Tyrolean State Conservatory

Paul-Hofhaimer-Gasse 6

Worth knowing

Together with the Tyrolean State Theatre and the Ferdinandeum State Museum, the Tyrolean State Conservatory is the third landmark of civic emancipation in Innsbruck. Although construction of the somewhat hidden building only began in 1910, its architecture and the history behind it are characteristic of the 19th century. Eduard Klingler designed the compact neo-baroque building in a style typical of the late monarchy. The basis is formed by the particularly resistant Höttinger Breccie. A balcony crowns the neoclassical columns at the entrance. The centre section of the façade features richly decorated window arches with the classicist capitals that were popular at the time.

When the building was completed shortly before the outbreak of the First World War, the Musikverein had already been around for over 100 years. In 1816, Johann Herzog, Franz Craffonara and Goller founded the Academic Music Society. A year later, they applied to the k.k. Landesgubernium for permission to found a music society. What sounds less spectacular today was quite groundbreaking during Metternich's reign. Between the start of the Napoleonic Wars with revolutionary France in 1797 and the Congress of Vienna, associations were generally prohibited. The bureaucratic mills at the police station in Vienna grinded slowly, and it took more than a year to examine the request and grant official authorisation to found the registered association before the Musikverein Innsbruck could be officially launched in July 1818. Not only the association itself, but also the subject of music in general was suspected of being revolutionary. The new generation of artists was considered difficult and rebellious. For centuries, the aristocracy and the church had had a monopoly on the public enjoyment of music. In Innsbruck, the Jesuit order was responsible for the selection and production of Christian and edifying pieces, which could be performed with the permission of the sovereigns. Outside of places of worship, the enjoyment of music was a matter for aristocratic patrons who kept court musicians. This only began to change with Mozart, but especially with Beethoven, the former a freemason and the latter an admirer of Napoleon, who saw himself more as a free-spirited entrepreneur than a subservient court artist.

The changes and increasing professionalisation in the music business were an example of the appropriation and adoption of aristocratic traditions by the new bourgeois elites. The Innsbruck Music Society was intended to ensure that the quality of music in the city was guaranteed through appropriate training. Classes began in November 1818 on the premises of the former Jesuit lyceum with three hours of lessons a day. Singing had to be learnt first, only then was instrumentalisation tackled. In addition to music, declamation was also taught, i.e. "Language, gestures and facial expressions". This subject in particular was placed under censorship by the authorities and watched with suspicion before it was completely banned for several decades in 1827.

One of the first members alongside Father Goller and Craffonara, as well as the first conductor, was Lieutenant Johann Gänsbacher (1778 - 1844). He made his way up the social ladder via a career in the army. The son of the Sterzing schoolmaster, he was sent by his father to the choir of the parish of St Jakob in Innsbruck for singing training at an early age. From 1797, he fought in the coalition wars before being stationed in Innsbruck as an imperial hunter. In 1822, in honour of the visit of Tsar Alexander, Emperor Franz and Clemens von Metternich to Innsbruck, Gänsbacher created the Alexander March. After failing to find a permanent position in Innsbruck, he moved to Vienna as the choirmaster of St Stephen's Cathedral.

The association consisted of financially supporting honorary members and active musicians. After ten years, the society had over 100 members. The society was divided into a teaching organisation and a "Association for the "means of transport of pleasure". The sons of members of the association had priority when it came to one of the limited places; women were not able to enrol in the first few years. With the exception of destitute theology students, for whom lessons were free, students had to pay school fees. In addition to teaching, the financing of instruments and the production of performances were the members' fields of activity. At least four public Products The Musikverein also organised the church music in the Jesuit Church. Together with the Innsbruck Casino Society, benefit concerts were also organised for the poor relief fund.

Under Josef Pembaur (1848 - 1923), probably the most prominent and influential of its many leaders, the Musikverein moved to its current location in Angerzell. The steadily growing number of members and the increasing demand for modern teaching necessitated several changes of location before the city decided in 1906 to give the association the land behind the Ferdinandeum to build its own home. In 1912, the association was able to move into the small palace next to the Landesmuseum.

After the Christian Social Party came to power under Chancellor Engelbert Dollfuß and the accompanying changes in the school system and culture, the institution was upgraded. In "Recognising the more than one hundred years of successful activity of the first Tyrolean music teaching institute" was allowed to call itself a conservatory from 1934, in line with the Austrian identity policy of those years. The National Socialists dissolved the association and ran the training centre as "Music school of the Gau capital Innsbruck" continued. In 1987, the conservatory and music school were separated and moved to the building at the Ursuline School. Today, you can complete a recognised course of study in several disciplines at the "Kons" and train as a musician, conductor or classical singer. In addition to these two training centres, the Innsbruck Symphony Orchestra also emerged from the Musikverein, which was founded in 1818. Streets in Innsbruck are dedicated to the two members Josef Gänsbacher and Josef Pembaur.

Romance, sunless summers and apology cards

Thanks to the university, its professors and the young people it attracted and produced, Innsbruck also sniffed the morning air of the Enlightenment in the 18th century in the era of Maria Theresa, even if the Jesuit faculty leadership put the brakes on it. 1741 saw the founding of the Societas Academica Litteraria a circle of scholars in the Taxispalais. The masonic lodge was founded in 1777 To the three mountains, four years later, the Tyrolean Society for Arts and Science was founded. The spirit of reason in the time of Maria Theresa and Emperor Joseph also found its way into Innsbruck's elite. Spurred on by the French Revolution, some students even declared their allegiance to the Jacobins. Under Emperor Franz, all these associations were banned and strictly monitored after the declaration of war on France in 1794. Enlightenment ideas were frowned upon by large sections of the population even before the French Revolution. At the latest after the beheading of Marie Antoinette, the Emperor's sister, and the outbreak of war between the French Republic and the monarchies of Europe, they were considered dangerous. Who wanted to be considered a Jacobin when it came to defending their homeland?

