Armoury

Zeughausgasse 1

Worth knowing

At the beginning of the sixteenth century, a turning point in Innsbruck’s urban history, the Golden Roof may have been the most famous contemporary building, but the Zeughaus probably had a much greater impact on everyday life. Between 1500 and 1506, Emperor Maximilian I had this arsenal built in what is now the Saggen district by Jörg Kölderer. Because the old arsenal in the Andechsburg was too small, especially for the large artillery pieces that became more common in the late fifteenth century, a new complex was needed. The Outer Arsenal was at times the largest weapons depot in the Holy Roman Empire and contained equipment and cannon for up to 30,000 soldiers. Court painter Jörg Kölderer depicted it in his “Zeug books”. Under Maximilian, mobile, light artillery developed, which would revolutionise warfare in Europe. Thanks to its location between the theatres of war in northern Italy and Switzerland, Innsbruck was strategically ideal not only as a storage site, but also as a centre for the Empire’s weapons production. With this early‑industrial complex, the small town on the Inn became the hub of the early modern arms industry in the German‑speaking world. The 1,600 m² inner courtyard was enclosed by a two‑storey, castle‑like structure, surrounded by numerous smaller workshop buildings. Until the eighteenth century, a moat encircled the site. The Innsbruck industrial complex extended beyond this armoury: a few kilometres further east, an extension of the arsenal was established from 1511 at today’s Weyrer site in Mühlau, a village that had become a centre for armourers and plate‑makers thanks to the power of the Mühlauer Bach. The arsenal was an economic engine and important employer for the city.

Early industrialisation led to rapid population growth through immigration and profound social change. The influx of workers brought not only numerical growth, but also an entirely new social stratum. Unlike the rural population or the city’s guild‑organised craftsmen, this was an early form of an industrial working class and their families. Not only unskilled labourers but also technicians and casters worked here, highly qualified and coveted key workers who could command good wages. Although Emperor Maximilian achieved major successes in expanding Habsburg power through shrewd marriage policy, he was also an eager warlord. Innsbruck benefited from a share of this war‑driven economic cycle. Even away from the front lines, the weapons plants influenced people’s living conditions. Looking at the development of Dreiheiligen and the Kohlstatt, the everyday lives of the workers and the financing of imperial policy by the Fugger banking house in Augsburg, one gains an impression of early capitalism in Europe.

In the second half of the seventeenth century, the importance of the arms industry in Innsbruck declined. Suits of armour went out of fashion and the front line shifted from Italy to Central Europe, where the Turkish wars dominated events. The arms industry migrated out of the Alpine region towards the north and east. The business of war, however, remained tied to the Zeughaus: the building was used as a barracks until 1918. Anyone strolling once around the site today will find not only the Gothic back door on the east side, but also other interesting structures; the flat houses grouped around courtyards still recall the former military use. Today, the Zeughaus houses a museum with changing exhibitions and a permanent exhibition on the cultural history of Tyrol. Large residential blocks have been built around it, and the former barracks buildings now accommodate a kindergarten. Events such as open‑air cinema screenings take place in the inner courtyard of the Zeughaus.

Innsbruck's industrial revolutions

Innsbruck has always seen itself primarily as a city of trade, tourism, and academia. In reality, however, manufacturing and productive industries have played a significant role in its history. As early as the fifteenth century, a proto‑industrial form of production began to emerge from traditional crafts. Metalworking flourished in the booming residential city, driven by the construction boom and the demand for weapons and armour. A combination of factors made this possible: the city’s favourable transport connections, the availability of water power, Innsbruck’s political rise, the craftsmanship of its artisans, and access to capital under Maximilian all contributed to the development of necessary infrastructure. Bell founders and armaments manufacturers such as the Löffler family established workshops in Hötting, Mühlau, and Dreiheiligen that ranked among the leading enterprises of their time in Europe. Along the Sill Canal, mills and workshops harnessed water power as an energy source. Powder mills and silver smelting works were located in Silbergasse, today’s Universitätsstraße. In what is now Adamgasse, close to the city, a munitions factory once stood, which exploded in 1636.

