Although many of the buildings erected from the 1950s onwards are not very attractive architecturally, they do house interesting works of art. From 1949 there was a project in Austria Art on the building. In the case of buildings realised by the state, 2% of the total expenditure was to flow into artistic design. The implementation of the building law and thus also the administration of the budgets was then, as now, the responsibility of the federal states. Artists were to be financially supported through these public commissions. The idea first emerged in 1919 during the Weimar Republic and was continued by the National Socialists from 1934.

Austria took up art in architecture after the war to design public spaces as part of the reconstruction programme. The public sector, which replaced the aristocracy and bourgeoisie as the property developers of past centuries, was under massive financial pressure. Despite this, the housing projects, which were primarily focussed on function, were not intended to be completely unadorned.

The Tyrolean artists entrusted with the design of the artworks were selected in competitions. The best known of these was Max Weiler, perhaps the most prominent artist in Tyrol in the post-war period, who was responsible for the frescoes in the Theresienkirche on the Hungerburg in Innsbruck, among other things. Other prominent names include Helmut Rehm (1911 - 1991), Walter Honeder (1906 - 2006), Fritz Berger (1916 - 2002) and Emmerich Kerle (1916 - 2010).

The biographies of the artists were not only compiled by the Gewerbeschule Innsbruck (Note: today's HTL Trenkwalderstraße) and the Academy of Fine Arts in Vienna as a common denominator, but also characterised by the shared experience of National Socialism. Fritz Berger had lost his right arm and one eye during the war and had to learn to work with his left hand. Emmerich Kerle was taught at the Academy of Fine Arts in Vienna by Josef Müllner, among others, an artist who had made his mark on art history with busts of Adolf Hitler, Siegfried from the Nibelungen saga and the Karl Lueger monument in Vienna, which remains controversial to this day. Kerle served in Finland as a war painter.

Like a large part of the Tyrolean population, politicians, civil servants and artists also wanted peace and quiet after the hard and painful years of war, to let the events of the last few decades sink in.

The works created as part of Kunst am Bau reflect this attitude towards a new moral image. It was the first time that abstract, shapeless art found its way into Innsbruck's public space, albeit only in an uncritical context. Fairy tales, legends and religious symbols were popular motifs that were immortalised on sgraffiti, mosaics, murals and statues. One could speak of a kind of second wave of Biedermaier art, which symbolised the petty bourgeois lifestyle of people after the war.

Art was also intended to create a new awareness and image of what was considered typically Austrian. In 1955, one in two Austrians still considered themselves to be German. The various motifs depict leisure activities, clothing styles and ideas of the social order and social norms of the post-war period. Women were often depicted in traditional costumes and dirndls, men in lederhosen. The conservative ideal of gender roles was incorporated into the art. Hard-working fathers, well-behaved wives who looked after the home and hearth and children who were eager to learn at school were the ideal image until well into the 1970s. A life straight out of a film with Peter Alexander.

The reality, however, was different:

"The emergency situation jeopardises the comfort of the home. It eats away at the roots of joie de vivre. No one suffers more than the woman whose happiness is to see a contented, cosy family circle around her. What a strain on mental strength is required by the daily gruelling struggle for a little shopping, the hardship of queuing, the disappointment of rejections and refusals and the look of discouragement on the faces of loved ones tormented by deprivation."

What is in the Tiroler Tageszeitung was only part of everyday reality. In addition to material hardship, society was characterised by the collective trauma of war. The adults of the 1950s were products of the education of the interwar period and National Socialism. Men who had fought at the front could only talk about their horrific experiences in certain circles as war losers, while women usually had no forum at all to process their fears and worries. Domestic violence and alcoholism were widespread. Teachers, police officers, politicians and civil servants often came from National Socialist supporters, who did not simply disappear with the end of the war, but were merely hushed up in public.

The problem with this strategy of suppression was that no one took responsibility for what had happened, even if there was great enthusiasm and support for National Socialism, especially at the beginning. There was hardly a family that did not have at least one member with a less than glorious history between 1933 and 1945. Shame about what had happened since 1938 and in Austria's politics over the years was mixed with the fear of being treated as a war culprit by the occupying powers - the USA, Great Britain, France and the USSR - in a similar way to 1918. A climate arose in which no one, neither those involved nor the following generation, spoke about what had happened. For a long time, this attitude prevented people from coming to terms with what had happened since 1933.

The myth of Austria as the first victim of National Socialism, which only began to slowly crumble with the Waldheim affair in the 1980s, was born. Police officers, teachers, judges - they were all kept in their jobs despite their political views. Society needed them to keep going.