After the Napoleonic Wars, Innsbruck was slow to recover, both economically and mentally. Adalbert Stifter (1805 -1868), probably the most famous writer of Austrian Romanticism, described Innsbruck in the 1830s in his travelogue Tyrol and Vorarlberg as follows:

„The inns were bad, the pavements wretched, long gutters overhung the narrow streets, which were bordered on both sides by dull arches... the beautiful banks of the Inn were unpaved, but covered with heaps of rubbish and criss-crossed by cesspools.“

Die kleine Stadt am Rande des Kaiserreiches hatte etwas mehr als 12.000 Einwohner, „ohne die Soldaten, Studenten und Fremden zu rechnen“. University, grammar school, Reading casino, music club, theatre and museum were evidence of a developing, modern urban culture. There was a Deutsches Kaffeehaus, a Restoration in the courtyard garden and several traditional inns such as the White cross, the Österreichischen Hofwhich Grape, das Katzung, das Mouthingeach of which Goldenen Adler, Stern und Hirsch. After 1830, the open sewers were blocked and made more hygienic, roads were repaired and bridges renovated. The overdue straightening and taming of the Inn and Sill rivers, which had begun before the turmoil of war, was also tackled. The biggest innovation for the population came in 1830, when oil lamps lit up the town at night. It was probably just a dim twilight created by the more than 150 lamps mounted on pillars and arm chandeliers, but for contemporaries it was a true revolution.

The Bavarian occupation had disappeared, but the ideas of the thinkers of the Enlightenment and the French Revolution had taken hold in some of the minds of the urban milieu. Of course, it was not atheistic, socialist or even subversive ideas that were spreading. It was primarily about the economic, political and social participation of the middle classes. Associations, which had previously been banned, enjoyed a renaissance. Anyone who could afford it and was self-respecting joined an association. "Innsbruck has a music society, an agricultural society and a mining and geological society." was written in Beda Weber's travel guide, for example. The aim was to promote virtuous co-operation for the benefit of the less well-off and to educate the masses through the activities of clubs and societies. Science, literature, theatre and music, but also initiatives such as the Innsbruck Beautification Association, but also practical institutions such as the voluntary fire brigade established themselves as pillars of a previously unknown civil society. One of the first associations to be formed was the Innsbruck Music Society, from which the Tyrolean State Conservatory emerged. In keeping with the spirit of the times, men and women were not members of the same organisations. Women were mainly involved in charitable organisations such as the Women's association for the promotion of infant care centres and female industrial schools. Female participation in the political discourse was not desired.

In addition to Christian charity, a thirst for recognition and prestige were probably also major incentives for members to get involved in the clubs. People met to see and be seen. Good deeds, demonstrating education and leading a virtuous life were then, as now, the best PR for oneself.

Club life also served as entertainment on long evenings without electric light, television and the internet. Students, civil servants, members of the lower nobility and academics met in the pubs and coffee houses to exchange ideas. This was not only about highly intellectual and abstract matters, but also about profane realpolitik such as the suspension of internal tariffs, which made people's lives unnecessarily expensive. Culturally, the bourgeois educated elite in the Romantic and Biedermeier periods discovered the cultural escape into an intact past for themselves. After decades of political confusion, war and hardship, people wanted a distraction from the recent past, just as they did after 1945. Antiquity and its thinkers celebrated a second renaissance in Innsbruck, as in the rest of Europe. Romantic thinkers of the 18th and early 19th centuries such as Winckelmann, Lessing and Hegel were influential. The Greeks were „Noble simplicity and quiet greatness" attested. Goethe wanted the "Search the land of the Greeks with your soul" and travelled to Italy in search of his longing for the good, pre-Christian times in which the people of the Golden Age cultivated an informal relationship with their gods. Roman Stoic virtues were transported into the modern age as role models and formed the basis for bourgeois frugality and patriotism, which became very fashionable. Philologists combed through the texts of ancient writers and philosophers and conveyed a pleasing "Best of" into the 19th century. Columns, sphinxes, busts and statues with classical proportions adorned palaces, administrative buildings and museums such as the Ferdinandeum. Students and intellectuals such as the Briton Lord Byron were so inspired by the Panhellenism and the idea of nationalism that they risked their lives in the Greek struggle for independence against the Ottoman Empire. After the end of the Holy Roman Empire, Pan-Germanism became the political fashion of the liberal bourgeoisie in Innsbruck.

Chancellor Clemens von Metternich's (1773 - 1859) police state kept these social movements under control for a long time. Newspapers, pamphlets, books and clubs were under general suspicion. Writings had to conform to the strict censorship or be distributed underground. Authors such as Hermann von Gilm (1812 - 1864) and Johann Senn (1792 - 1857), both of whom are commemorated by streets in Innsbruck today, anonymously disseminated politically motivated literature in Tyrol. The Innsbruck Music Society also taught declamation, the performance of texts, music and speeches as part of its training programme, the content of which was strictly monitored by the authorities. All kinds of societies such as die Innsbrucker Liedertafel and student fraternities, even the members of the Ferdinandeum were spied on. The social movements forming in the working-class neighbourhoods were particularly targeted by Metternich's secret police. Despite their demonstrative loyalty to the emperor, the marksmen were also on the list of institutions to be observed. They were considered too rebellious, not only towards foreign powers, but also towards the Viennese central government. The mix of Greater German nationalist ideas and Tyrolean patriotism presented with the pathos of Romanticism seems strangely harmless today, but was neither comfortable nor acceptable to the Metternich state apparatus.

However, political activism was a marginal phenomenon that only occupied a small elite. After the mines and salt works had lost their profitability in the 17th century and transit lost its economic importance due to the new trade routes across the Atlantic, Tyrol had become a poor region. The Napoleonic Wars had raged for over 20 years. The year 1809 went down as Tyrolean heroic age in the historiography of the 19th and early 20th centuries, the consequences of heroism were barely highlighted. Although the Austrian Empire was one of the victorious powers after the Congress of Vienna, its economic situation was miserable. As after the world wars of the 20th century, many men had not returned home during the coalition wars. The university, which drew young aristocrats into the city's economic cycle, was not reopened until 1826. Unlike industrial locations in Bohemia, Moravia, Prussia or England, the hard-to-reach city in the Alps was only just beginning to develop into a modern labour market. Tourism was also still in its infancy and was not a Cash Cow. It is no wonder that hardly any buildings in the Biedermeier style have survived in Innsbruck. And then there was a volcano on the other side of the world that had an undue influence on the fate of the city of Innsbruck. In 1815, Tambora erupted in Indonesia and sent a huge cloud of dust, sulphur and ash around the world. In 1816 Year without summer into history. All over Europe, there were freak weather conditions, floods and failed harvests. The Alps, an already difficult part of the world to farm, were not exempt from this.