The wealth generated by metalworking stimulated other sectors of the economy. By the early seventeenth century, around 270 businesses were operating in Innsbruck, providing employment for masters, journeymen, and apprentices. Although most of the population was still engaged in administration, trade and craft industries—and the money they generated—began to attract a new social stratum. This led to a redistribution within the city. Citizens and businesses gradually displaced officials and members of the aristocracy from the Neustadt. Many of the Baroque palazzi that now line Maria‑Theresien‑Straße were built during this period, while districts such as Dreiheiligen and St. Nikolaus developed into industrial and working‑class quarters. In addition to metalworking in the Silbergasse area, tanners, carpenters, wagon makers, builders, stonemasons, and other crafts associated with early industrialisation settled here.

Industrial development reshaped not only the social structure through the influx of new workers and their families, but also the physical appearance of Innsbruck. Workers, unlike peasants, were not subjects bound to a feudal lord, even if they remained subordinate to the strict authority of their employers. Entrepreneurs were not of noble birth, yet often possessed greater financial resources than the aristocracy. Traditional hierarchies still existed but began to show signs of strain. The new bourgeoisie introduced new fashions and dressed differently. Capital from outside flowed into the city. Housing and churches were built for the incoming population. The working‑class districts outside the city walls were viewed with suspicion by long‑time residents, not least because overcrowded conditions were believed to foster outbreaks of plague. Large workshops altered both the smell and soundscape of the city. Industrial sites were noisy, and smoke from furnaces polluted the air. Innsbruck had evolved from a small settlement at the Inn Bridge into a proto‑industrial town.

Growth was interrupted for several decades at the end of the eighteenth century by the Napoleonic Wars. Compared to other parts of Europe, the second wave of industrialisation arrived relatively late in Innsbruck. One reason was the delayed development of a functioning banking system. For devout Catholics, bankers were still regarded as “usurers and moneylenders,” and financial dealings were considered morally questionable. Without access to credit, however, large enterprises could not be established. Although the Tyrolean provincial government had founded the Banko as early as 1715 and a private bank operated in Herzog‑Friedrich‑Straße, it was only with the establishment of a branch of the savings bank that people no longer had to keep their money hidden at home. From around 1850 onwards, credit became available, enabling the creation of larger local enterprises. Traditional crafts—both urban guild-based workshops and seasonal rural production—came under pressure from modern industrial manufacturing. Modern factories emerged in St. Nikolaus, Wilten, Mühlau, and Pradl along the Mühlbach and Sill Canal. Many innovative entrepreneurs came from outside Innsbruck. In what is now Innstraße 23, Peter Walde, who had moved from Lusatia to Innsbruck, founded a business in 1777 producing goods derived from fats, such as tallow candles and soap. Eight generations later, Walde remains one of Austria’s oldest family businesses, and its historic headquarters—with its Gothic vaulted ceilings—still sells soaps and candles today. Franz Josef Adam, originally from the Vinschgau, established what became the city’s largest brewery in a former aristocratic residence. In 1838, the spinning machine arrived in Pradl via the Dornbirn firm Herrburger & Rhomberg, bringing textile production into the region. The company had acquired land along the Sill floodplain, where water power provided ideal conditions for operating heavy machinery. Alongside wool, cotton was now also processed.

As 400 years earlier, the Second Industrial Revolution fundamentally transformed both the city and the daily lives of its inhabitants. Districts such as Mühlau, Pradl, and Wilten expanded rapidly. Factories were often located directly within residential areas. Around 1900, more than twenty enterprises were still using the Sill Canal. The Haidmühle in Salurnerstraße operated from 1315 to 1907. A textile factory in Dreiheiligenstraße was also powered by the canal. Noise and emissions from machinery placed heavy burdens on residents, as described in a newspaper article from 1912:

“The installation of an explosion engine in the Hibler fig‑coffee factory near the main railway station has caused outrage among the residents of the surrounding district. The noise produced by this machine throughout most of the day is extremely disturbing and diminishes the value of nearby dwellings. The once highly sought-after garden rooms in hotels on Bahnhofplatz are now scarcely rentable. Even worse than the noise, however, is the smoke and stench produced by the new machine…”

