein Grund, auf dem man bauen kann, den der Wind nicht weg bläst, und der Sturm nicht erschüttert? Dieses Alipenland heißt Tirol, gefällts dir wohl? Ja, das tirolische Volk allein bewährt in der Mitte des aufgewühlten Europa die Ehrfurcht und Treue, den Muth und die Kraft für sein angestammtes Regentenhaus, während ringsum Auflehnung, Widerspruch. Trotz und Forderung, häufig sogar Aufruhr und Umsturz toben; Tirol allein hält fest ohne Wanken an Sitte und Gehorsam, auf Religion, Wahrheit und Recht, während anderwärts die Frechheit und Lüge, der Wahnsinn und die Leidenschaften herrschen anstatt folgen wollen. Und während im großen Kaiserreiche sich die Bande überall lockern, oder gar zu lösen drohen; wo die Willkühr, von den Begierden getrieben, Gesetze umstürzt, offenen Aufruhr predigt, täglich mit neuen Forderungen losgeht; eigenmächtig ephemere- wie das Wetter wechselnde Einrichtungen schafft; während Wien, die alte sonst so friedliche Kaiserstadt, sich von der erhitzten Phantasie der Jugend lenken und gängeln läßt, und die Räthe des Reichs auf eine schmähliche Weise behandelt, nach Laune beliebig, und mit jakobinischer Anmaßung, über alle Provinzen verfügend, absetzt und anstellt, ja sogar ohne Ehrfurcht, den Kaiaer mit Sturm-Petitionen verfolgt; während jetzt von allen Seiten her Deputationen mit Ergebenheits-Addressen mit Bittgesuchen und Loyalitätsversicherungen dem Kaiser nach Innsbruck folgen, steht Tirol ganz ruhig, gleich einer stillen Insel, mitten im brausenden Meeressturme, und des kleinen Völkchens treue Brust bildet, wie seine Berge und Felsen, eine feste Mauer in Gesetz und Ordnung, für den Kaiser und das Vaterland."

In June, a young Franz Josef, not yet emperor at the time, also stayed at the Hofburg on his way back from the battlefields of northern Italy instead of travelling directly to Vienna. Innsbruck was once again the royal seat, if only for one summer. While blood was flowing in Vienna, Milan and Budapest, the imperial family enjoyed life in the Tyrolean countryside. Ferdinand, Franz Karl, his wife Sophie and Franz Josef received guests from foreign royal courts and were chauffeured in four-in-hand carriages to the region's excursion destinations such as Weiherburg Castle, Stefansbrücke Bridge, Kranebitten and high up to Heiligwasser. A little later, however, the cosy atmosphere came to an end. Under gentle pressure, Ferdinand, who was no longer considered fit for office, passed the torch of regency to Franz Josef I. In July 1848, the first parliamentary session was held in the Court Riding School in Vienna. The first constitution was enacted. However, the monarchy's desire for reform quickly waned. The new parliament was an imperial council, it could not pass any binding laws, the emperor never attended it during his lifetime and did not understand why the Danube Monarchy, as a divinely appointed monarchy, needed this council.

Nevertheless, the liberalisation that had been gently set in motion took its course in the cities. Innsbruck was given the status of a town with its own statute. Innsbruck's municipal law provided for a right of citizenship that was linked to ownership or the payment of taxes, but legally guaranteed certain rights to members of the community. Birthright citizenship could be acquired by birth, marriage or extraordinary conferment and at least gave male adults the right to vote at municipal level. If you got into financial difficulties, you had the right to basic support from the town.

Thanks to the census-based majority voting system, the Greater German liberal faction prevailed within the city government, in which merchants, tradesmen, industrialists and innkeepers set the tone. On 2 June 1848, the first edition of the liberal and Greater German-minded Innsbrucker Zeitungfrom which the above article on the emperor's arrival in Innsbruck is taken. Conservatives, on the other hand, read the Volksblatt for Tyrol and Vorarlberg. Moderate readers who favoured a constitutional monarchy preferred to consume the Bothen for Tyrol and Vorarlberg. However, the freedom of the press soon came to an end. The previously abolished censorship was reintroduced in parts. Newspaper publishers had to undergo some harassment by the authorities. Newspapers were not allowed to write against the state government, monarchy or church.