An example of the generously spread cloak of oblivion with a strong connection to Innsbruck is the life of the doctor Burghard Breitner (1884-1956). Breitner grew up in a well-to-do middle-class household. The Villa Breitner at Mattsee was home to a museum about the German nationalist poet Josef Viktor Scheffel, who was honoured by his father.

After leaving secondary school, Breitner decided against a career in literature in favour of studying medicine. He then decided to do his military service and began his career as a doctor. In 1912/13 he served as a military doctor in the Balkan War. In 1914, he was sent to the Eastern Front, where he was taken prisoner of war by the Russians. As a doctor, he sacrificially cared for his comrades in the prison camp. It was not until 1920 that he was recognised as a hero and "Angel of Siberia" return to Austria from the prison camp.

He began his career at the University of Innsbruck in 1932. In 1938, Breitner was faced with the problem that, due to his paternal grandmother's Jewish background, he had to take the "Great Aryan proof" could not provide. However, thanks to his good relationship with the Rector of Innsbruck University and important National Socialists, he was ultimately able to continue working at the university hospital. During the Nazi regime, Breitner was responsible for forced sterilisations and "Voluntary emasculation", even though he probably did not carry out any of the operations personally.

After the war, the "Angel of Siberia" managed to wriggle through the denazification process with some difficulty. In 1951, he was nominated as a candidate for the federal presidential election as a member of the VDU, a political organisation for former National Socialists. Breitner became Rector of the University of Innsbruck in 1952. After his death, the city of Innsbruck dedicated a grave of honour to him at Innsbruck West Cemetery. In Reichenau, a street is dedicated to him in the immediate vicinity of the site of the former concentration camp.

If you walk through the city carefully, you will find many of the works of art still visible today on houses in Pradl and Wilten. The mixture of unattractive architecture and contemporary works of art from the often suppressed post-war period, long idealised and glorified in films and stories, is well worth seeing. Particularly beautiful examples can be found on the façades in Pacherstraße, Hunoldstraße, Ing.-Thommenstraße, Innrain, the Mandelsbergerstraße vocational school or in the inner courtyard between Landhausplatz and Maria-Theresienstraße.

After the end of the war, US troops controlled Tyrol for two months. The victorious French then took over the administration. The Tyroleans were spared the Soviet occupation that descended on eastern Austria. Hunger was the people's greatest enemy, especially in the first three years after the war. May 1945 brought not only the end of the war, but also snow. The winter of 1946/47 went down in Tyrolean climate history as particularly cold and long, the summer as particularly hot and dry. There were crop failures of up to 50%.

The supply situation was catastrophic, especially in the city in the immediate post-war period. The daily procurement of food became a life-threatening concern in the everyday lives of the people of Innsbruck. In addition to the city's own citizens, thousands of Displaced PersonsThe Tyrolean government had to feed a large number of people, freed forced labourers and occupying soldiers. To accomplish this task, the Tyrolean provincial government had to rely on outside help. The chairman of the UNRRA (Note: United Nations Relief and Rehabilitation Administration), which supplied war zones with essentials, Fiorello La Guardia counted Austria "to those peoples of the world who are closest to starvation.“

Milk, bread, eggs, sugar, flour, fat - there was too little of everything. The French occupation was unable to meet the demand for the required kilocalories per capita, as the local population and the emergency services often lacked supplies. Until 1946, they even took goods from the Tyrolean economy.

Food was supplied via ration cards just a few weeks after the end of the war. Adults had to present a confirmation from the labour office in order to obtain these cards. The rations differed depending on the category of labourer. Heavy labourers, pregnant women and nursing mothers received food with a "value" of 2700 calories. Craftsmen with light occupations, civil servants and freelancers received 1850 kilocalories, white-collar workers 1450 calories. Housewives and other "normal consumers" could only receive 1200 calories.

There were also initiatives such as community kitchens and meals for schoolchildren, which were provided by foreign aid organisations. Care packages arrived from America from the charity organisation Cooperative for American Remittances to Europe. Many children were sent to foster homes in Switzerland in the summer to regain their strength and put a few extra kilos on their ribs.

However, all these measures were not enough for everyone. Housewives and other "normal consumers" in particular suffered from the low allocations. Despite the risk of being arrested, many Innsbruck residents travelled to the surrounding villages to hoard. Those who had money paid sometimes utopian prices to the farmers. Those who had none had to beg for food. In extreme cases, women whose husbands had been killed, captured or were missing saw no other way out than to prostitute themselves. These women, especially the unfortunate ones who became pregnant, had to endure the worst abuse for themselves and their offspring. Austria was still 30 years away from legalised abortion.