Aristocrats who had relied too long on inherited wealth were increasingly forced to sell their estates to the rising bourgeoisie. For example, Palais Sarnthein—originally built in 1689—was later used by a weapons manufacturer and merchant, Johann Peterlongo. Some members of the aristocracy adapted successfully, investing their resources in industrial ventures. The growing demand for labour was met by former farmhands and landless peasants. While wealthy entrepreneurs built villas in Wilten, Pradl, and Saggen, and middle-class employees occupied urban housing, workers were often accommodated in dormitories or mass housing. Twelve-hour shifts in cramped, noisy, and polluted conditions placed heavy demands on labourers. Child labour was not restricted until the 1840s, and women earned only a fraction of men’s wages. Workers were often dependent on company-owned housing and lacked legal protections. Social security systems did not yet exist; those unable to work depended on charitable support from their home communities. It should be noted that these harsh conditions were not entirely new but evolved from rural life, where inequality, child labour, and precarious work had been common.

However, industrialisation did not only affect everyday material life. Innsbruck experienced the kind of gentrification that can be observed today in trendy urban neighbourhoods such as Prenzlauer Berg in Berlin. The change from the rural life of the village to the city involved more than just a change of location. In one of his texts, the Innsbruck writer Josef Leitgeb tells us how people experienced the urbanisation of what was once a rural area: 

“…a great many strangers, poorly dressed, crowded into growing housing blocks, filling the streets morning, noon, and evening as they went to and from work… faces pale and prematurely aged, lacking individuality in posture, speech, and clothing—no longer individuals, but a uniform, endlessly repeatable urban working class… The railway station and the gasworks seemed to be the core of this new and profoundly alien landscape.”

After 1848, many Innsbruck residents experienced a process of “bourgeoisification.” Stories of upward mobility through diligence, talent, and opportunity became more common. Notable examples still in existence include the Tyrolean glass painting workshop, the Hörtnagl food business, and the Walde soap factory. Successful entrepreneurs came to occupy roles once held by the landed nobility, forming вместе with academics a new influential social class. Even workers experienced a degree of bourgeois emancipation. Unlike peasants bound to feudal lords, they now received wages instead of subsistence and gained some autonomy over their private lives. Together with the many academics, they formed a new social class that increasingly gained political influence. As early as 1851, Beda Weber remarked approvingly: “Their social circles are unforced; one already senses something distinctly metropolitan, something not easily found elsewhere in Tyrol.”

The workers also became bourgeois. While the landlord in the countryside was still master of the private lives of his farmhands and maidservants and was able to determine their lifestyle up to and including sexuality via the release for marriage, the labourers were now at least somewhat freer individually. They were poorly paid, but at least they now received their own wages instead of board and lodging and were able to organise their private affairs for themselves without the landlord's guardianship. 

However, the downside of this newly gained autonomy became particularly apparent in the early decades of industrialisation. There was little state infrastructure for healthcare or family support. Health insurance, pensions, retirement homes, and childcare facilities did not yet exist; previously, these functions had largely been fulfilled within extended rural families. In working-class districts, unsupervised children were a common sight during the day—especially the youngest, who were not yet subject to compulsory schooling. In response, a women’s association was founded in 1834 following an appeal by the Tyrolean provincial governor. It established childcare institutions in working-class districts such as St. Nikolaus, Dreiheiligen, and Angerzell (today’s Museumstraße). Their aim was not only to keep children off the streets and provide them with food and clothing, but also to instill manners, modest behaviour, and moral discipline. Under strict supervision, caretakers ensured “cleanliness, order, and obedience,” thereby providing at least a basic level of care. The former childcare institution in Paul‑Hofhaimer‑Gasse behind the Ferdinandeum still exists today. The neoclassical building now houses a Caritas integration kindergarten and a daycare center for employees of the State of Tyrol.

