HTL Anichstraße
Anichstrasse 26 / 28
Worth knowing
A large part of the buildings constructed in Innsbruck during the 20th century had their origins in a type of school conceived in the 19th century, which continues to produce engineers, master builders, and technicians of all kinds to this day. The Higher Technical Institute (HTL) on Anichstraße not only reflects the bourgeois character of the Gründerzeit in its outward appearance but also illustrates the political and social upheavals of that era in education. The Austro-Hungarian monarchy, though one of the largest states in Europe in the second half of the 19th century, was far from being among the most innovative. Both Emperor Franz Joseph I and many members of the Reichstag were not up to date with the rapid technological developments of the time. Private investors kept things running through their investments in services and infrastructure. Whereas the Fuggers had granted the Emperor generous loans in the 16th century to secure mining rights in Tyrol, modern joint-stock companies obtained concessions for railways and gasworks in return for their engagement. The state welcomed them as partners to advance modernization with fresh capital and ideas. Alongside lucrative profit margins, they also bought political influence. One of their key demands was a reform of the school system. By the time of the Vienna World Exhibition in 1873, it had become clear that education needed to change to prepare young people for an increasingly industrialized world dependent on skilled labor. Humanism and military training could not replace modern vocational education.
The first technical schools in Austria focused on the wood industry. In Innsbruck, however, the State Trade School developed from an artistic environment. The founders and first teachers of the predecessor institution were Johann Deiniger, Heinrich Fuss, and Anton Roux—a sculptor, architect, and landscape painter respectively. Deiniger came to Innsbruck from Vienna in 1876 to work as a technical official at Ambras Castle. The following year, together with Fuss, whom he knew from the Academy of Fine Arts in Vienna, he founded a drawing and modeling school in the Dreiheiligen elementary school building. They had noticed that Innsbruck’s booming construction and architecture sector needed stronger professionalization. Urban expansion was driven by building firms that often resorted to stylistic copy-paste at clients’ request rather than developing original ideas and considering public needs, creativity, and cost-efficiency. Deiniger and Fuss pushed forward the ambitious project of establishing a k.k. State Trade School in Innsbruck—one of only about 20 in the entire monarchy. The timing was promising: in 1880, the Commercial Academy opened in Saggen to train future banking and finance experts. The following year, construction began on a dedicated building for the planned State Trade School, financed by public funds and the local savings bank, which was also interested in professionalizing the construction industry. Based on plans by Natale Tommasi—later co-designer of the main post office and the military cemetery—the three-story, classically styled building resembling a city palace was erected by Johann Huter & Sons. Its frieze of putti depicts symbols of art, technology, and construction.
Although Mayor Falk insisted that woodworking should be given ample space in the building, the artistic faction prevailed—unwittingly shaping the cityscape of Innsbruck in the First Republic. In 1882, the School for Construction and Applied Arts opened. Unlike today, students who were not exceptionally talented but lacked means had to pay tuition. While there was a department for wood and metalwork, most teachers came from creative fields. The faculty included architect Deiniger, painter Roux, sculptor Fuss, architect Max Haas, and workshop director Joseph Oppelt. In addition to its construction and applied arts department and workshops, the school offered drawing courses and evening classes for adults in the trades. Student numbers steadily increased. Architecture was considered a golden profession during the late monarchy’s urban boom—much like computer science in the late 20th and early 21st centuries. By 1884, the school was elevated to a k.k. State Trade School. Many of the architects and artists who shaped modern Innsbruck received their training there. In 1910, the building had to be expanded for the first time. Fritz Konzert and Eduard Klingler designed the new four-story structure, which appeared much more restrained and less ornate than the original. It was Konzert’s first major commission in Innsbruck and already hinted at his modern architectural approach. Apart from Jugendstil friezes with geometric figures and ornaments on the top floor, the façade is completely smooth. After World War I, changing requirements under the new state system altered not only the school’s name but also its character. The k.k. State Trade School became the Federal Trade School in the First Republic. In the 1920s, two new branches were added: machine fitting and electrical engineering. Under Chancellor Kurt Schuschnigg, the name changed again in 1936 to Peter-Anich-Bundesgewerbeschule, accompanied by a massive bronze plaque bearing the likeness of the school’s namesake. Peter Anich (1723–1766) still gazes sternly at visitors today. The inscription could hardly be more typical of Austria’s conservative corporatist state of the 1930s:
"By his own efforts, a farmer becomes a master of astronomy and geography, a famous surveyor and cartographer. Man's nature is his will and strength of will leads to the stars when it utilises the miraculous gift of the spirit."