The economic upheavals and price increases led to hardship and misery, especially among the poorer sections of the population. In the 19th century, caring for the poor was a task for the communities, usually with the support of wealthy citizens as patrons with the idea of Christian charity. The state, the community, the church and the newly emerging civil society in the form of associations began to look after the welfare of the poorest sections of the population. Charity concerts, collections and appeals for donations were organised. The measures often contained an enlightened component, even if the means to an end seem strange and alien today. In Innsbruck, for example, a begging ordinance came into force that banned dispossessed people from marrying. Almost 1000 citizens were categorised as alms recipients and beggars.

As the need grew and the city coffers became emptier, Innsbruck came up with an innovation that was to last for over 100 years: The New Year's apology card. Even back then, it was customary to visit relatives on the first day of the year to give each other a Happy New Year to make a wish. It was also customary for needy families and beggars to knock on the doors of wealthy citizens to ask for alms at New Year. The introduction of the New Year's relief card killed several birds with one stone. The buyers of the card were able to institutionalise and support their poorer members in a regulated way, similar to the way street newspapers are bought today. Twenty is possible. At the same time, the New Year's apology card served as a way of avoiding the unpopular obligatory visits to relatives. Those who hung the card on their front door also signalled to those in need that no further requests for alms were necessary, as they had already paid their contribution. Last but not least, the noble donors were also favourably mentioned in the media so that everyone could see how much they cared for their less fortunate fellow human beings in the name of charity.

The New Year's apology cards were a complete success. At their premiere at the turn of the year from 1819 to 1820, 600 were sold. Many communities adopted the Innsbruck recipe. In the magazine "The Imperial and Royal Privileged Bothe of and for Tyrol and Vorarlberg", the proceeds for Bruneck, Bozen, Trient, Rovereto, Schwaz, Imst, Bregenz and Innsbruck were published on 12 February. Other institutions such as fire brigades and associations also adopted the well-functioning custom to raise funds for their cause. The construction of the new Höttinger parish church was financed to a large extent from the proceeds of specially issued apology cards in addition to donations. The varied designs ranged from Christian motifs to portraits of well-known personalities, official buildings, new buildings, sights and curiosities. Many of the designs can still be seen in the Innsbruck City Archives.

Klingler, Huter, Retter & Co: master builders of expansion

he buildings of the late monarchy still characterise the cityscape of Innsbruck today. The last decades of the 19th century were characterised as Wilhelminian style in the history of Austria. After an economic crisis in 1873, the city began to expand in a revival. From 1880 to 1900, Innsbruck's population grew from 20,000 to 26,000. Wilten, which was incorporated in 1904, tripled in size from 4,000 to 12,000. Between 1850 and 1900, the number of buildings within the city grew from 600 to over 900, most of which were multi-storey apartment blocks, unlike the small buildings of the early modern period. The infrastructure also changed in the course of technical innovations. Gas, water and electricity became part of everyday life for more and more people. The old city hospital gave way to the new hospital. The orphanage and Sieberer's old people's asylum were built in Saggen.

The buildings constructed in the new neighbourhoods were a reflection of this new society. Entrepreneurs, freelancers, employees and workers with political voting rights developed different needs than subjects without this right. From the 1870s, a modern banking system emerged in Innsbruck. Credit institutions such as the Sparkasse, founded in 1821, or the Kreditanstalt, whose building erected in 1910 still stands like a small palace in Maria-Theresien-Straße, not only made it possible to take out loans, but also acted as builders themselves. The apartment blocks that were built also enabled non-homeowners to lead a modern life. Unlike in rural areas of Tyrol, where farming families and their farmhands and maids lived in farmhouses as part of a clan, life in the city came close to the family life we know today. The living space had to correspond to this. The lifestyle of city dwellers demanded multi-room flats and open spaces for relaxation after work. The wealthy middle classes, consisting of entrepreneurs and freelancers, had not yet overtaken the aristocracy, but they had narrowed the gap. They were the ones who not only commissioned private building projects, but also decided on public buildings through their position on the local council.

The 40 years before the First World War were a kind of gold-rush period for construction companies, craftsmen, master builders and architects. The buildings reflected the world view of their clients. Master builders combined several roles and often replaced the architect. Most clients had very clear ideas about what they wanted. They were not to be breathtaking new creations, but copies and references to existing buildings. In keeping with the spirit of the times, the Innsbruck master builders designed the buildings in the styles of historicism and classicism as well as the Tyrolean Heimatstil in accordance with the wishes of the financially strong clients. The choice of style used to build a home was often not only a visual but also an ideological statement by the client. Liberals usually favoured classicism, while conservatives were in favour of the Tyrolean Heimatstil. While the Heimatstil was neo-baroque and featured many paintings, clear forms, statues and columns were style-defining elements in the construction of new classicist buildings. The ideas that people had of classical Greece and ancient Rome were realised in a sometimes wild mix of styles. Not only railway stations and public buildings, but also large apartment blocks and entire streets, even churches and cemeteries were built in this design along the old corridors. The upper middle classes showed their penchant for antiquity with neoclassical façades. Catholic traditionalists had images of saints and depictions of Tyrol's regional history painted on the walls of their Heimatstil houses. While neoclassicism dominates in Saggen and Wilten, most of the buildings in Pradl are in the conservative Heimatstil style.

For a long time, many building experts turned up their noses at the buildings of the upstarts and nouveau riche. Heinrich Hammer wrote in his standard work "Art history of the city of Innsbruck":

"Of course, this first rapid expansion of the city took place in an era that was unfruitful in terms of architectural art, in which architecture, instead of developing an independent, contemporary style, repeated the architectural styles of the past one after the other."

The era of large villas, which imitated the aristocratic residences of days gone by with a bourgeois touch, came to an end after a few wild decades due to a lack of space. Further development of the urban area with individual houses was no longer possible, the space had become too narrow. The area of Falkstrasse / Gänsbachstrasse / Bienerstrasse is still regarded as a neighbourhood today. Villensaggenthe areas to the east as Blocksaggen. In Wilten and Pradl, this type of development did not even occur. Nevertheless, master builders sealed more and more ground in the gold rush. Albert Gruber gave a cautionary speech on this growth in 1907, in which he warned against uncontrolled growth in urban planning and land speculation.