Innsbruck never became a traditional industrial working‑class city. Even so, a significant labour movement—such as that found in Vienna—never truly developed in Tyrol. While there were Social Democrats and a small number of Communists, the working class remained too small to exert substantial political influence. May Day marches, for example, are attended by many primarily for inexpensive food and free beer rather than political engagement. More broadly, there are few memorial sites dedicated to industrialisation and the achievements of the working class. Only in places such as St.-Nikolaus-Gasse or in some tenement buildings in Wilten and Pradl have structures survived that offer a glimpse into the everyday life of Innsbruck’s workers. 

Maximilian I. and his times

Maximilian ranks among the most significant figures not only in the history of Innsbruck, but in European history as a whole. Of this mountainous land he is said to have remarked: “Tyrol is a coarse peasant’s coat, but one that keeps you warm.” There were many reasons for this special affection. His father, Frederick III, had been born in Innsbruck in 1415, before the city became a princely residence. Like many of his peers in the high aristocracy, Maximilian was an enthusiastic hunter, and the city’s location amid floodplains, forests, and mountains is said to have exerted on him a particular appeal—much as it still does today on German students. Despite these convincing “soft facts,” it was probably more tangible reasons that led him to conduct a considerable part of his governmental business from Innsbruck. In 1490, at the request of the Estates of the Land, he assumed the government of Tyrol from his predecessor Sigismund. The powerful Habsburg was unwilling to relinquish the important assets the region had to offer from the Habsburg portfolio. Maximilian transformed the former trading settlement on the Inn into one of the most important centers of the Holy Roman Empire, thereby permanently shaping its destiny. Innsbruck’s strategically advantageous location close to the Italian theaters of war also made the city highly attractive to the Emperor. Many Tyroleans were compelled to enforce the imperial will on the battlefield instead of tending their own fields. This changed only toward the end of his reign. In 1511, Maximilian granted the Tyroleans the Tyrolean Landlibell, a kind of constitution, which stipulated that they could only be called upon for military service in defense of their own land. What admirers of Maximilian—who like to regard the document as a charter of liberty—often overlook are the associated obligations, such as the levying of special taxes in the event of war. For Innsbruck the arrangement paid off in any case—if not financially, then at least culturally. “Whoever does not create a memory for himself in life will have no memory after death, and such a person will be forgotten with the peal of the bell.” Maximilian countered this fear quite successfully and deliberately through the erection of highly visible symbols of imperial power, such as the Golden Roof. Propaganda, imagery, and media played an increasingly important role, not least due to the emergence of printing. Maximilian made deliberate use of art and culture to maintain his presence. He kept a Reich Chapel Choir, a musical ensemble that performed primarily at public appearances and receptions of international envoys. A veritable cult of personality was staged around him through coins, books, printed works, and paintings.

For all the romance cultivated by this lover of courtly traditions and classical chivalry, Maximilian was a cool-headed power politician. His cultural policy and propaganda may have drawn on medieval models, but in realpolitik terms he was forward-looking. During his reign, political institutions such as the Imperial Diet (Reichstag), the Imperial Aulic Council (Reichshofrat), and the Imperial Chamber Court (Reichskammergericht) emerged, strictly regulating the relationship between subjects, territorial lords, and monarchy. Around 1500, Tyrol had approximately 300,000 inhabitants. More than 80 percent worked in agriculture and lived largely from the yields of their farms. In a veritable frenzy of new legislation, Maximilian curtailed peasant rights to the commons. Timber harvesting, hunting, and fishing were subordinated to the territorial lord and were no longer communal rights. This had negative effects on peasant self-sufficiency. Thanks to the new laws, hunters became poachers. Meat and fish, long staples of the medieval diet, became luxuries that could often only be obtained illegally. As a result, Maximilian was unpopular among large segments of the population during his lifetime.

Restrictions on self-sufficiency were joined by new taxes. It had always been customary for sovereigns to impose additional taxes on the population in the event of war. Maximilian's warfare differed from medieval conflicts. The auxiliary troops and their noble, chivalrous landlords were supplemented or completely replaced by mercenaries who knew how to use modern firearms.