After World War II, the school type received its current name: Höhere Technische Lehranstalt (Higher Technical Institute), prominently displayed above the entrance. The growing student numbers of the baby-boom generation made it necessary to split the school in 1973. A modern building was erected in Höttinger Au, now home to the HTL for Construction, Computer Science, and Design. The steadily expanded complex—renovated after a bomb hit in 1944—is now a listed building and extends with a courtyard overbuild to Innrain. Thanks to curricula and branches that continually adapt to technological developments, the HTL will likely continue to produce the city’s future designers under the watchful gaze of Peter Anich.
Article Innsbrucker Nachrichten / 13 February 1882
Moving on to the agenda, the Chairman, Mayor Dr Falk, submitted a motion concerning the establishment of an Imperial and Royal State Trade School in Innsbruck, requesting that he be authorised to make an urgent presentation to the High Government in this matter, so that the original plan for a complete State Trade School would not be thwarted by premature dispositions of the premises in the new school building due to the lack of space that would necessarily arise as a result of these dispositions. In support of his application, he presents a letter from the high governor's office, from which it emerges that the ministry in Vienna intends to allocate and use the premises of the new building for the state trade school to accommodate the departments of this institution, that the same will be used almost exclusively by the Drawing and Modelling School and the Central Institute for the Wood Industry, so that there will be nothing left to accommodate other branches of the building trade, especially the metal industry, and the establishment of both departments will be, if not abandoned, at least pushed into the distant future. However, the town led the construction of the school and the savings bank and the state parliament gave their generous contributions to the construction, only on the condition of a complete trade school. A lengthy debate ensues, in which the municipal councillors, Director Deininger, R. v. Schüllern, Savings Bank Director Dr Tschurtschenthaler, Prof. Hämmerle, Knoll and Mayor Dr Falk take part as applicants. The mayor also reads out a letter from the high government dated 7 May of the previous year, in which the successive development of the school into a complete state trade school is assured; however, he points out that several similar promises have already been made and that the municipality has already made great sacrifices as a result of these promises, e.g. to enable the construction of the chemical laboratory and the justice building, without these government promises having been fulfilled so far
Klingler, Huter, Retter & Co: master builders of expansion
The final decades of the 19th century became known in Austrian history as the Gründerzeit (Founders’ Era). After the economic crisis of 1873, the financial situation recovered and an unprecedented construction boom began. Innsbruck also established a modern banking system. Financial institutions such as the Savings Bank founded in 1821 and the Creditanstalt, whose building erected in 1910 still towers over Maria-Theresien-Straße like a small palace, made it possible to obtain loans, without which entrepreneurship and commerce as we know them today would not have been possible. In some cases, these financial institutions even acted as developers themselves. Between 1880 and 1900, Innsbruck’s population grew from 20,000 to 26,000 inhabitants, while Wilten, incorporated into the city in 1904, even tripled its population from 4,000 to 12,000. The number of buildings increased from 600 to more than 900. Most of them, unlike previous buildings, were multi-story apartment houses. Infrastructure was also modernized. Gas, running water, and electricity became part of everyday life for an increasing number of people. These buildings represented the new society. Entrepreneurs, professionals, employees, and workers had different needs than the legally dependent subjects of previous centuries. The urban lifestyle demanded apartments with several rooms and open spaces for recreation after working hours. Apartment buildings made a modern lifestyle possible even for people who did not own property. Unlike the rural regions of Tyrol, where farming families lived together with servants in farmhouses as part of an extended kinship community, life in the city was already quite close to our present-day understanding of family life. Although the upper middle class had not yet surpassed the nobility, it had reduced the gap considerably and, through its new position on the municipal council, was able not only to commission private building projects but also to decide on public construction projects. The old city hospital in the center of town was replaced by a modern hospital in the west; Sieberer’s orphanage and retirement home were established in Saggen, and a new urban center emerged around the railway station.