"It is the most difficult and responsible task facing our city fathers. Up until the 1980s (note: 1880), let's say in view of our circumstances, a certain slow pace was maintained in urban expansion. Since the last 10 years, however, it can be said that cityscapes have been expanding at a tremendous pace. Old houses are being torn down and new ones erected in their place. Of course, if this demolition and construction is carried out haphazardly, without any thought, only for the benefit of the individual, then disasters, so-called architectural crimes, usually occur. In order to prevent such haphazard building, which does not benefit the general public, every city must ensure that individuals cannot do as they please: the city must set a limit to unrestricted speculation in the area of urban expansion. This includes above all land speculation."

A handful of master builders and the Innsbruck building authority accompanied this development in Innsbruck. If Wilhelm Greil is described as the mayor of the expansion, the Viennese-born Eduard Klingler (1861 - 1916) probably deserves the title of its architect. Klingler played a key role in shaping Innsbruck's cityscape in his role as a civil servant and master builder. He began working for the state of Tyrol in 1883. In 1889, he joined the municipal building department, which he headed from 1902. In Innsbruck, the commercial academy, the Leitgebule school, the Pradl cemetery, the dermatological clinic in the hospital area, the municipal kindergarten in Michael-Gaismair-Straße, the Trainkaserne (note: today a residential building), the market hall and the Tyrolean State Conservatory are all attributable to Klingler as head of the building department. The Ulrichhaus on Mount Isel, which is now home to the Alt-Kaiserjäger-Club, is a building worth seeing in the Heimatstil style based on his design.

The most important building office in Innsbruck was Johann Huter & Sons. Johann Huter took over his father's brickworks. In 1856, he acquired the first company premises, the Hutergründeon the Innrain. Three years later, the first prestigious headquarters were built in Meranerstraße. The company registration together with his sons Josef and Peter in 1860 marked the official start of the company that still exists today. Huter & Söhne like many of its competitors, saw itself as a complete service provider. The company had its own brickworks, a cement factory, a joinery and a locksmith's shop as well as a planning office and the actual construction company. In 1906/07, the Huters built their own company headquarters at Kaiser-Josef-Straße 15 in the typical style of the last pre-war years. The stately house combines the Tyrolean Heimatstil surrounded by gardens and nature with neo-Gothic and neo-Romanesque elements. Famous from Huter & Söhne buildings erected in Innsbruck include the Monastery of Perpetual Adoration, the parish church of St Nicholas, the first building of the new clinic and several buildings on Claudiaplatz. Shortly before the outbreak of the First World War, the construction company employed more than 700 people.

The second major player was Josef Retter (1872 - 1954). Born in Lower Austria with Tyrolean roots, he completed an apprenticeship as a bricklayer before joining the k.k. State Trade School in Vienna and attended the foreman's school in the building trade department. After gaining professional experience in Vienna, Croatia and Bolzano throughout the Danube Monarchy, he was able to open his own construction company in Innsbruck at the age of 29 thanks to his wife's dowry. Like Huter, his company also included a sawmill, a sand and gravel works and a workshop for stonemasonry work. In 1904, he opened his residential and office building at Schöpfstraße 23a, which is still used today as a Rescuer's house is well known. The dark, neo-Gothic building with its striking bay window with columns and a turret is adorned with a remarkable mosaic depicting an allegory of architecture. The gable relief shows the combination of art and craftsmanship, a symbol of Retter's career. His company was particularly influential in Wilten and Saggen. With the new Academic Grammar School, the castle-like school building for the Commercial Academy, the Evangelical Church of Christ in Saggen, the Zelgerhaus in Anichstraße, the Sonnenburg in Wilten and the neo-Gothic Mentlberg Castle on Sieglanger, he realised many of the most important buildings of this era in Innsbruck.

Late in life but with a similarly practice-orientated background that was typical of 19th century master builders, Anton Fritz started his construction company in 1888. He grew up remotely in Graun in the Vinschgau Valley. After working as a foreman, plasterer and bricklayer, he decided to attend the trade school in Innsbruck at the age of 36. Talent and luck brought him his breakthrough as a planner with the country-style villa at Karmelitergasse 12. In its heyday, his construction company employed 150 people. In 1912, shortly before the outbreak of the First World War and the resulting slump in the construction industry, he handed over his company to his son Adalbert. Anton Fritz's legacy includes his own home at Müllerstraße 4, the Mader house in Glasmalereistraße and houses on Claudiaplatz and Sonnenburgplatz.

With Carl Kohnle, Carl Albert, Karl Lubomirski and Simon Tommasi, Innsbruck had other master builders who immortalised themselves in the cityscape with buildings typical of the late 19th century. They all made Innsbruck's new streets shine in the prevailing architectural zeitgeist of the last 30 years of the Danube Monarchy. Residential buildings, railway stations, official buildings and churches in the vast empire between the Ukraine and Tyrol looked similar across the board. New trends such as Art Nouveau emerged only hesitantly. In Innsbruck, it was the Munich architect Josef Bachmann who set a new accent in civic design with the redesign of the façade of the Winklerhaus. Building activity came to a halt at the beginning of the First World War. After the war, the era of neoclassical historicism and Heimatstil was finally history. Times were more austere and the requirements for residential buildings had changed. More important than a representative façade and large, stately rooms became affordable living space and modern facilities with sanitary installations during the housing shortage of the sparse, young Republic of German-Austria. The more professional training of master builders and architects at the k.k. Staatsgewerbeschule also contributed to a new understanding of the building trade than the often self-taught veterans of the gold-digger era of classicism had. Walks in Saggen and parts of Wilten and Pradl still take you back to the days of the Wilhelminian style. Claudiaplatz and Sonnenburgplatz are among the most impressive examples. The construction company Huter and Sons still exists today. The company is now located in Sieglanger in Josef-Franz-Huter-Straße, named after the company founder. Although the residential building in Kaiser-Josef-Straße no longer bears the company's logo, its opulence is still a relic of the era that changed Innsbruck's appearance forever. In addition to his home in Schöpfstraße, Wilten is home to a second building belonging to the Retter family. On the Innrain opposite the university is the Villa Retter. Josef Retter's eldest daughter Maria Josefa, who herself was educated by the reform pedagogue Maria Montessori, opened the first „House of the child“ of Innsbruck. Above the entrance is a portrait of the patron Josef Retter, while the south façade is adorned with a mosaic in the typical style of the 1930s, hinting at the building's original purpose. A smiling, blonde girl embraces her mother, who is holding a book, and her father, who is carrying a hammer. The small burial chapel at the Westfriedhof cemetery, which serves as the Retters' family burial place, is also a legacy of this important family for Innsbruck that is well worth seeing.