"Anyone who, by means of printed matter, incites, instigates or attempts to incite others to take action which would bring about the violent separation of a part from the unified state... of the Austrian Empire... or the general Austrian Imperial Diet or the provincial assemblies of the individual crown lands.... Imperial Diet or the Diet of the individual Crown Lands... violently disrupts... shall be punished with severe imprisonment of two to ten years."

After Innsbruck officially replaced Meran as the provincial capital in 1849 and thus finally became the political centre of Tyrol, political parties were formed. From 1868, the liberal and Greater German orientated party provided the mayor of the city of Innsbruck. The influence of the church declined in Innsbruck in contrast to the surrounding communities. Individualism, capitalism, nationalism and consumerism stepped into the breach. New worlds of work, department stores, theatres, cafés and dance halls did not supplant religion in the city either, but the emphasis changed as a result of the civil liberties won in 1848.

Perhaps the most important change to the law was the Basic relief patent. In Innsbruck, the clergy, above all Wilten Abbey, held a large proportion of the peasant land. The church and nobility were not subject to taxation. In 1848/49, manorial rule and servitude were abolished in Austria. Land rents, tithes and roboters were thus abolished. The landlords received one third of the value of their land from the state as part of the land relief, one third was regarded as tax relief and the farmers had to pay one third of the relief themselves. They could pay off this amount in instalments over a period of twenty years.

The after-effects can still be felt today. The descendants of the then successful farmers enjoy the fruits of prosperity through inherited land ownership, which can be traced back to the land relief of 1848, as well as political influence through land sales for housing construction, leases and public sector redemptions for infrastructure projects. The land-owning nobles of the past had to resign themselves to the ignominy of pursuing middle-class labour. The transition from birthright to privileged status within society was often successful thanks to financial means, networks and education. Many of Innsbruck's academic dynasties began in the decades after 1848.

Das bis dato unbekannte Phänomen der Freizeit kam, wenn auch für den größten Teil nur spärlich, auf und begünstigte gemeinsam mit frei verfügbarem Einkommen einer größeren Anzahl an Menschen Hobbies. Zivile Organisationen und Vereine, vom Lesezirkel über Sängerbünde, Feuerwehren und Sportvereine, gründeten sich. Auch im Stadtbild manifestierte sich das Revolutionsjahr. Parks wie der Englische Garten beim Schloss Ambras oder der Hofgarten waren nicht mehr exklusiv der Aristokratie vorbehalten, sondern dienten den Bürgern als Naherholungsgebiete vom beengten Dasein. In St. Nikolaus entstand der Waltherpark als kleine Ruheoase. Einen Stock höher eröffnete im Schloss Büchsenhausen Tirols erste Schwimm- und Badeanstalt, wenig später folgte ein weiteres Bad in Dreiheiligen. Ausflugsgasthöfe rund um Innsbruck florierten. Neben den gehobenen Restaurants und Hotels entstand eine Szene aus Gastwirtschaften, in denen sich auch Arbeiter und Angestellte gemütliche Abende bei Theater, Musik und Tanz leisten konnten.