The forty years preceding the First World War were a gold rush era for the construction industry. The architecture of the buildings reflected the worldview of their owners. Master builders often assumed several roles and frequently replaced architects altogether. Most clients had very clear ideas about what they wanted. They were not seeking breathtaking new creations but rather copies of or adaptations based on existing buildings. In keeping with the spirit of the age, Innsbruck’s master builders designed structures according to the wishes of their financially powerful clients in the styles of Historicism, Classicism, and the Tyrolean Heimatstil. The style chosen for a home was often not merely an aesthetic decision but also an ideological statement by the owner. Liberals generally preferred Classicism, while conservatives were drawn to the Tyrolean Heimatstil. Whereas the Heimatstil presented itself in a Neo-Baroque form with abundant paintings, clear forms, statues, and columns were characteristic elements of Classical-inspired architecture. In what was sometimes a rather wild mixture of styles, people realized their ideas of classical Greece and ancient Rome. Not only railway stations and public buildings but also large apartment buildings, entire streets, churches, and even cemeteries were built along former country roads in this design. Academics—and those wishing to appear as such—demonstrated their fascination with antiquity through neoclassical façades. Catholic traditionalists commissioned murals depicting saints and scenes from Tyrolean history on their Heimatstil houses. While Neoclassicism predominates in Saggen and Wilten, the district of Pradl is largely characterized by conservative Heimatstil architecture. For a long time, many architectural experts looked down upon the tastes of social climbers and the newly rich. Heinrich Hammer wrote in his standard work Art History of the City of Innsbruck:
"Of course, this first rapid expansion of the city took place in an era that was unfruitful in terms of architectural art, in which architecture, instead of developing an independent, contemporary style, repeated the architectural styles of the past one after the other."
The era of grand villas, which imitated the aristocratic residences of former times with a bourgeois touch, came to an end after several exuberant decades simply because space became scarce. Further development of the city with detached houses was no longer possible. Even today, the area around Falkstraße, Gänsbachstraße, and Bienerstraße is known as Villensaggen, while the areas further east are referred to as Blocksaggen. Wilten and Pradl, however, never experienced this kind of development. Nevertheless, in their gold-rush enthusiasm, developers sealed ever more land with construction. In 1907, Albert Gruber delivered a warning speech about this growth, cautioning against unchecked urban expansion and land speculation.
"It is the most difficult and responsible task facing our city fathers. Up until the 1980s (note: 1880), let's say in view of our circumstances, a certain slow pace was maintained in urban expansion. Since the last 10 years, however, it can be said that cityscapes have been expanding at a tremendous pace. Old houses are being torn down and new ones erected in their place. Of course, if this demolition and construction is carried out haphazardly, without any thought, only for the benefit of the individual, then disasters, so-called architectural crimes, usually occur. In order to prevent such haphazard building, which does not benefit the general public, every city must ensure that individuals cannot do as they please: the city must set a limit to unrestricted speculation in the area of urban expansion. This includes above all land speculation."
A handful of master builders, together with the Innsbruck Building Authority, guided this development. If Wilhelm Greil can be called the mayor of Innsbruck’s expansion, then the Vienna-born Eduard Klingler (1861–1916) certainly deserves the title of its architect. As a public official and master builder, Klingler left a profound mark on Innsbruck’s cityscape. He began working for the Province of Tyrol in 1883. In 1889 he joined the municipal building authority, which he headed from 1902 onward. Among the projects attributed to Klingler as head of the building authority are the Commercial Academy, the Leitgeb School, Pradl Cemetery, the Dermatological Clinic within the hospital complex, the Municipal Kindergarten on Michael-Gaismair-Straße, the Train Barracks (today a residential building), the Market Hall, and the Tyrolean State Conservatory. One particularly noteworthy Heimatstil building designed by him is the Ulrich House on Bergisel, which today serves as the headquarters of the Old Kaiserjäger Club.