Wilhelm Greil: DER Bürgermeister Innsbrucks

One of the most important figures in the town's history was Wilhelm Greil (1850 - 1923). From 1896 to 1923, the entrepreneur held the office of mayor, having previously helped to shape the city's fortunes as deputy mayor. It was a time of growth, the incorporation of entire neighbourhoods, technical innovations and new media. The four decades between the economic crisis of 1873 and the First World War were characterised by unprecedented economic growth and rapid modernisation. Private investment in infrastructure such as railways, energy and electricity was desired by the state and favoured by tax breaks in order to lead the countries and cities of the ailing Danube monarchy into the modern age. The city's economy boomed. Businesses sprang up in the new districts of Pradl and Wilten, attracting workers. Tourism also brought fresh capital into the city. At the same time, however, the concentration of people in a confined space under sometimes precarious hygiene conditions also brought problems. The outskirts of the city and the neighbouring villages in particular were regularly plagued by typhus. 

Innsbruck city politics, in which Greil was active, was characterised by the struggle between liberal and conservative forces. Greil belonged to the "Deutschen Volkspartei", a liberal and national-Great German party. What appears to be a contradiction today, liberal and national, was a politically common and well-functioning pair of ideas in the 19th century. The Pan-Germanism was not a political peculiarity of a radical right-wing minority, but rather a centrist trend, particularly in German-speaking cities in the Reich, which was significant in various forms across almost all parties until after the Second World War. Innsbruckers who were self-respecting did not describe themselves as Austrians, but as Germans. Those who were members of the liberal Innsbrucker Nachrichten of the period around the turn of the century, you will find countless articles in which the common ground between the German Empire and the German-speaking countries was made the topic of the day, while distancing themselves from other ethnic groups within the multinational Habsburg Empire. Greil was a skilful politician who operated within the predetermined power structures of his time. He knew how to skilfully manoeuvre around the traditional powers, the monarchy and the clergy and to come to terms with them. 

Taxes, social policy, education, housing and the design of public spaces were discussed with passion and fervour. Due to an electoral system based on voting rights via property classes, only around 10% of the entire population of Innsbruck were able to go to the ballot box. Women were excluded as a matter of principle. Relative suffrage applied within the three electoral bodies, which meant as much as: The winner takes it all. Fittingly, Greil lived like a Renaissance prince. He came from the upper middle class. His father could afford to set up the family's home base in Palais Lodron in Maria-Theresienstrasse, and mass parties such as the Social Democrats were unable to assert themselves until the electoral reform of the First Republic. Conservatives also had a hard time in Innsbruck due to the composition of the population, especially until the incorporation of Wilten and Pradl. Mayor Greil was able to build on 100% support in the municipal council, which of course made decision-making and steering considerably easier. For all the efficiency that Innsbruck mayors displayed on the surface, it should not be forgotten that this was only possible because, as part of an elite of entrepreneurs, tradesmen and freelancers, they ruled in a kind of elected dictatorship without any significant opposition or consideration for other population groups such as labourers, craftsmen and employees. The Imperial Municipalities Act of 1862 gave cities such as Innsbruck, and thus the mayors, greater powers. It is hardly surprising that the chain of office that Greil received from his colleagues in the municipal council on his 60th birthday was remarkably similar to the medal chains of the old nobility. 

Under Greil's aegis and the general economic upturn, fuelled by private investment, Innsbruck expanded at a rapid pace. In true merchant style, the municipal council purchased land with foresight in order to enable the city to innovate. The politician Greil was able to rely on the civil servants and town planners Eduard Klingler, Jakob Albert and Theodor Prachensky for the major building projects of the time. Infrastructure projects such as the new town hall in Maria-Theresienstraße in 1897, the opening of the Mittelgebirgsbahn railway, the Hungerburgbahn and the Karwendelbahn were realised during his reign. Other highly visible milestones were the renovation of the market square and the construction of the market hall. 

In addition to the prestigious large-scale projects, however, many inconspicuous revolutions emerged in the last decades of the 19th century. Much of what was driven forward in the second half of the 19th century is part of everyday life today. For the people of the time, however, these things were a real sensation and life-changing. Greil's predecessor, Mayor Heinrich Falk (1840 - 1917), had already made a significant contribution to the modernisation of the town and the settlement of Saggen. Since 1859, the lighting of the town with gas pipelines had progressed steadily. With the growth of the town and modernisation, the cesspits, which served as privies in the back yards of houses and were sold to surrounding farmers as fertiliser after being emptied, became an unreasonable burden for more and more people. In 1880, the RaggingThe city was responsible for the emptying of the lavatories. Two pneumatic machines were to make the process at least a little more hygienic. Between 1887 and 1891, Innsbruck was equipped with a modern high-pressure water pipeline, which could also be used to supply fresh water to flats on higher floors. For those who could afford it, this was the first opportunity to install a flush toilet in their own home. 

Greil continued this campaign of modernisation. After decades of discussions, the construction of a modern alluvial sewerage system began in 1903. Starting in the city centre, more and more districts were connected to this now commonplace luxury. By 1908, only the Koatlackler Mariahilf and St. Nikolaus were not connected to the sewerage system. The new abattoir in Saggen also improved hygiene and cleanliness in the city. With a few exceptions, poorly controlled farmyard slaughterhouses were a thing of the past. The cattle arrived at the Sillspitz by train and were professionally slaughtered in the modern facility. Greil also transferred the gasworks in Pradl and the power station in Mühlau to municipal ownership. Street lighting was converted from gas lamps to electric lighting in the 20th century. In 1888, the hospital moved from Maria-Theresienstraße to its current location. 

The mayor and municipal council were able to Innsbrucker Renaissance In addition to the growing economic power in the pre-war period, the church could also rely on patrons from the middle classes. While technical innovations and infrastructure were the responsibility of the liberals, the care of the poorest remained with clerically-minded forces, although no longer with the church itself. Baron Johann von Sieberer donated the old people's asylum and the orphanage in Saggen. Leonhard Lang donated the building, previously used as a hotel, to which the town hall moved from the old town in 1897, in return for the town's promise to build a home for apprentices. 