Crown Prince Rudolf & the mores of the upper class

The smart and liberal Crown Prince Rudolf (1858 - 1889) was regarded as the Favourite of the nations of the Habsburg Empire. In many ways, his life can be read as exemplary for the period between 1848 and the outbreak of the First World War, when technical ideas were developing at breakneck speed, newspapers were spreading political ideas from different camps with unprecedented circulation and at the same time Catholicism, superstition and spiritualism were commonplace. Interest in science, art, culture and customs was also omnipresent in Innsbruck. The vast majority of Innsbruckers did not have the material means or the status of Habsburgs, but the fashions and trends under which they lived were the same. The upper middle classes emulated the same ideals as the crown prince, just as Rudolf always saw himself as part of the upper middle classes. He was considered well-read and educated and was interested in a wide range of subjects in keeping with the spirit of the times. In addition to Greek and Latin, he also spoke French, Hungarian, Czech and Croatian. As a private citizen, he devoted himself to science and travelling through the countries of the monarchy. Rudolf arranged for the publication of of the Kronprinzenwerk, a natural science encyclopaedia. Volume 13 was published in 1893, which dealt with the crown land of Tyrol. He wrote liberal articles in the "Neue Wiener Tagblatt" under a pseudonym. Among other things, he wanted to promote land and land reforms by taxing large landowners more heavily and granting the individual nationalities of the Habsburg Empire more rights. He was particularly unpopular in conservative, rural Tyrol and among the military. Among the liberal-minded people of Innsbruck, on the other hand, he was seen as a hope for a renewal of the monarchy in the sense of a modern, federal state. The Rudolf's Fountain in Innsbruck on Boznerplatz does not commemorate the crown prince, but he was present at its inauguration. As an advocate of rationalism and enlightenment, Rudolf despised the widespread belief in supernatural beings and spirits, while around him new churches sprang up like mushrooms and the upper class indulged in seances and spiritualistic superstitions. The popular piety of the late monarchy led to large-scale projects such as the parish churches of St Nicholas and Hötting. 

Despite, or perhaps because of his aristocratic background, Rudolf's private life was turbulent, but not atypical of the time, in which parents and teachers were less approachable educators and more distant figures of respect. Children were brought up strictly. Neither teachers nor parents shied away from corporal punishment, even if there were limits, laws and rules for the use of domestic violence. Militarism and a focus on future gainful employment prevented the kind of childhood and youth we know today. Young men from the upper classes lived out their soldierly daydreams as armed and uniformed members of student fraternities. It is no wonder that the enthusiasm for war, God, Emperor and Fatherland was great in the birth cohorts of the last decades of the 19th century. Rudolf's early years, when he had to undergo a military education under General Gondrecourt at the request of Emperor Franz Josef, were also less than luxurious. It was only after his mother Elisabeth intervened that harassment such as water cures, drill in the rain and snow and being woken up with pistol shots were removed from the six-year-old crown prince's daily programme. 

Like many of his contemporaries, Rudolf, as a member of the upper class, found himself in an unhappy, arranged marriage. The 19th century was not the age of love marriages, even if the Romantic and Biedermeier periods are often praised as such. Marriages between peasants were often arranged on financial grounds. Aristocrats and members of the upper middle classes married for reasons of social status and with the aim of preserving the dynasty. In the upper classes, wives were often their husband's jewellery and head of the household. Only when the often older husband had died could widows enjoy a life apart from this role. Servants, maids, farmhands and maidservants were forbidden to marry for a long time. The danger that they would be unable to support their children and thus become a burden on the community was too great for the communities. This double standard of the aristocracy and upper middle classes towards the Pofl meant that illegal abortions, full orphanages and children growing up with relatives in the country instead of their parents were part of everyday life. Throughout his life, Rudolf was also not averse to the fairer sex outside of marriage. In the last months of his life, he had an affair with Mary Vetsera, a girl from rich Hungarian nobility who was considered particularly beautiful and was only 17 years old. Many of his subjects were like Rudolf. It is true that hardly anyone could boast of claiming a Hungarian aristocrat as a playmate. Even in Innsbruck's high society, it was common to listen to the priest's sermon from the pulpit on Sundays and have an extramarital affair or visit a brothel at the same time. 

Rudolf's life ended tragically. On 30 January 1889, the severely depressed Rudolf, marked by alcohol, morphine and gonorrhoea, met up with Vetsera after spending the previous night with his long-term lover, the prostitute Maria „Mizzi“ Kaspar, had spent the night. Under circumstances that have never been fully clarified, he first killed the young woman and then himself with a shot to the head. The suicide was never recognised by the Habsburg family. Zita (1892 - 1989), the widow of the last Emperor Karl, still spoke of an assassination attempt in the 1980s. The discussion surrounding the burial of the heir to the throne and his mistress showed the double standards of society. Suicide was considered a grave sin and actually prevented a Christian burial. Vetsera was buried inconspicuously at the cemetery in Heiligenkreuz near Mayerling in a small grave next to the cemetery wall, while Rudolf was given a state funeral after imperial intervention with the Pope and was laid to rest in the Capuchin crypt in Vienna.

