Kirche & Friedhof St. Nikolaus
Schmelzergasse 1
For those in a hurry
- As early as the 16th century, there was a chapel and cemetery near the infirmary dedicated to St Nicholas, a popular saint, especially among the poorer sections of the population, and patron saint of thieves and prostitutes.
- Until 1789, there was a special "Siechenhaus" nearby for people with infectious diseases and physical disabilities, whose community of "Sondersiechen" was organised by begging. The begging rules in Innsbruck were regulated by a "Siechenvater" (father of the sick) and a "Siechenmutter" (mother of the sick), who acted as a kind of representative body. A building opposite the church still bears an image of St Nicholas today.
- In 1851, the church was elevated to its own parish due to the rapid growth of the community during industrialisation.
- The new neo-Gothic church building (1882-1886) was designed by the Viennese master builder Friedrich Schmidt, who was also involved in the Vienna City Hall and St Stephen's Cathedral and created the Rudolfsbrunnen in Innsbruck.
- The architectural style of the church with its steeple, pointed arch windows and figures is reminiscent of the Middle Ages and is a typical example of the neo-Gothic style of the Austro-Hungarian monarchy, which produced similar sacred and secular buildings in many crown lands.
- Inside the church, the organ, the ribbed vault with paintings of saints and depictions of Old Testament prophets and New Testament evangelists are worth seeing. A side altar from 1906 is dedicated to the veneration of the Sacred Heart and symbolises the Tyrolean oath of 1796. A war memorial commemorates the fallen of the First World War.
- In the Middle Ages and early modern times, the cemetery surrounding the church was the resting place for the poor of the infirmary and the executed from the nearby Köpflplatz.
Worth knowing
Until 1789, St. Nicholas was home to the Special Siechenhaus, where people with infectious diseases and physical deformities lived far away from the city centre. While the citizens' hospital was in the suburbs, the infectious sick and the socially most vulnerable in society were to be kept further away from the centre. The Sondersiechen waren eine als Bettlergilde organisierte Bruderschaft, die sich durch Betteln und Almosen organisierten. Das Betteln in Innsbruck wurde durch eine eigene Ordnung geregelt. Den Vorstand bildeten der Siechenvater und seine Frau die SiechenmutterThe latter acted as a kind of representative body to the outside world and organised daily life on the inside.
From the 16th century onwards, there was also a Special screen house a chapel with a cemetery. It was dedicated to St Nicholas, who was one of the most popular saints, especially among the poorer sections of the population. St Nicholas of Myra, who is the subject of many legends, was chosen as the patron saint not only by many craft guilds, but also by thieves and prostitutes. He fitted in with the Koatlacknthe neighbourhood where the penitentiary, execution site, workers and beggars were to be found. The veneration of saints as an expression of popular piety, which was criticised as superstition by Enlightenment philosophers and Protestants, was particularly widespread among the poorest. The Handl's house opposite the church has a mosaic depiction of St Nicholas on the gable in an orthodox style, one of the first works by Albert Neuhauer's mosaic studio. The three golden spheres symbolise the three virgins who could only be married off with the help of the pious bishop from Myra and thus saved from their fate as prostitutes.
In 1851, St Nicholas was elevated to its own parish. The parish had grown rapidly during industrialisation and the old chapel had become too small. Between 1882 and 1886, the construction company Huter & Söhnewho already have the Monastery of Perpetual Adoration had built the church. The design came from the Viennese master builder Friedrich Schmidt (1825 - 1891). Schmidt was a professor of medieval architecture at the Academy of Fine Arts in Vienna and was also responsible for the construction of Vienna City Hall and St Stephen's Cathedral, where a memorial plaque commemorates him. In Innsbruck, he designed the Rudolfsbrunnen fountain as well as the church of St Nicholas. Schmidt characterised the neo-Gothic style of the Austro-Hungarian monarchy. Between 1870 and the First World War, sacred and secular buildings in a similar style were erected throughout the empire between Innsbruck in the west and Galicia in the east. These highly recognisable buildings still characterise the townscape of many former crown lands today. The similarity between church and government buildings created a link between the two dominant organisations of the time, the monarchy and the church.