In contrast to the booming pre-war era, the period after 1914 was characterised by crisis management. In his final years in office, Greil accompanied Innsbruck through the transition from the Habsburg Monarchy to the Republic, a period characterised above all by hunger, misery, scarcity of resources and insecurity. He was 68 years old when Italian troops occupied the city after the First World War and Tyrol was divided at the Brenner Pass, which was particularly bitter for him as a representative of German nationalism. Although the Social Democrats won their first election in Innsbruck in 1919, Greil remained mayor thanks to the majorities in the municipal council. He died in 1928 as an honorary citizen of the city of Innsbruck at the age of 78. Wilhelm-Greil-Straße was named after him during his lifetime.



The Bocksiedlung and Austrofascism

In addition to hunger, political polarisation characterised people's lives in the 1920s and 1930s. Although the collapse of the monarchy had brought about a republic, the two major popular parties, the Social Democrats and the Christian Socials, were as hostile to each other as two scorpions. Both parties set up paramilitary blocs to back up their political agenda with violence on the streets if necessary. The Republican Defence League on the side of the Social Democrats and various Christian-social or even monarchist-orientated Home defenceFor the sake of simplicity, the different groups will be summarised under this collective term, were like civil war parties. Many politicians and functionaries on both sides had fought at the front during the war and were correspondingly militarised. The Tiroler Heimatwehr was able to rely on better infrastructure and a political network in rural Tyrol thanks to the support of the Catholic Church. On 12 November 1928, the tenth anniversary of the founding of the Republic, 18,000 members of the Austrian armed forces marched through the city on the First All-Austrian Homeland March to underline their superiority on the highest holiday of the domestic social democracies. The Styrian troops were quartered in Wilten Abbey, among other places.  

From 1930, the NSDAP also became increasingly present in the public sphere. It was able to gain supporters, particularly among students and young, disillusioned workers. By 1932, the party already had 2,500 members in Innsbruck. There were repeated violent clashes between the opposing political groups. The so-called Höttinger Saalschlacht Hötting was not yet part of Innsbruck at that time. The community was mainly inhabited by labourers. In this red National Socialists planned a rally in the Tyrolean bastion at the Gasthof Golden Beara meeting place for the Social Democrats. This provocation ended in a fight that resulted in over 30 people being injured and one death from a stab wound on the National Socialist side. The riots spread throughout the city, with the injured even clashing in the hospital. Only with the help of the gendarmerie and the army was it possible to separate the opponents.

After years of civil war-like conditions, the Christian Socialists under Chancellor Engelbert Dollfuß (1892 - 1934) prevailed in 1933 and eliminated parliament. There was no significant fighting in Innsbruck. On 15 March, the party house of the Social Democratic Labour Party Tyrol im Hotel Sonne The Republican Protection League leader Gustav Kuprian was arrested for high treason and the individual groups disarmed. Dollfuß's goal was to establish the so-called Austrian corporative statea one-party state without opposition, curtailing elementary rights such as freedom of the press and freedom of assembly. In Tyrol in 1933, the Tiroler Wochenzeitung was newly founded to function as a party organ. The entire state apparatus was to be organised along the lines of Mussolini's fascism in Italy under the Vaterländischen Front united: Anti-socialist, authoritarian, conservative in its view of society, anti-democratic, anti-Semitic and militarised. The Innsbruck municipal council was reduced from 40 to 28 members. Instead of free elections, they were appointed by the provincial governor, which meant that only conservative councillors were represented.

Dollfuß was extremely popular in Tyrol, as pictures of the packed square in front of the Hofburg during one of his speeches in 1933 show. His policies were the closest thing to the Habsburg monarchy. His political course was supported by the Catholic Church. This gave him access to infrastructure, press organs and front organisations. Against the hated socialists, the Patriotic Front with their paramilitary units. They did not shy away from repression and acts of violence against life and limb and the facilities of political opponents. Socialists, social democrats, trade unionists and communists were repeatedly arrested. In 1934, members of the Heimwehr destroyed the monument to the Social Democrat Martin Rapoldi in Kranebitten. The press was politically controlled and censored. The articles glorified the idyllic rural life. Families with many children were supported financially. The segregation of the sexes in schools and the reorganisation of the curriculum for girls, combined with pre-military training for boys, was in the interests of a large part of the population. The traditionally orientated cultural policy, with which Austria presented itself as the better Germany under the anti-clerical National Socialist leadership appealed to the conservative part of society. As early as 1931, some Tyrolean mayors had joined forces to have the entry ban for the Habsburgs lifted, so the unspoken long-term goal of reinstalling the monarchy by the Christian Socials enjoyed broad support.

On 25 July 1934, the banned National Socialists attempted a coup in Vienna, in which Dollfuß was killed. There was also an attempted coup in Innsbruck. A policeman was shot dead in Herrengasse when a group of National Socialists attempted to take control of the city. Hitler, who had not ordered the attacks, distanced himself, and the Austrian groups of the banned party were restricted as a result. In Innsbruck, the "Verfügung des Regierungskommissärs der Landeshauptstadt Tirols“ der Platz vor dem Tiroler Landestheater als Dollfußplatz led. Dollfuß had met with the Tyrolean Heimwehr leader Richard Steidle at a rally here two weeks before his death. Steidle himself had been the victim of political violence on several occasions. In 1932, he was attacked on the tram after the Höttinger Saalschlacht, and the following year he was the victim of an assassination attempt in front of his house in Leopoldstraße. After the NSDAP seized power, he was sent to Buchenhausen concentration camp, where he died in 1940.

Dollfuß' successor as Chancellor Kurt Schuschnigg (1897 - 1977) was a Tyrolean by birth and a member of the Innsbruck student fraternity Austria. He ran a law firm in Innsbruck for a long time. In 1930, he founded a paramilitary unit called Ostmärkische Sturmscharenwhich formed the counterweight of the Christian Socials to the radical Heimwehr groups. After the February Uprising in 1934, as Minister of Justice in the Dollfuß cabinet, he was jointly responsible for the execution of several Social Democrats.

However, Austrofascism was unable to turn the tide in the 1930s, especially economically. The economic crisis, which also hit Austria in 1931 and fuelled the radical, populist policies of the NSDAP, hit hard. State investment in major infrastructure projects came to a standstill. The unemployment rate in 1933 was 25%. The restriction of social welfare, which was introduced at the beginning of the First Republick was introduced had dramatic effects. The long-term unemployed were excluded from receiving social benefits as "Discontinued" excluded. Poverty caused the crime rate to rise, and robberies, muggings and thefts became more frequent.