This new way of waging war consumed enormous sums. When revenues from princely rights—such as minting, market, mining, and customs monopolies—were no longer sufficient, various population groups were taxed according to their estate and wealth. The system, however, was still far removed from today’s differentiated taxation models and consequently produced injustice and resentment. One example was Maximilian’s Gemeiner Pfennig. This wealth tax ranged from 0.1 to 0.5 percent of assets but was capped at one gulden. Jews, irrespective of their wealth, were required to pay a poll tax of one gulden. For the first time, princes were also obliged to contribute, but due to the cap they paid no more than a middle-class Jew. The proclamation and execution of the tax fell to prelates, parish priests, and secular lords. Priests were required to announce the tax from the pulpit on three successive Sundays, collect contributions together with court representatives, and enter them into the imperial tax register. It soon became clear that this method of taxation was unworkable. A modern system and tax model were required. A collegial chamber, the Regiment, centrally supervised Tyrol and Further Austria following the modern model of Burgundian financial administration that Maximilian had encountered during his time in the Netherlands. Innsbruck became the financial and accounting center of the Austrian lands. The Audit Chamber (Raitkammer) and the Privy Treasury (Hauskammer) were located in the Neuhof, where today the Golden Roof looks down over the old town. In 1496, the financial resources of the Austrian hereditary lands were consolidated in the treasury in Innsbruck. The head of the Court Chamber was the Bishop of Brixen, Melchior von Meckau, who increasingly involved the Fugger family as creditors. Officials such as Jakob Villinger (1480–1529) handled financial transactions with banking houses across Europe using the Italian-influenced method of double-entry bookkeeping and attempted to keep imperial finances under control. Talented minor nobles and citizens, trained jurists, and professional administrators replaced the high nobility in leading roles. Financial experts from Burgundy held the commercial leadership of the Regiment. The boundaries between finance and other fields such as war planning and domestic policy became fluid, granting this new administrative class considerable power. Where once equilibrium between territorial lord, church, landlord, and subject had rested on a balance of contributions and military protection, this system was now enforced through coercion from above. Maximilian argued that it was the duty of every Christian, regardless of estate, to defend the Holy Roman Empire against external enemies. The records surrounding disputes between king, nobility, clergy, peasants, and towns over tax obligations strongly resemble modern political debates on power and wealth distribution. The crucial difference from earlier centuries lay in the fact that the modern administrative apparatus now made it possible to enforce and collect these taxes. Comparisons to mandatory cash registers, the taxation of tips in the hospitality industry, or debates over abolishing cash transactions suggest themselves. Capital followed political significance to Innsbruck as well. During his reign, Maximilian employed 350 councillors. Nearly a quarter of these well-paid officials came from Tyrol. Envoys and politicians from across Europe, extending as far as the Ottoman Empire, as well as nobles, built residences in Innsbruck or stayed in its inns. Much like today’s oil wealth draws specialists of all kinds to Dubai, Schwaz silver and the financial economy it generated once attracted experts of all kinds to Innsbruck—a small city amid the inhospitable Alps.

Under Maximilian’s rule, Innsbruck underwent architectural and infrastructural transformation on an unprecedented scale. In addition to constructing the prestigious Golden Roof, he remodeled the Imperial Palace, began construction of the Court Church, and created the Innsbruck Arsenal, Europe’s leading weapons manufactory. Streets through the old town were reinforced and paved for the refined members of the court. As a pious Christian in the chivalric tradition, the Emperor also aided the poorest members of society. In 1499 he renovated and expanded the Salvator Chapel, a hospital for destitute Innsbruck residents who had no claim to a place in the municipal hospital. In 1509, the inner-city cemetery was relocated from today’s Cathedral Square to behind the municipal hospital, at what is now Adolf-Pichler-Platz. Maximilian rerouted the trade road through present-day Mariahilf and improved the city’s water supply. A fire ordinance for Innsbruck followed in 1510. He also began to curtail the privileges of Wilten Abbey, the largest landowner in what is today the city area. Infrastructure owned by the monastery—such as mills, sawmills, and the Sill Canal—was to come under stronger princely control.

The imperial court and the affluent administrative class resident in Innsbruck transformed the city’s appearance and demeanor. Maximilian had introduced the refined courtly culture of Burgundy to Central Europe through his first wife. Culturally, however, it was above all his second wife, Bianca Maria Sforza, who promoted Innsbruck. Not only was their royal wedding celebrated there, she also resided in the city for long periods, as it lay closer to her native Milan than Maximilian’s other residences. She brought her entire court from the Renaissance metropolis into the German lands north of the Alps. Art and entertainment in all forms flourished.