The church tower, the pointed arched windows, the figures of St Martin, St Nicholas and Mary and Child above the entrance, the façade, the windows - everything is stylistically reminiscent of the Middle Ages. The church's Tyrolean Glass Painting and Mosaic Institute designed and manufactured windows are true works of art. When the sun shines, they flood the imposing ribbed vault decorated with paintings of saints. The eight mosaics on the façade were also created by the Wilten artisan workshop. They depict the four evangelists of the New Testament as well as the prophets Daniel, Ezekiel, Isaiah and Jeremiah. In 1906, an altar was built in a side aisle for the Herz-Jesu-Verehrung which symbolises the oath of the Holy Land of Tyrol in 1796. A war memorial at the entrance to the church commemorates the fallen soldiers of the First World War.
The cemetery surrounding the church is also worth a visit. In the Middle Ages and early modern times, this was the final resting place for the poor souls of the infirmary and the mortal remains of those who died at the nearby Köpflplatz executed. The structure of this cemetery was largely retained. It surrounds the church on three sides, framed by an arcade with columns. Today, these are imposing gravesites of deserving Innsbruck families from the 19th century onwards, inviting you to take a short stroll through time.
1796 - 1866: Vom Herzen Jesu bis Königgrätz
The period between the French Revolution and the Battle of Königgrätz in 1866 was a period of war. The monarchies of Europe, led by the Habsburgs, had declared war on the French Republic. Fears were rife that the motto of the Revolution "Liberté, Égalité, Fraternité" could spread across Europe. A young general named Napoleon Bonaparte was with his italienischen Armee advanced across the Alps as part of the coalition wars and met the Austrian troops there. It was not just a war for territory and power, it was a battle of systems. The Grande Armee of the revolutionary French Republic met the arch-Catholic Habsburgs.
Tyrolean riflemen were involved in the fighting to defend the country's borders against the invading French. Companies such as the Höttinger Schützen, founded in 1796, faced the most advanced and best army in the world at the time. The Cult of the Sacred Heart, which still enjoys great popularity in Tyrol today, dates back to this time. In a hopeless situation, the Tyrolean troops renewed their covenant with the heart of Jesus to ask for protection. It was the abbot of Stams Monastery who petitioned the provincial estates to henceforth organise an annual "das Fest des göttlichen Herzens Jesu mit feierlichem Gottesdienst zu begehen, wenn Tirol von der drohenden Feindesgefahr befreit werde." Every year, the Sacred Heart celebrations were discussed and announced with great pomp in the press. Particularly in the 19th and early 20th centuries, they were an explosive mixture of popular superstition, Catholicism and national resentment against everything French and Italian. Alongside Cranach's Mother of Mercy, the depiction of the heart of Jesus is probably the most popular Christian motif in the Tyrolean region to this day and is emblazoned on the façades of countless houses.
In the war years of 1848, 1859 and 1866, the so-called Italian wars of unification. In the course of the 19th century, at the latest since 1848, there was a veritable national frenzy among young men. Volunteer armies sprang up in all regions of Europe. Students and academics who came together in their associations, gymnasts, marksmen, all wanted to prove their new love of the nation on the battlefield and supported the official armies. Probably the most famous battle of the Wars of unification took place in Solferino near Lake Garda in 1859. Horrified by the bloody events, Henry Durant decided to found the Red Cross. The writer Joseph Roth described the events in the first pages of his classic book, which is well worth reading Radetzkymarsch.
"In the battle of Solferino, he (note: Lieutenant Trotta) commanded a platoon as an infantry lieutenant. The battle had been going on for half an hour. Three paces in front of him he saw the white backs of his soldiers. The first row of his platoon was kneeling, the second was standing. Everyone was cheerful and certain of victory. They had eaten copiously and drunk brandy at the expense and in honour of the emperor, who had been in the field since yesterday. Here and there one fell out of line."
As a garrison town, Innsbruck was an important supply centre. After the Congress of Vienna, the Tyrolean Jägerkorps the k.k. Tiroler Kaiserjägerregiment an elite unit that was deployed in these conflicts. Volunteer units such as the Innsbruck academics or the Stubai Riflemen were fighting in Italy. The media fuelled the atmosphere away from the front line. The "Innsbrucker Zeitung" predigte in ihren Artikeln Kaisertreue und großdeutsch-tirolischen Nationalismus, wetterte gegen das Italienertum und Franzosen und pries den Mut Tiroler Soldaten.
"Die starke Besetzung der Höhen am Ausgange des Valsugana bei Primolano und le Tezze gab schon oft den Innsbrucker-Akademikern I. und den Stubaiern Anlaß, freiwillige Ercur:sionen gegen le Tezze, Fonzago und Fastro, als auch auf das rechte Brenta-Ufer und den Höhen gegen die kleinen Lager von den Sette comuni zu machen...Am 19. schon haben die Stubaier einige Feinde niedergestreckt, als sie sich das erste mal hinunterwagten, indem sie sich ihnen entgegenschlichen..."