As in previous decades, the housing situation was a particular problem. Despite the city's efforts to create modern living space, many Innsbruck residents still lived in shacks. Bathrooms or one bedroom per person were the exception. Since the great growth of Innsbruck from the 1880s onwards, the housing situation was precarious for many people. The railways, industrialisation, refugees from the German-speaking regions of Italy and the economic crisis had pushed Innsbruck to the brink of the possible. After Vienna, Innsbruck had the second highest number of residents per house. Rents for housing were so high that workers often slept in stages in order to share the costs. Although new blocks of flats and homeless shelters were built, especially in Pradl, such as the workers' hostel in Amthorstraße in 1907, the hostel in Hunoldstraße and the Pembaurblock, this was not enough to deal with the situation. Out of this need and despair, several shanty towns and settlements emerged on the outskirts of the city, founded by the marginalised, the desperate and those left behind who found no place in the system. In the prisoner-of-war camp in the Höttinger Au, people took up residence in the barracks after they had been invalided out. The best known and most notorious to this day was the Bocksiedlung on the site of today's Reichenau. From 1930, several families settled in barracks and caravans between the airport, which was located there at the time, and the barracks of the Reichenau concentration camp. The legend of its origins speaks of Otto and Josefa Rauth as the founders, whose caravan was stranded here. Rauth was not only economically poor, but also morally poor as an avowed communist in Tyrolean terms. His raft, the Noah's Ark, which he wanted to use to reach the Soviet Union via the Inn and Danube, anchored in front of Gasthof Sandwirt.

Gradually, an area emerged on the edge of both the town and society, which was run by the unofficial mayor of the estate, Johann Bock (1900 - 1975), like an independent commune. He regulated the agendas in his sphere of influence in a rough and ready manner.

The Bockala had a terrible reputation among the good citizens of the city. And despite all the historical smoothing and nostalgia, probably not without good reason. As helpful and supportive as the often eccentric residents of the estate could be among themselves, physical violence and petty crime were commonplace. Excessive alcohol consumption was common practice. The streets were unpaved. There was no running water, sewage system or sanitary facilities, nor was there a regular electricity supply. Even the supply of drinking water was precarious for a long time, which brought with it the constant risk of epidemics.

Many, but not all, of the residents were unemployed or criminals. In many cases, it was people who had fallen through the system who settled in the Bocksiedlung. Having the wrong party membership could be enough to prevent you from getting a flat in Innsbruck in the 1930s. Karl Jaworak, who carried out an assassination attempt on Federal Chancellor Prelate Ignaz Seipel in 1924, lived at Reichenau 5a from 1958 after his imprisonment and deportation to a concentration camp during the Nazi regime.

The furnishings of the Bocksiedlung dwellings were just as heterogeneous as the inhabitants. There were caravans and circus wagons, wooden barracks, corrugated iron huts, brick and concrete houses. The Bocksiedlung also had no fixed boundaries. Bockala In Innsbruck, being a citizen was a social status that largely originated in the imagination of the population.

Within the settlement, the houses and carriages built were rented out and sold. With the toleration of the city of Innsbruck, inherited values were created. The residents cultivated self-sufficient gardens and kept livestock, and dogs and cats were also on the menu in meagre times.

The air raids of the Second World War exacerbated the housing situation in Innsbruck and left the Bocksiedlung grow. At its peak, there are said to have been around 50 accommodations. The barracks of the Reichenau concentration camp were also used as sleeping quarters after the last imprisoned National Socialists held there were transferred or released, although the concentration camp was not part of the Bocksiedlung in the narrower sense.

The beginning of the end was the 1964 Olympic Games and a fire in the settlement a year earlier. Malicious tongues claim that this was set to speed up the eviction. In 1967, Mayor Alois Lugger and Johann Bock negotiated the next steps and compensation from the municipality for the eviction, reportedly in an alcohol-fuelled atmosphere. In 1976, the last quarters were evacuated due to hygienic deficiencies.

Many former residents of the Bocksiedlung were relocated to municipal flats in Pradl, the Reichenau and in the O-Village quartered here. The customs of the Bocksiedlung lived on for a number of years, which accounts for the poor reputation of the urban apartment blocks in these neighbourhoods to this day.

A reappraisal of what many historians call the Austrofascism has hardly ever happened in Austria. In the church of St Jakob im Defereggen in East Tyrol or in the parish church of Fritzens, for example, pictures of Dollfuß as the protector of the Catholic Church can still be seen, more or less without comment. In many respects, the legacy of the divided situation of the interwar period extends to the present day. To this day, there are red and black motorists' clubs, sports associations, rescue organisations and alpine associations whose roots go back to this period.

The history of the Bocksiedlung was compiled in many interviews and painstaking detail work by the city archives for the book "Bocksiedlung. A piece of Innsbruck" of the city archive.

Andreas Hofer and the Tyrolean uprising of 1809

The Napoleonic Wars gave the province of Tyrol a national epic and, in Andreas Hofer, a hero whose splendour still shines today. However, if one subtracts the carefully constructed legend of the Tyrolean uprising against foreign rule, the period before and after 1809 was a dark chapter in Innsbruck's history, characterised by economic hardship, the devastation of war and several instances of looting. The Kingdom of Bavaria was allied with France during the Napoleonic Wars and was able to take over the province of Tyrol from the Habsburgs in several battles between 1796 and 1805. Innsbruck was no longer the capital of a crown land, but just one of many district capitals of the administrative unit Innkreis. Revenues from tolls and customs duties as well as from Hall salt left the country for the north. The British colonial blockade against Napoleon meant that Innsbruck's long-distance trade and transport industry, which had always flourished and brought prosperity, collapsed. Innsbruck's citizens had to accommodate Bavarian soldiers in their homes. The abolition of the Tyrolean provincial government, the gubernium and the Tyrolean parliament meant not only the loss of status, but also of jobs and financial resources. Inspired by the spirit of the Enlightenment, reason and the French Revolution, the new rulers set about overturning the traditional order. While the city suffered financially as a result of the war, as is always the case, the upheaval opened up new socio-political opportunities. War is the father of all things, The breath of fresh air was not inconvenient for many citizens. Modern laws such as the Alley cleaning order or compulsory smallpox immunisation were intended to promote cleanliness and health in the city. At the beginning of the 19th century, a considerable number of people were still dying from diseases caused by a lack of hygiene and contaminated drinking water. A new tax system was introduced and the powers of the nobility were further reduced. The Bavarian administration allowed associations, which had been banned in 1797, again. Liberal Innsbruckers also liked the fact that the church was pushed out of the education system. The Benedictine priest and later co-founder of the Innsbruck Music Society, Martin Goller, was appointed to Innsbruck to promote musical education.