Under Maximilian, Innsbruck not only became a cultural centre of the empire, the city also boomed economically. Among other things, Innsbruck was the centre of the postal service in the empire. Maximilian was able to build on the expertise of the gunsmiths who had already established themselves in the foundries in Hötting under his predecessor Siegmund. Platers, foundry operators, powder stampers and cutlers settled in Neustadt, St. Nikolaus, Mühlau, Hötting and along the Sill Canal. The Fugger merchant dynasty maintained an office in Innsbruck. In addition to his favoured love of Tyrolean nature, the treasures such as salt from Hall and silver from Schwaz were at least as dear and useful to him. Maximilian financed his lavish court, his election as king by the electors and the eight-year war against the Republic of Venice by mortgaging the country's mineral resources, among other things.

Assessing Maximilian’s impact on Innsbruck is challenging. Expressions of affection by an emperor naturally flatter the popular imagination to this day. His material legacy, with its many monumental buildings, reinforces this positive image. He made Innsbruck an imperial residence and advanced infrastructural modernization. Thanks to the arsenal, the city became a center of the arms industry, the treasury of the Empire, and expanded both economically and spatially. Yet the debts he incurred and the regional assets he pledged to the Fugger family shaped Tyrol after his death just as profoundly as the strict laws he imposed on the common population. He is said to have left debts amounting to five million gulden—an amount his Austrian territories could have earned over twenty years. Outstanding payments ruined many businesses and service providers after his death, leaving them stranded on imperial promises. Early modern rulers were not bound by their predecessors’ liabilities; only agreements with the Fugger family constituted an exception, as these involved collateral rights. In the legends surrounding the Emperor, these harsh realities are far less present than the Golden Roof and the soft facts learned in school. In 2019, celebrations marking the 500th anniversary of the death of what was arguably the most important Habsburg for Innsbruck were held under the slogan “Tyrolean at heart, European in spirit.” The Viennese-born ruler was benevolently naturalized. Salzburg has Mozart; Innsbruck has Maximilian—a Emperor whom Tyroleans have adapted to fit the desired identity of Innsbruck as a rugged character happiest in the mountains. His distinctive face today adorns all manner of consumer goods, from cheese to ski lifts; the Emperor serves as patron for all kinds of the profane. Only for political agendas is he less easily harnessed than Andreas Hofer. For the average citizen, it is probably easier to identify with a revolutionary innkeeper than with an emperor.

Jakob Fugger: the richest man in history

There were hardly any uncrowned individuals who exerted a greater influence on European history well into the twentieth century than Jakob Fugger (1459–1525). Fugger came from a merchant family in Augsburg. His birth was recorded in the city’s tax register with the linguistically amusing entry “Fucker advenit,” which—when read today—transcends modern language boundaries. That the little “Fucker” would one day build an unprecedented, globally operating financial empire out of the family business was by no means foreseeable. Following long-standing family tradition, Jakob and his brothers initially traded cotton with the wealthy cities of northern Italy. In the region between Florence, Venice, and Milan, an early form of financial capitalism had emerged. From there, banking began its triumphant advance across Europe in the late Middle Ages. This system soon crossed the Alps; Innsbruck, too, had branches of Italian financial institutions from the High Middle Ages onward. Merchants who did not wish to carry vast amounts of cash required so‑called bills of exchange to conduct their transactions. In the major trading cities, commercial offices modeled on Italian examples were established. In Venice—the center of long-distance trade in the eastern Mediterranean—Jakob Fugger learned the art of double-entry bookkeeping and the subtleties of advanced Italian economic management. He quickly realized that far more profit could be made through financial transactions and lending than through cotton trading.