The year 1866 was particularly costly for the Austrian Empire, with the loss of Veneto and Lombardy in Italy. At the same time, Prussia took the lead in the German Confederation, the successor organisation to the Holy Roman Empire of the German Nation. For Innsbruck, the withdrawal of the Habsburg Monarchy from the German Confederation meant that it had finally become a city on the western periphery of the empire. The tendency towards so-called Großdeutschen LösungThe German question, i.e. statehood together with the German Empire instead of the independent Austrian Empire, was more pronounced in Innsbruck than in the rest of the country. The extent to which this German question divided the city became apparent over 30 years later, when the Innsbruck municipal council voted in favour of the Iron Chancellor Bismarck, who was responsible for the fratricidal war between Austria and Germany, wanted to dedicate a street to him. While conservatives loyal to the emperor were horrified by this proposal, the Greater German liberals around Mayor Wilhelm Greil were delighted by this gesture of unification.
However, the national aspirations of the individual ethnic groups did not stop at Tyrol in an idealistic sense, as the Trentino region between Salurn and Riva on Lake Garda also included an Italian-speaking part of the country. In the Tyrolean state parliament, Italian-speaking members of parliament called for so-called Irredentistsmore rights and autonomy for what was then South Tyrol. In Innsbruck, there were repeated tensions and clashes between Italian and German-speaking students. The WallschenThis term for Italians persists to this day and they were considered dishonourable, unreliable and lazy.
With the Tummelplatz, the Pradl military cemetery and the Kaiserjägermuseum on Mount Isel, Innsbruck has several places of remembrance of this time of great loss for the Habsburgs.
The First World War and the Italian occupation
It was almost not Gavrilo Princip, but a student from Innsbruck who changed the fate of the world. It was thanks to chance that the 20-year-old Serb was stopped in 1913 because he bragged to a waitress that he was planning to assassinate the heir to the throne. It was only when the world-changing shooting in Sarajevo actually took place that an article about it appeared in the media. After the actual assassination of Franz Ferdinand on 28 June, it was impossible to foresee what impact the First World War that broke out as a result would have on the world and people's everyday lives. However, two days after the assassination of the Habsburg in Sarajevo, the Innsbrucker Nachrichten already prophetic: "We have reached a turning point - perhaps the "turning point" - in the fortunes of this empire".
Enthusiasm for the war in 1914 was also high in Innsbruck. From the "Gott, Kaiser und VaterlandDriven by the "spirit of the times", most people unanimously welcomed the attack on Serbia. Politicians, the clergy and the press joined in the general rejoicing. In addition to the imperial appeal "To my peoples", which appeared in all the media of the empire, the Innsbrucker Nachrichten On 29 July, the day after Austria-Hungary declared war on Serbia, the media published an article about the capture of Belgrade by Prince Eugene in 1717. The tone in the media was celebratory, although not entirely without foreboding of what was to come.
"The Emperor's appeal to his people will be deeply felt. The internal strife has been silenced and the speculations of our enemies about unrest and similar things have been miserably put to shame. Above all, the Germans stand by the Emperor and the Empire in their old and well-tried loyalty: this time, too, they are ready to stand up for dynasty and fatherland with their blood. We are facing difficult days; no one can even guess what fate will bring us, what it will bring to Europe, what it will bring to the world. We can only trust with our old Emperor in our strength and in God and cherish the confidence that, if we find unity and stick together, we must be granted victory, for we did not want war and our cause is that of justice!"
Theologians such as Joseph Seeber (1856 - 1919) and Anton Müllner alias Bruder Willram (1870 - 1919) who, with her sermons and writings such as "Das blutige Jahr" elevated the war to a crusade against France and Italy.
Many Innsbruckers volunteered for the campaign against Serbia, which was thought to be a matter of a few weeks or months. Such a large number of volunteers came from outside the city to join the military commissions that Innsbruck was almost bursting at the seams. Nobody could have guessed how different things would turn out. Even after the first battles in distant Galicia, it was clear that it would not be a matter of months.