Leopold V & Claudia de Medici: Glamour and splendour in Innsbruck

While the Thirty Years’ War was ravaging half of Europe, a charismatic princely couple set out to reshape the face of Innsbruck forever in the Baroque manner. The Habsburg who entered the history of the land as Leopold V (1586–1632) assumed sovereign governmental responsibilities in the Upper Austrian regency of Tyrol and the Further Austrian territories after turbulent early years. Unlike many firstborn members of his rank, his career had long appeared uncertain. In his youth he received the classical humanist education customary for young aristocrats, under the guidance of the Jesuits. In Graz and Judenburg he studied philosophy and theology in preparation for a career within the ecclesiastical sphere of power—an established path for younger sons with little prospect of secular thrones. Leopold’s early career within the power structures of the Church epitomised precisely those features of Catholicism rejected by Protestants and Church reformers. At the age of twelve he was elected Bishop of Passau; at thirteen he was appointed coadjutor of the Bishopric of Strasbourg in Lorraine. He never, however, received holy orders; the spiritual duties were carried out by a prince‑bishop appointed for that purpose. A passionate politician, Leopold travelled extensively between his dioceses and supported the imperial side during the conflict between Rudolf II and Matthias—later immortalised by Franz Grillparzer in Bruderzwist im Hause Habsburg. These activities, scarcely befitting a churchman, nonetheless preserved Leopold’s chances of attaining a secular princely title.

That opportunity arose in 1618, when the unmarried Maximilian III died childless. At the behest of his brother, Leopold assumed the role of Habsburg governor and ruler of the Upper and Further Austrian lands and their incorporated peoples and territories. In the early years of his regency he continued to shuttle between his bishoprics in southern and western Germany, threatened by the upheavals of the Thirty Years’ War. Although the ambitious power politician found satisfaction in the excitement of high politics, the status of governor did not suffice. He sought recognition as territorial prince, complete with homage and dynastic inheritance. What he lacked were a suitable bride, time, and money. Costly conflicts had depleted his coffers.

Money arrived with the bride—and with her, time. Claudia de’ Medici (1604–1648), from the wealthy Tuscan merchant‑princely dynasty, was selected to bestow dynastic fortune upon the aspiring territorial prince, now approaching forty. As a child, Claudia had already been promised to the Duke of Urbino, whom she married at seventeen, despite a proposal from Emperor Ferdinand II. Her husband died after only two years of marriage. The ties between the Medici and the Habsburgs remained intact. Since the marriage of Francesco de’ Medici to Johanna of Habsburg, a daughter of Ferdinand I, the two dynasties had been closely interwoven. Leopold and Claudia likewise proved a perfect match of title, power, Baroque piety, and wealth. Leopold’s sister Maria Magdalena, who as a Medici bride had become Grand Duchess of Tuscany, resided in Florence and sent her brother a painted portrait of the young widow, remarking that she was “beautiful in face, body, and virtue.” After a delicate dance of mutual conditions—the bride’s family seeking assurance of the groom’s title, while the Emperor required proof of a suitable marriage before granting the ducal dignity—the moment finally arrived. In 1625 Leopold, now raised to duke and well nourished and mature in years, relinquished his ecclesiastical possessions and titles in order to marry and, together with his nearly twenty‑years‑younger bride, found a new Tyrolean line of the House of Habsburg.