The financial-political system prevailing at the time, combined with new demands on power politics, formed the framework within which early capitalism could grow. During the Middle Ages, Europe’s monarchs and aristocrats financed their courts and wars through the tithe, a levy paid by peasants within the feudal system. Modern warfare, driven by the introduction of firearms, became increasingly expensive in the fifteenth century, and the tithe was more and more often insufficient to finance armies. Generous contributions from investors in the growing private economy were required, providing funds in exchange for collateral and interest. For centuries it had been sufficient to know that God’s blessing was on one’s side; at the transition to the modern era, the realization emerged that having a powerful house bank was also no disadvantage. The Fugger trading and financial network expanded rapidly in this fertile climate. For their textile business, branch offices were established in Venice, Bolzano, Milan, Nuremberg, Frankfurt, Bruges, and Antwerp. These branches were multifunctional hybrids comprising sales outlets, bank branches, horse stations, warehouses, postal and news offices, and diplomatic representations. Capital and politics did not remain separate for long. Jakob Fugger’s connection with the House of Habsburg—and with Tyrol in particular—began to intensify in 1487. The Tyrolean ruler Archduke Sigismund suffered defeat in a military conflict with the Republic of Venice. To repay his debts to the Mediterranean power, amounting to 100,000 guilders, he borrowed money from the Fuggers. In return, he issued promissory notes secured by pledging the silver mine at Schwaz to his creditors. Prior to the exploitation of the American silver mines, Schwaz was the largest silver mine in the world. The Fuggers sold the Schwaz silver to the mint at Hall, which they themselves also operated, and then lent these newly minted coins back to Duke Sigismund. A cycle of a very special kind was born. This did not mark the end of the Fuggers’ political influence on world affairs; rather, it was only the starting signal. When the Tyrolean estates deposed Sigismund in 1490 because of his disastrous financial management, Maximilian I succeeded him as ruler of Tyrol. Not only did Maximilian’s lifespan coincide with that of Jakob Fugger, but the destinies of the two men were closely intertwined. The history of Tyrol itself was shaped by the most significant financial magnate of his age. Fugger was astute enough to place his trust in the new ruler. The word “credit,” derived from the Latin credere—to believe—finds clear expression in this decision. Fugger believed that a powerful Maximilian was his most valuable asset. In 1493, Fugger financed Maximilian’s election as Emperor of the Holy Roman Empire, thereby securing his influence and elevation to the nobility. Fugger was also the sponsor of the Viennese double marriage—Maximilian’s masterpiece of dynastic marriage policy—through which Hungary became part of the Habsburg realm. When Maximilian died in 1519, Fugger repeated this strategy, using his financial power to ensure the election of Maximilian’s grandson Charles V as emperor. A loan of 540,000 guilders was extended by the Fuggers to the Habsburgs to cover campaign and bribery expenses. In return, Charles V granted Fugger rights to mines in Spain and South America, where enslaved people worked under inhumane conditions to keep this cycle of exploitation and corruption in motion.

Between 1487 and 1525 alone, the Fuggers granted the Habsburgs an estimated two million guilders in loans. One guilder was equivalent to sixty crowns, while a day laborer earned approximately six crowns per day. With this sum, nearly 55,000 people could have been employed daily for an entire year. A significant portion of these debts was repaid through usage rights to Tyrolean assets and increased taxation. It is estimated that at the time of Jakob Fugger’s death, his financial empire handled around 50 percent of Tyrol’s state budget and controlled 10 percent of the assets of the Holy Roman Empire. His officials managed mines in Tyrol, Bohemia, Slovakia, and Spain, financed trading expeditions throughout the entire known world of the time, and funded numerous wars across Europe. To some historians, Jakob Fugger is considered the richest man in world history. The exact extent of his wealth is difficult to translate into modern terms; when the Frankfurter Allgemeine Zeitung attempted such a calculation in 2016, it arrived at a figure of 300 billion US dollars. Like Maximilian I, Jakob Fugger was both a power-driven individual and an educated, devout Catholic. Corruption, exploitation, the financing of wars, and—out of piety and fear of purgatory—the founding of the Fuggerei, the world’s first social housing complex in Augsburg, were not mutually exclusive in his worldview. In Innsbruck, the Palais Fugger‑Taxis as well as a small alley between Maria‑Theresien‑Strasse and Landhausplatz still commemorate the Fugger family.