In 1915, the Kingdom of Italy entered the war on the side of France and England. This meant that the front went right through what was then Tyrol. From the Ortler in the west across northern Lake Garda to the Sextener Dolomiten the battles of the mountain war took place. Innsbruck was not directly affected by the fighting. However, the war could at least be heard as far as the provincial capital, as was reported in the newspaper of 7 July 1915:
„Bald nach Beginn der Feindseligkeiten der Italiener konnte man in der Gegend der Serlesspitze deutlich Kanonendonner wahrnehmen, der von einem der Kampfplätze im Süden Tirols kam, wahrscheinlich von der Vielgereuter Hochebene. In den letzten Tagen ist nun in Innsbruck selbst und im Nordosten der Stadt unzweifelhaft der Schall von Geschützdonner festgestellt worden, einzelne starke Schläge, die dumpf, nicht rollend und tönend über den Brenner herüberklangen. Eine Täuschung ist ausgeschlossen. In Innsbruck selbst ist der Donner der Kanonen schwerer festzustellen, weil hier der Lärm zu groß ist, es wurde aber doch einmal abends ungefähr um 9 Uhr, als einigermaßen Ruhe herrschte, dieser unzweifelhafte von unseren Mörsern herrührender Donner gehört.“
Until the transfer of regular troops from the eastern front to the Tyrolean borders, the national defence depended on the Standschützen, a troop consisting of men under 21, over 42 or unfit for regular military service.
The front was relatively far away from Innsbruck, but the war penetrated civilian life. This experience of the total involvement of society as a whole was new to the people. Barracks were erected in the Höttinger Au to house prisoners of war. Transports of wounded brought such a large number of horribly injured people that many civilian buildings such as the university library, which was currently under construction, or Ambras Castle were converted into military hospitals. The Pradl military cemetery was established to cope with the large number of fallen soldiers. A predecessor to tram line 3 was set up to transport the wounded from the railway station to the new garrison hospital, today's Conrad barracks in Pradl. The population in Innsbruck suffered from shortages, especially in the last winter, which was known as the Hunger winter went down in European history. In the final years of the war, food was supplied via ration coupons. 500 g of meat, 60 g of butter and 2 kg of potatoes were the basic diet per person - per week, mind you. Archive photos show the long queues of desperate and hungry people outside the food shops.
In October 1918, the first air raid alert was sounded, but no damage was done. At this time, most people were already aware that the war was lost and what fate awaited Tyrol, as this article from 6 October 1918 shows:
„Aeußere und innere Feinde würfeln heute um das Land Andreas Hofers. Der letzte Wurf ist noch grausamer; schändlicher ist noch nie ein freies Land geschachert worden. Das Blut unserer Väter, Söhne und Brüder ist umsonst geflossen, wenn dieser schändliche Plan Wirklichkeit werden soll. Der letzte Wurf ist noch nicht getan. Darum auf Tiroler, zum Tiroler Volkstag in Brixen am 13. Oktober 1918 (nächsten Sonntag). Deutscher Boden muß deutsch bleiben, Tiroler Boden muß tirolisch bleiben. Tiroler entscheidet selbst über Eure Zukunft!“
On 4 November, Austria-Hungary and the Kingdom of Italy finally agreed an armistice. This gave the Allies the right to occupy areas of the monarchy. The very next day, Bavarian troops entered Innsbruck. Austria's ally Germany was still at war with Italy and was afraid that the front could be moved closer to the German Reich in North Tyrol. Fortunately for Innsbruck and the surrounding area, however, Germany also surrendered a week later on 11 November. This meant that the major battles between regular armies did not take place.
Nevertheless, Innsbruck was in danger. Huge columns of military vehicles, trains full of soldiers and thousands of emaciated soldiers making their way home from the front on foot passed through the city. The city not only had to keep its own citizens in check and guarantee rations, but also protect itself from looting. In order to maintain public order, defence groups were formed from schoolchildren, students, workers and citizens. On 23 November 1918, Italian troops occupied the city and the surrounding area. Mayor Greil's appeasement to the people of Innsbruck to hand over the city without rioting was successful. Although there were isolated riots, hunger riots and looting, there were no armed clashes with the occupying troops or even a Bolshevik revolution as in Munich.
In Innsbruck, memorials to the First World War and the fallen are mainly found at churches and cemeteries. The Kaiserjägermuseum on Mount Isel displays uniforms, weapons and pictures of the battle. Streets in Innsbruck are dedicated to the two theologians Anton Müllner and Josef Seeber. A street was also named after the commander-in-chief of the Imperial and Royal Army on the Southern Front, Archduke Eugene. There is a memorial to the unsuccessful commander in front of the Hofgarten. The eastern part of the Amras military cemetery commemorates the Italian occupation.