Politicians were largely powerless in the face of this. Even in normal times, it was impossible to pacify all interests. Many decisions between the parliament in Vienna, the Tyrolean provincial parliament and Innsbruck town hall were incomprehensible to the people. While children had to do without fruit and vitamins, some farmers legally distilled profitable schnapps. Official buildings and commercial enterprises were given free rein by the Innsbruck electricity company, while private households were restricted access to electricity at several times of the day from October 1945. The same disadvantage for households compared to businesses applied to the supply of coal.

The old rifts between town and country also grew wider and more hateful. Innsbruckers accused the surrounding population of deliberately withholding food for the black market. There were assaults, thefts and woodcutting. Transports at the railway station were guarded by armed units. The first Tyrolean governor Gruber, himself an illegal member of the resistance during the war, sympathised with the situation of the people who rebelled against the system, but was unable to do anything about it. The mayor of Innsbruck, Anton Melzer, also had his hands tied. Not only was it difficult to reconcile the needs of all interest groups, there were repeated cases of corruption and favours to relatives and acquaintances among the civil servants. Gruber's successor in the provincial governor's chair, Alfons Weißgatterer, had to survive several small riots when the people's anger was vented and stones flew towards the provincial parliament:

„Are the broken windows that clattered from the country house onto the street yesterday suitable arguments to prove our will to rebuild? Shouldn't we remember that economic difficulties have never been resolved by demonstrations and rallies in any country?“

Even though the situation eased after 1947, living conditions in Tyrol remained precarious. Food rationing was only stopped on 1 July 1953.

The housing situation was at least as bad. An estimated 30,000 Innsbruck residents were homeless, living in cramped conditions with relatives or in shanty towns such as the former labour camp in Reichenau, the shanty town for displaced persons from the former German territories of Europe, popularly known as the "Ausländerlager", or the "Ausländerlager". Bocksiedlung. There are few reminders of the disastrous state Innsbruck was in after the air raids of the last years of the war in the first years after the war. Tens of thousands of citizens helped to clear rubble and debris from the streets. Maria-Theresien-Straße, Museumstraße, the Bahnhofsviertel, Wilten and Pradlerstraße would probably have been much more attractive if the holes in the streetscape had not had to be quickly filled in order to create living space for the many homeless and returnees as quickly as possible.

However, aesthetics were a luxury that could not be afforded in this situation. The emaciated population needed new living space to escape the unhealthy living conditions in which large families were sometimes quartered in one-room flats. As after the First World War, when the Spanish flu claimed many victims, there was also an increase in dangerous infections in 1945. Vaccines against tuberculosis could not be supplied in the first winter. Hospital beds were also in short supply.

However, Innsbruck was lucky in misfortune. The French troops under Emile Bethouart behaved very mildly towards the former enemy and were friendly and open-minded towards the Tyrolean culture and population. Initially hostile towards the occupying power - yet another war had been lost - the scepticism of the people of Innsbruck gradually gave way. The soldiers were particularly popular with the children because of the chocolates and sweets they handed out. Many people were given jobs within the French administration. Many a Tyrolean saw dark-skinned people for the first time thanks to the uniformed members of the 4th Moroccan Mountain Division, who made up the majority of the soldiers until September 1945.

The monument to the French on Landhausplatz commemorates the French occupation. At the Emile Bethouart footbridgeThe memorial plaque on the river Inn, which connects St. Nikolaus and the city centre, is a good expression of the relationship between the occupation and the population:

"Arrived as a winner.

Remained as a protector.

Returned home as a friend."

Few eras are more difficult to grasp than the interwar period. The Roaring TwentiesJazz and automobiles come to mind, as do inflation and the economic crisis. In big cities like Berlin, young ladies behaved as Flappers with a bobbed head, cigarette and short skirts, lascivious to the new sounds, Innsbruck's population, as part of the young Republic of Austria, belonged for the most part to the faction of poverty, economic crisis and political polarisation.