The relationship between the prince and the Italian woman was to characterise Innsbruck. The Medici had made a fortune from the cotton and textile trade, but above all from financial transactions, and had risen to political power. Under the Medici, Florence had become the cultural and financial centre of Europe, comparable to the New York of the 20th century or the Arab Emirates of the 21st century. The Florentine cathedral, which was commissioned by the powerful wool merchants' guild, was the most spectacular building in the world in terms of its design and size. Galileo Galilei was the first mathematician of Duke Cosimo II. In 1570, Cosimo de Medici was appointed the first Grand Duke of Tuscany by the Pope. Thanks to generous loans and donations, the Tuscan moneyed aristocracy became European aristocracy. In the 17th century, the city on the Arno had lost some of its political clout, but in cultural terms Florence was still the benchmark. Leopold did everything in his power to catapult his royal seat into this league.

In February 1622 the wedding celebrations of Emperor Ferdinand II and Eleonore of Mantua had taken place in Innsbruck; for the northern Italian bridal entourage Innsbruck was easier to reach than Vienna. Tyrol was religiously unified and had been spared the initial devastations of the Thirty Years’ War. Whereas the imperial wedding concluded within five days, Leopold and Claudia celebrated for two full weeks. Their official marriage ceremony had taken place in Florence Cathedral without the groom present. The subsequent festivities celebrating the Habsburg–Medici union became one of the most magnificent events in Innsbruck’s history, holding the city in thrall for a fortnight. After a wintry procession descending from the snow‑covered Brenner Pass, Innsbruck welcomed its new princess and her family. Prior to her arrival, the groom and his subjects had prayed for inner purification to seek divine blessing. Like the Emperor before them, the bridal couple entered the city in a grand procession through two specially erected gates. Fifteen hundred marksmen fired volleys from all their weapons. Drummers, pipers, and the bells of the Hofkirche accompanied the procession of 750 participants passing the astonished populace. A broad programme of entertainment—hunts, theatre, dances, music, and exotic spectacles including “bears, Turks, and Moors”—filled guests and townspeople alike with amazement and delight. From a modern perspective, one particularly inglorious attraction was the cat race, in which riders attempted to sever the head of a cat suspended by its legs as they galloped past.

Leopold’s early years of rule were far less glorious for his subjects. His policies were marked by frequent conflicts with the estates of the realm. A hardliner of the Counter‑Reformation, he supported imperial troops. The Lower Engadine, over which Leopold exercised jurisdiction, was a persistent source of unrest. Under the pretext of protecting Catholic subjects from Protestant attacks, Leopold occupied the region. Although he repeatedly suppressed uprisings successfully, the resources required drove both population and estates to the brink of despair. The northern border with Bavaria was likewise unstable and demanded Leopold’s attention as military commander. Duke Bernhard of Saxe‑Weimar had taken Füssen and was positioned at the Ehrenberg Pass on the Tyrolean frontier. Innsbruck was spared direct combat, but its proximity to the fronts nevertheless made it part of the Thirty Years’ War. Financially, Leopold funded these efforts through comprehensive tax reforms to the disadvantage of the middle classes. Wartime inflation, caused by disruptions in trade critical to Innsbruck, worsened living conditions. In 1622 a weather‑related crop failure further aggravated the situation, already strained by debt from earlier obligations. His insistence on enforcing modern Roman law across the territory, at the expense of traditional customary law, also earned him little affection among his subjects.