Big City Life in early Innsbruck
After hundreds of years, Innsbruck had developed from a Roman castle into a town. This legal recognition by the sovereign was accompanied by rights and duties: market rights, building rights, customs rights and its own jurisdiction were transferred to the city. The town also monitored compliance with religious order. "Heretics" and dissenters were not reprimanded by the church but by the city government and, in some cases, even sent to prison. The townspeople were no longer directly subject to the sovereign or a landlord, but to the town's jurisdiction, at least within the town walls. The popular saying "Stadtluft macht frei" is due to the fact that after one year in the city one was free of all obligations to one's former landlord and could freely dispose of one's property and lifestyle.
In return, the citizens had to take the oath of citizenship. This civic oath included the payment of taxes and the military defence of the city. From 1511, according to Emperor Maximilian's Landlibell, the city council was also obliged to provide a contingent of conscripts for the defence of the country. In addition to this, there were volunteers who Freifähnlein For example, during the Turkish siege of Vienna in 1529, Innsbruckers were among the city's defenders.
Innsbruck had a completely different social composition to the neighbouring villages. Craftsmen, merchants, civil servants and court servants characterised everyday life. Unlike farmers, craftsmen belonged to the mobile classes in the Middle Ages and early modern times. After their apprenticeship, they went to the Walzbefore taking the master craftsman's examination and either returning home or settling in another city. Craftsmen not only transferred knowledge, they also spread cultural, social and political ideas across Europe. The craft guilds sometimes exercised their own jurisdiction alongside the municipal jurisdiction among their members. They were social structures within the city structure that had a great influence on politics. Wages, prices and social life were regulated by the guilds under the supervision of the sovereign. One could speak of an early social partnership, as the guilds also provided social security for their members in the event of illness or occupational disability. Individual trades such as locksmiths, tanners, platers, carpenters, bakers, butchers and blacksmiths each had their own guild, headed by a master craftsman.
In the 15th century, space became tight in the rapidly growing city of Innsbruck. Only free subjects born in wedlock were able to obtain city rights. In order to become a citizen, one had to either own a house or demonstrate skills in a trade in which the city's guilds were interested. The dispute over who is a "real" Innsbrucker and who is not continues to this day. The fact that migration and exchange with others have always guaranteed prosperity and made Innsbruck the liveable city it is today is often forgotten.
From the 14th century, Innsbruck demonstrably had a city council, the so-called Gemain, and a mayor who was elected annually by the citizens. These were not secret but public elections, which were held every year around Christmas time. In the Innsbrucker Geschichtsalmanach von 1948 findet man Aufzeichnungen über die Wahl des Jahres 1598.
The Feast of St. Erhard, i.e., January 8th, played a significant role in the lives of the citizens of Innsbruck each year. On this day, they gathered to elect the city officials, namely the mayor, city judge, public orator, and the twelve-member council. A detailed account of the election process between 1598 and 1607 is provided by a protocol preserved in the city archive: "... The ringing of the great bell summoned the council and the citizenry to the town hall, and once the honorable council and the entire community were assembled at the town hall, the honorable council first convened in the council chamber and heard the farewell of the outgoing mayor of the previous year, Augustin Tauscher."
The mayor represented the city vis-à-vis the other estates and the sovereign, who exercised overlordship over the city to a greater or lesser extent depending on the era. Each city councillor had their own clearly assigned tasks to fulfil, such as the supervision of market law, the care of the hospital and poor relief or the customs regulations, which were particularly important for Innsbruck. In all these political processes, one should always remember that Innsbruck had around 5,000 inhabitants in the 16th century, only a small proportion of whom had citizenship. The dispossessed, travellers, unemployed, servants, diplomats, employees, women and students were not entitled to vote. Voting was a privilege of the male upper class.
From the 14th century onwards, the taxes paid by the citizens no longer had to be passed on to the sovereign. There was a fixed levy from the city to the sovereign. The city government itself could determine which group within the city had to pay which tax. The city was allowed to manage the difference between income and expenditure as it saw fit. In addition to defence, expenditure included the care of the sick and poor. Citizens in need could go to the "Boiling kitchen" food, if they had the right of citizenship. The city government paid particular attention to infectious diseases such as the plague.
In addition to taxes, customs duties were an important source of income for Innsbruck. Customs duties were levied at the city gate at the Inn bridge. There were two types of customs duty. The small duty was based on the number of draught animals in the wagon, the large duty on the type and quantity of goods. The customs revenue was shared between Innsbruck and Hall. Hall had the task of maintaining the Inn bridge.