These reforms were not to the liking of a large part of the Tyrolean population. Catholic processions and religious festivals fell victim to the enlightenment programme of the new rulers. Dissatisfaction grew steadily. The spark that caused the powder keg to explode was the conscription of young men for service in the Bavarian-Napoleonic army, although Tyroleans had not been conscripted since the LandlibellThe law of Emperor Maximilian stipulated that soldiers could only be called up for the defence of their own borders. On 10 April, there was a riot during a conscription in Axams near Innsbruck, which ultimately led to an uprising. For God, Emperor and Fatherland Tyrolean defence units came together to drive the small army and the Bavarian administrative officials out of Innsbruck. The riflemen were led by Andreas Hofer (1767 - 1810), an innkeeper, wine and horse trader from the South Tyrolean Passeier Valley near Meran. He was supported not only by other Tyroleans such as Father Haspinger, Peter Mayr and Josef Speckbacher, but also by the Habsburg Archduke Johann in the background.

Once in Innsbruck, the marksmen not only plundered official facilities. As with the peasants' revolt under Michael Gaismair, their heroism was fuelled not only by adrenaline but also by alcohol. The wild mob was probably more damaging to the city than the Bavarian administrators had been since 1805, and the "liberators" rioted violently, particularly against middle-class ladies and the small Jewish population of Innsbruck.

In July 1809, Bavaria and the French took control of Innsbruck following the agreement with the Habsburgs. Peace of Znojmo, which many still regard as a Viennese betrayal of the province of Tyrol. What followed was what is known as Tyrolean survey under Andreas Hofer, who had meanwhile assumed supreme command of the Tyrolean defence forces, was to go down in the history books. The Tyrolean insurgents were able to carry victory from the battlefield a total of three times. The 3rd battle in August 1809 on Mount Isel is particularly well known. "Innsbruck sees and hears what it has never heard or seen before: a battle of 40,000 combatants...“ For a short time, Andreas Hofer was Tyrol's commander-in-chief in the absence of regular facts, also for civil affairs. Innsbruck's financial plight did not change. Instead of the Bavarian and French soldiers, the townspeople now had to house and feed their compatriots from the peasant regiment and pay taxes to the new provincial government. The city's liberal and wealthy elites in particular were not happy with the new city rulers. The decrees issued by him as provincial commander were more reminiscent of a theocracy than a 19th century body of laws. Women were only allowed to go out on the streets wearing chaste veils, dance events were banned and revealing monuments such as the one on the Leopoldsbrunnen nymphs on display were banned from public spaces. Educational agendas were to return to the clergy. Liberals and intellectuals were arrested, but the Praying the rosary to the bid.

In the end, the fourth and final battle on Mount Isel in autumn 1809 resulted in a heavy defeat against the French superiority. The government in Vienna had used the Tyrolean rebels primarily as a tactical bruiser in the war against Napoleon. The Emperor had already had to officially cede the province of Tyrol in the peace treaty of Schönbrunn. Innsbruck was once again under Bavarian administration between 1810 and 1814. The population was also only moderately motivated to wage war. Wilten was badly affected by the fighting. The village shrank from over 1000 inhabitants to just under 700. By this time, Hofer himself was already a man marked by the strain of alcohol. He was captured and executed in Mantua on 20 January 1810. To make matters worse, the country was divided. The Adige Valley and Trentino became part of the Kingdom of Italy, which Napoleon had carved out of the ground. Illyrian provinces connected.

Der „Fight for freedom" symbolises the Tyrolean self-image to this day. For a long time, Andreas Hofer, the innkeeper from the South Tyrolean Passeier Valley, was regarded as an undisputed hero and the prototype of the Tyrolean who was brave, loyal to his fatherland and steadfast. The underdog who fought back against foreign superiority and unholy customs. In fact, Hofer was probably a charismatic leader, but politically untalented and conservative-clerical, simple-minded. His tactics at the 3rd Battle of Mount Isel "Do not abandon them" (Ann.: You just mustn't let them come up) probably summarises his nature quite well.

In conservative Tyrolean circles such as the Schützen, Hofer is uncritically and cultishly worshipped. Tyrolean marksmanship is a living tradition that has modernised, but is still reactionary in many dark corners. Wiltener, Amraser, Pradler and Höttinger marksmen still march in unison alongside the clergy, traditional costume societies and marching bands in church processions and shoot into the air to keep all evil away from Tyrol and the Catholic Church.

Many monuments throughout the city commemorate the year 1809. The second half of the 19th century saw a heroisation of the fighters, who were characterised as a German bulwark against foreign nations. Mount Isel was made available to the city for the honouring of the freedom fighters by Wilten Abbey, the Catholic authority of Innsbruck. Andreas Hofer and his comrades-in-arms Josef Speckbacher, Peter Mayer, Father Haspinger and Kajetan Sweth were given street names in the Wilten district, which came to Innsbruck in 1904 during the period of the Greater German-liberal dominated municipal council and had long been under the administration of the monastery. The short Rote Gassl in the old centre of Wilten is a reminder of the Tyrolean marksmen who, wearing the red uniforms that were probably falsely attributed to them, are said to have paid homage en masse to the victorious general Hofer after his victory in the Second Battle of Berg Isel.

In Tyrol, Andreas Hofer is still used today for all kinds of initiatives and plans. The glorified hero Andreas Hofer was repeatedly invoked, especially during the nationalist period of the 19th century. Hofer was stylised into an icon through paintings, pamphlets and plays. But even today, you can still see the likeness of the head marksman when Tyroleans defend themselves against unwelcome measures by the federal government, the transit regulations of the EU or FC Wacker against foreign football clubs. The motto is then "Man, it's time!". The legend of the Tyrolean farmer fit for military service, who cultivates the fields during the day and trains as a marksman and defender of his homeland at the shooting range in the evening, is often brought out of the drawer to strengthen the "real" Tyrolean identity. To this day, the celebrations to mark the anniversary of Andreas Hofer's death on 20 February regularly attract crowds of people from all parts of Tyrol to the city. 

It was only in the last few decades that the arch-conservative and probably overburdened with his task as Tyrolean provincial commander began to be criticised. Spurred on by parts of the Habsburgs and the Catholic Church, he not only wanted to keep the French and Bavarians out of Tyrol, but also the liberal ideas of the Enlightenment.