None of this prevented Leopold and Claudia from maintaining a splendid court in absolutist fashion. Under Leopold’s rule Innsbruck underwent extensive Baroque transformation. Court festivals attracted the European high nobility. Spectacles such as lion fights, featuring exotic animals from the ducal menagerie established by Ferdinand II in the Hofgarten, as well as theatre and concerts, served to entertain court society. The morals and manners of the rugged Alpine population were to be refined. It was a delicate balance between lavish court festivities and prohibitions on carnival celebrations for ordinary citizens. Divine wrath—manifest in plague and war—was to be averted through virtuous conduct. Swearing, shouting, and the carrying of firearms in public streets were prohibited. Pimps, prostitution, adultery, and moral decay were prosecuted rigorously at the pious court. Jews likewise faced harsh conditions under Leopold and Claudia. Long‑standing hostility towards the Hebrew population gave rise to one of the most disturbing traditions of Tyrolean piety. In 1642 Hippolyt Guarinoni, an Italian‑born physician at the Abbey of Hall and founder of the Karlskirche in Volders, composed the legend of the child martyr Anderle of Rinn. Inspired by the alleged ritual murder of Simon of Trent in 1475, Guarinoni wrote the Anderl‑Lied in verse. In Rinn near Innsbruck an antisemitic cult emerged around the remains of Andreas Oxner—supposedly murdered by Jews in 1462, a date revealed to Guarinoni in a dream. This cult was only banned in 1989 by the Bishop of Innsbruck. Innsbruck was not only morally but also physically “cleansed.” Waste, particularly problematic during dry periods when no water flowed through the canals, was regularly removed by princely decree. Livestock were forbidden to roam within the city walls. Memories of the recent plague epidemic remained vivid; foul smells and miasmas were to be eliminated at all cost.

Around the midpoint of the Thirty Years’ War, one of the most powerful women in Tyrolean history came to prominence. After Leopold’s early death, Claudia ruled the country on behalf of her minor son, together with her chancellor Wilhelm Biener (1590–1651), employing a modern, confessionally driven, early absolutist policy and a firm hand. She relied on an efficient administrative apparatus. The young widow surrounded herself with Italians and Italian‑speaking Tyroleans who introduced new ideas while displaying uncompromising severity in the fight against Lutheranism. To prevent fires—after the Lion House and Ferdinand II’s estate Ruhelust had burned down directly in front of the Hofburg in 1636—stables and other wooden buildings within the city walls were demolished. Silkworm breeding in Trentino and early considerations regarding a Tyrolean university flourished under Claudia’s regency. Chancellor Biener centralised parts of the administration, above all aiming to replace the fragmented legal systems of the Tyrolean territories with a uniform code. This required further curtailing the power of the often arbitrary local nobility in favour of the territorial prince. The system was intended to finance not only the expensive court but also territorial defence. It was not only Protestant troops from southern Germany that threatened the Habsburg lands. France—nominally a Catholic power—sought compensation at the expense of the Casa de Austria in Spain, Italy, and the Further Austrian territories, today’s Benelux countries. Innsbruck became one of the centres of the Habsburg war council. Situated at the fringes of the German battlefields and midway between Vienna and Tuscany, the city was an ideal meeting place for Austrians, Spaniards, and Italians alike. The notoriously brutal Swedish forces threatened Tyrol directly but were kept at bay. Fortifications protecting Tyrol were constructed through forced labour by unwanted inhabitants of the land—beggars, Roma, and deserters. Defensive works near Scharnitz on today’s German border were named Porta Claudia after the ruler. When Claudia de’ Medici died in 1648, around the conclusion of the Thirty Years’ War, events unfolded much as they did in England at almost the same time under Cromwell: the estates rose against the central authority. Claudia, who never learned the German vernacular and even after more than twenty years remained unfamiliar with local customs, had never been particularly popular. Nonetheless, her removal was unthinkable. The role of scapegoat passed to her chancellor. Wilhelm Biener, now persona non grata, was imprisoned by her successor Archduke Ferdinand Karl and the estates, and in 1651—like Charles I two years after a show trial—was beheaded.

A trace of Florence and the Medici still shapes Innsbruck today. The family coat of arms, with its red balls and lilies, can still be seen both in the Jesuit Church, where Claudia and Leopold were laid to rest, and in the parish church of Mariahilf. The Old Town Hall is also known as the Claudiana. Remains of the Porta Claudia near Scharnitz likewise survive. Leopold’s name is particularly associated with theatre in Innsbruck. The Leopold Fountain in front of the House of Music commemorates him. Anyone undertaking the ascent of the striking Serles mountain begins the hike at the monastery of Maria Waldrast, which Leopold devotedly founded in 1621—to the wondrous image of Our Beloved Lady at Waldrast—for the Servite Order, and which Claudia subsequently expanded. Chancellor Wilhelm Biener is commemorated by a street name in the Saggen district.