Contrary to popular belief, the Middle Ages were not a lawless time of arbitrariness. In Innsbruck, as in the province of Tyrol, there was a code that regulated right and wrong as well as the rights and duties of citizens very precisely. If you include the rules for trade, customs duties, the exercise of professions by guilds, price fixing by the magistrate and criminal law, pre-modern and early modern coexistence was even more strictly regulated than it is today. These regulations changed according to the customs of the time. The medieval court days were organised at the "Dingstätte" is held outdoors. The tradition of the Thing goes back to the old Germanic Thingwhere all free men gathered to dispense justice. The city council appointed a judge who was responsible for all offences that were not subject to the blood court. He was assisted by a panel of several jurors. Punishments ranged from fines to pillorying and imprisonment.
The penal system also included less humane methods than are common today, but torture was not used indiscriminately and arbitrarily. However, torture was also regulated as part of the procedure in particularly serious cases. Until the 17th century, suspects and criminals in Innsbruck were Kräuterturm at the south-east corner of the city wall, on what is now Herzog-Otto-Ufer. Both the trial and the serving of the sentence were public trials. The city tower was Fool's cottagea cage in which people were locked up and put on display. On the wooden Schandesel you were dragged through the town for minor offences. The pillory was located in the suburb, today's Maria-Theresien-Straße. There was no police force, but the town magistrate employed servants and town watchmen were posted at the town gates to keep the peace. It was a civic duty to help catch criminals. Vigilante justice was forbidden.
The responsibilities between municipal and manorial justice had been regulated in the Urbarbuch since 1288. The provincial court still had jurisdiction over serious offences. Crimes such as theft, murder and arson were subject to this blood law. The provincial court for all municipalities south of the Inn between Ampass and Götzens was located on the Sonnenburgwhich was located to the south above Innsbruck. In the 14th century, the Sonnenburg district court moved to the upper town square in front of the Innsbruck city tower, later to the town hall and in the early modern period to Götzens. With the centralisation of the law in the 18th century, the court moved to Götzens. Sonnenburg back to Innsbruck and was housed under different names and in different buildings such as the Leuthaus in Wilten, on the Innrain or at the Ettnau residence, known as the Malfatti Castlein the Höttinger Gasse.
From the late 15th century, Innsbruck's executioner was centralised and responsible for several courts and was based in Hall. The execution centres were located in several places over the years. For a long time, there was a gallows on a hill in today's Dreiheiligen district, right next to the main road. The Köpflplatz was located until 1731 at today's corner of Fallbachgasse / Weiherburggasse in Anpruggen. It was not uncommon for the condemned man to give his executioner a kind of tip so that he would endeavour to aim as accurately as possible in order to make the execution as painless as possible. Delinquents who were particularly harmful to the authorities and public order, such as the "heretic" Jakob Hutter or the captured leaders of the peasant uprisings of 1525 and 1526, were executed before the executioner. Goldenen Dachl executed in a manner suitable for the public. "Embarrassing" punishments such as quartering or wheeling, from the Latin word poena were not the order of the day, but could be ordered in special cases. Executions were a public demonstration of the authorities' power. It was seen as a way of cleansing society of criminals. The bodies of the executed were often left hanging as a deterrent and buried outside the consecrated area of the cemeteries.
With the centralisation of law under Maria Theresa and Joseph II in the 18th century and the General Civil Code in the 19th century under Franz I, the law passed from cities and sovereigns to the monarch and their administrative bodies at various levels. Torture was abolished. The Enlightenment had fundamentally changed the concept of law, punishment and rehabilitation. The collection of taxes was also centralised, which resulted in a great loss of importance for the local nobility and an increase in the status of the civil service. With the increasing centralisation under Maria Theresa and Joseph II, taxes and customs duties were also gradually centralised and collected by the Imperial Court Chamber. As a result, Innsbruck, like many municipalities at the time, lost a large amount of revenue, which was only partially offset by equalisation. The city administration was also modernised in 1784. Instead of the old city council with a commoner, there was now a mayor supported by a council, but above all by civil servants. This magistrate consisted of paid experts, who were still predominantly subject to the minor nobility, but now had to pass examinations to fulfil their office. While the position of mayor was temporary, civil servants enjoyed a lifelong, permanent position.