Although the Republic of German-Austria had been proclaimed, it was unclear how things would continue in Austria. The monarchy and nobility were banned. The bureaucratic state of the k.u.k. Empire was seamlessly established under a new flag and name. As the successors to the old crown lands, the federal states were given a great deal of room for manoeuvre in legislation and administration within the framework of federalism. However, enthusiasm for the new state was limited. Not only was the supply situation miserable after the loss of the vast majority of the former Habsburg empire, but people also mistrusted the basic idea of the republic. The monarchy had not been perfect, but only very few people could relate to the idea of democracy. Instead of being subjects of the emperor, they were now citizens, but only citizens of a dwarf state with an oversized capital that was little loved in the provinces instead of a large empire. In the former crown lands, most of which were governed by Christian socialists, people liked to speak of the Viennese water headwho was fed by the yields of the industrious rural population.

Austria was deeply divided. Capital and provinces, city and countryside, citizens, workers and farmers - in the vacuum of the first post-war years, each group wanted to shape the future according to their own ideas. The divide did not only exist on a political level. Morality, family, leisure activities, education, faith, understanding of the law - every area of life was affected. Who should rule? How should wealth, rights and duties be distributed? What should be done with public buildings such as barracks, castles and palaces?

The revolution in Russia and the ensuing civil war with millions of deaths, expropriation and a complete reversal of the system cast a long shadow over Europe. The prospect of Soviet conditions made people afraid. A communist coup was not a real danger, especially in Tyrol, but could be easily instrumentalised in the media as a threat to discredit social democracy.

Italian troops occupied Innsbruck for almost two years after the end of the war. At the peace negotiations in Paris, the Brenner Pass was declared the new border. The historic Tyrol was divided in two. The military was stationed at the Brenner Pass to secure a border that had never existed before and was perceived as unnatural and unjust. Many people on both sides of the Brenner felt betrayed. Although the war was far from won, they did not see themselves as losers to Italy. Hatred of Italians reached its peak in the interwar period, even if the occupying troops were emphatically lenient. A passage from the short story collection "The front above the peaks" by the National Socialist author Karl Springenschmid from the 1930s reflects the general mood:

"The young girl says, 'Becoming Italian would be the worst thing.

Old Tappeiner just nods and grumbles: "I know it myself and we all know it: becoming a whale would be the worst thing."

The newly founded Tyrolean People's Party was at least as hostile to Vienna and the Social Democrats as it was to the Italians. The new Austria seemed too small and not viable. Other federal states were also toying with the idea of seceding from the Republic after the plan to join Germany, which was supported by all parties, was forbidden by the victorious powers of the First World War. The Tyrolean plans, however, were particularly spectacular. From a neutral Alpine state with other federal states, a free state consisting of Tyrol and Bavaria or from Kufstein to Salurn, an annexation to Switzerland to a Catholic church state under papal leadership, there were many ideas. The annexation to Germany was approved by 98% in a vote in Tyrol, but never materialised.

However, high politics was only the framework for the real problems. The epidemic that went down in history as the Spanish flu also took its toll in Innsbruck in the years after the war. Exact figures were not recorded, but the number of deaths worldwide is estimated at 27 - 50 million. Many Innsbruck residents had not returned home from the battlefields and were missing as fathers, husbands and labourers. Many of those who had made it back were wounded and scarred by the horrors of war. As late as February 1920, the "Tyrolean Committee of the Siberians" at the Gasthof Breinößl "...in favour of the fund for the repatriation of our prisoners of war..." a charity evening.

Many people, especially civil servants and public sector employees, had lost their jobs after the League of Nations tied its loan to harsh austerity measures. Tourism as an economic factor was non-existent due to the problems in the neighbouring countries, which were also shaken by the war. It was not until the currency reorganisation and the introduction of the schilling as the new currency in 1925 under Chancellor Ignaz Seipel that Innsbruck slowly began to recover. Major projects such as the Tivoli, the municipal indoor swimming pool, new schools and apartment blocks could only be realised after the first post-war problems had been overcome.

The first republic was a difficult birth from the remnants of the former monarchy and it was not to last long. Despite many post-war problems, however, the First Republic also saw many positive developments. Subjects became citizens. What began in the time of Maria Theresa was now continued under new auspices. The change from subject to citizen was characterised not only by a new right to vote, but above all by the increased care of the state. Schools, kindergartens, labour offices, hospitals and municipal housing estates replaced the benevolence of wealthy citizens, the monarchy and the church. Times were hard and the new system had not yet been honed.

To this day, much of the Austrian state and Innsbruck's cityscape and infrastructure are based on what emerged after the collapse of the monarchy. In Innsbruck, there are no conscious memorials to the emergence of the First Republic in Austria. The listed housing projects such as the Schlachthofblock, the Pembaurblock or the Mandelsbergerblock in Saggen as well as in Pradl and Wilten are contemporary witnesses in stone.