Believe, Church and Power
The abundance of churches, chapels, crucifixes and murals in public spaces has a peculiar effect on many visitors to Innsbruck from other countries. Not only places of worship, but also many private homes are decorated with depictions of the Holy Family or biblical scenes. The Christian faith and its institutions have characterised everyday life throughout Europe for centuries. Innsbruck, as the residence city of the strictly Catholic Habsburgs and capital of the self-proclaimed Holy Land of Tyrol, was particularly favoured when it came to the decoration of ecclesiastical buildings. The dimensions of the churches alone are gigantic by the standards of the past. In the 16th century, the town with its population of just under 5,000 had several churches that outshone every other building in terms of splendour and size, including the palaces of the aristocracy. Wilten Monastery was a huge complex in the centre of a small farming village that was grouped around it. The spatial dimensions of the places of worship reflect their importance in the political and social structure.
For many Innsbruck residents, the church was not only a moral authority, but also a secular landlord. The Bishop of Brixen was formally on an equal footing with the sovereign. The peasants worked on the bishop's estates in the same way as they worked for a secular prince on his estates. This gave them tax and legal sovereignty over many people. The ecclesiastical landowners were not regarded as less strict, but even as particularly demanding towards their subjects. At the same time, it was also the clergy in Innsbruck who were largely responsible for social welfare, nursing, care for the poor and orphans, feeding and education. The influence of the church extended into the material world in much the same way as the state does today with its tax office, police, education system and labour office. What democracy, parliament and the market economy are to us today, the Bible and pastors were to the people of past centuries: a reality that maintained order. To believe that all churchmen were cynical men of power who exploited their uneducated subjects is not correct. The majority of both the clergy and the nobility were pious and godly, albeit in a way that is difficult to understand from today's perspective.
Unlike today, religion was by no means a private matter. Violations of religion and morals were tried in secular courts and severely penalised. The charge for misconduct was heresy, which encompassed a wide range of offences. Sodomy, i.e. any sexual act that did not serve procreation, sorcery, witchcraft, blasphemy - in short, any deviation from the right belief in God - could be punished with burning. Burning was intended to purify the condemned and destroy them and their sinful behaviour once and for all in order to eradicate evil from the community.
For a long time, the church regulated the everyday social fabric of people down to the smallest details of daily life. Church bells determined people's schedules. Their sound called people to work, to church services or signalled the death of a member of the congregation. People were able to distinguish between individual bell sounds and their meaning. Sundays and public holidays structured the time. Fasting days regulated the diet. Family life, sexuality and individual behaviour had to be guided by the morals laid down by the church. The salvation of the soul in the next life was more important to many people than happiness on earth, as this was in any case predetermined by the events of time and divine will. Purgatory, the last judgement and the torments of hell were a reality and also frightened and disciplined adults.
While Innsbruck's bourgeoisie had been at least gently kissed awake by the ideas of the Enlightenment after the Napoleonic Wars, the majority of people in the surrounding communities remained attached to the mixture of conservative Catholicism and superstitious popular piety.
Faith and the church still have a firm place in the everyday lives of Innsbruck residents, albeit often unnoticed. The resignations from the church in recent decades have put a dent in the official number of members and leisure events are better attended than Sunday masses. However, the Roman Catholic Church still has a lot of ground in and around Innsbruck, even outside the walls of the respective monasteries and educational centres. A number of schools in and around Innsbruck are also under the influence of conservative forces and the church. And anyone who always enjoys a public holiday, pecks one Easter egg after another or lights a candle on the Christmas tree does not have to be a Christian to act in the name of Jesus disguised as tradition.
The success story of the Innsbruck glass painters
In the pre-war period, the United States of America was regarded as the Land of unlimited possibilitieswhere dishwashers became millionaires. However, these success stories are not an exclusive phenomenon of the New World. Even in the society of the Danube Monarchy, which was not yet regulated down to the last detail, hard-working and capable people from the farming classes, the working classes or craftsmen were able to achieve astonishing success without formal training, qualification examinations or state authorisation. The three founders of the Tyrolean Glass Painting and Mosaic InstituteJosef von Stadl, Georg Mader and Albert Neuhauser, are examples of such a success story from Innsbruck's city history.
Josef von Stadl (1828 - 1893) grew up on his parents' farm and inn in Steinach am Brenner. Even as a child, he had to help out on the farm. The hard labour gave him periostitis in his arm at the age of nine. This made heavy physical labour impossible for him. Instead, the boy with a talent for drawing attended the model secondary school in Innsbruck, now the BORG. In 1848, he joined the Tyrolean snipers in his home town, but was not called up to fight on the country's borders. He then gained experience as a locksmith and turner. The talented young man worked on the reconstruction of the church in Steinach in 1853 after a village band. His skills were soon recognised and he gradually rose from labourer to master builder.
Georg Mader (1824 - 1881) also came from Steinach. He too had to work as a farm labourer at a young age. On the patronage of his brother, a clergyman, the pious youth was able to complete an apprenticeship with a painter, but had to give up his passion to work in the local mill. After his journeyman's journey, he decided to concentrate on painting. In Munich, he deepened his knowledge under Kaulbach and Schraudolph. After working on the cathedral in Speyer, he returned to Tyrol. As a history painter, he kept his head above water with commissions from the church.
Albert Neuhauser (1832 - 1901) learnt his trade in his father's glazier's and tinsmith's shop. He also had to give up his intended career path at an early age. He developed lung problems at the age of ten. Instead of working in his father's successful business, he travelled to Venice. For centuries, Murano had been home to the best glassworks for artistic glass production. Fascinated by this trade, he attended the stained glass school in Munich against his father's wishes. The products of the recently founded Bavarian factory did not meet his quality expectations. In his father's flat in Herzog-Friedrich-Straße, he undertook his first experiments with glass, similar to the nerds who would lay the foundations for the personal computer in their own garage a hundred years later.
Neuhauser's tinkering and experiments aroused the curiosity of his friend von Stadl. He made contact with the art-loving Mader. In 1861, the three decided to pool their expertise in an official company. Today, the founding of the company would probably be referred to as a start-up. Neuhauser took on the technical and commercial side as well as product development, Von Stadl took care of the decorative aspects and liaised with master builders and Mader took on the figurative design of the works, most of which were created for churches. The first branch, consisting of two painters and a burner, was set up on the third floor of the Gasthof zur Rose in the historic city centre. The raw material came from England, as the local glass did not meet Neuhauser's high quality standards. However, 25% duty was added to the import. Together with a chemistry teacher, Neuhauser managed to achieve the desired requirements himself after a trip to Birmingham and a lot of tinkering.
Josef von Stadl married the painter and doctor's daughter Maria Pfefferer in 1867. The farmer's boy from the Wipptal valley with the broken arm had not only become a member of the upper middle class, his wife's dowry also allowed him to live independently financially. In 1869, the three partners decided to expand the successful glass painting business with the financial support of Neuhauser's father. How dynamic and unregulated it was as a Wilhelminian style The example of the glassworks on the Wiltener Felder, which was opened in 1872 as an additional part of the Tyrolean Stained glass went into operation. Only 110 days after the start of construction, which was never officially authorised by the Wilten municipal administration, production began.
Starting with Neuhauser, who had to leave the company in 1874 due to health problems, the three company founders soon left their start-up to others, but remained partners in the Tyrolean stained glass company. In addition to their activities for the joint company, each of the three partners worked successfully on their own projects in their respective fields of activity.
Von Stadl had a lasting impact on Innsbruck. In its heyday, the number of employees at the stained glass factory had risen to over 70. In 1878, residential buildings for the company's employees, workers, artists and craftsmen were built according to von Stadl's plans. The glass painting estate comprised the houses at Müllerstrasse 39 - 57, Schöpfstrasse 18 - 24 and Speckbacherstrasse 14 - 16, which still exist today. They differ markedly in their architecture from the surrounding houses of the late Gründerzeit. Von Stadl was more sparing with the decoration of the houses, but was careful to include a small front garden. The provincial maternity hospital in Wilten was another major project in Innsbruck that he was responsible for. After the construction of the Vinzentinum in 1878, von Stadl became an honorary citizen of Brixen and was appointed diocesan architect by the bishop. Pope Leo XIII awarded him the Order of St Gregory for his services. St Nicholas' Church, for which the Tyrolean glass painters had produced the windows, became his final resting place.
Georg Mader continued to work as a painter on sacred buildings. He became a member of the Vienna Academy of Art as early as 1868. When he suffered a stroke in 1881, he was taken to Badgastein for rehabilitation. The spa town in Salzburg was a meeting place for the European aristocracy and upper middle classes at the time. In the midst of high society, the former journeyman miller died a wealthy man.
The restless and creative Neuhauser travelled to Venice again after resigning from his post as director of the Tyrolean stained glass workshop in order to found Austria's first mosaic studio with new inspiration. The merger of the two companies in 1900 opened up a wider range of opportunities. He was awarded the Order of Franz Joseph for his artistic merits. Neuhauserstraße in Wilten was named after him.