The most important construction company in Innsbruck was Johann Huter & Sons. Johann Huter took over his father’s brickworks. In 1856 he acquired the company’s first property, the Huter Grounds, on Innrain. Three years later the first business headquarters was established on Meranerstraße. The company’s official founding came in 1860 when it was registered together with his sons Josef and Peter. Like many of its competitors, Huter & Sons saw itself as a full-service provider. The company included its own brickworks, cement factory, carpentry shop, metal workshop, design office, and construction firm. By the outbreak of the First World War, it employed more than 700 people. In 1906/07, the Huter family built their residential and business headquarters at Kaiser-Josef-Straße 15 in the typical style of the late pre-war years. This stately house combines the Tyrolean Heimatstil, surrounded by gardens and nature, with Neo-Gothic and Neo-Romanesque elements. Well-known buildings erected by Huter & Sons in Innsbruck include the Monastery of Perpetual Adoration, St. Nicholas Parish Church, the first building of the new hospital complex, and several buildings on Claudiaplatz.
The second major player was Josef Retter (1872–1954). Born in Lower Austria with Tyrolean roots, he completed an apprenticeship as a mason before attending the Imperial-Royal State Trade School in Vienna and the master craftsman school of its construction department. After gaining professional experience throughout the Habsburg Monarchy—in Vienna, Croatia, and Bolzano—he was able, thanks to his wife’s dowry, to establish his own construction company in Innsbruck at the age of 29. Like Huter’s company, his enterprise also included a sawmill, a sand and gravel works, and a stonemasonry workshop. In 1904 he built his residential and office building. The dark Neo-Gothic Retter House at Schöpfstraße 23a, with its distinctive bay window supported by columns and a turret, is decorated with a remarkable mosaic representing an allegory of architecture. The relief on the gable depicts the union of art and craftsmanship, symbolizing Retter’s career path. Retter’s buildings particularly shaped Wilten and Saggen. Through projects such as the new Academic Gymnasium, the castle-like Commercial Academy building, the Protestant Christ Church in Saggen, the Zelger House on Anichstraße, Sonnenburg in Wilten, and the Neo-Gothic Mentlberg Castle in Sieglanger, he created many of the most important buildings of this era in Innsbruck.
Late in life but with a similarly practice-orientated background that was typical of 19th century master builders, Anton Fritz started his construction company in 1888. He grew up remotely in Graun in the Vinschgau Valley. After working as a foreman, plasterer and bricklayer, he decided to attend the trade school in Innsbruck at the age of 36. Talent and luck brought him his breakthrough as a planner with the country-style villa at Karmelitergasse 12. In its heyday, his construction company employed 150 people. In 1912, shortly before the outbreak of the First World War and the resulting slump in the construction industry, he handed over his company to his son Adalbert. Anton Fritz's legacy includes his own home at Müllerstraße 4, the Mader house in Glasmalereistraße and houses on Claudiaplatz and Sonnenburgplatz.
With Carl Kohnle, Carl Albert, Karl Lubomirski, and Simon Tommasi, Innsbruck possessed several other master builders who left their mark on the cityscape through typical buildings of the late 19th century. Together, they shaped Innsbruck’s new streets in the prevailing architectural spirit of the final thirty years of the Habsburg Monarchy. Residential houses, railway stations, government buildings, and churches throughout the vast empire stretching from Ukraine to Tyrol looked remarkably similar. New movements such as Art Nouveau gained acceptance only slowly. In Innsbruck, it was the Munich architect Josef Bachmann who introduced a new accent to bourgeois design with the redesign of the façade of the Winkler House. With the outbreak of the First World War, construction activity largely ceased. After the war, the era of neoclassical Historicism and the Heimatstil was definitively over. Times had become harsher, and the requirements for housing had changed. In the period of severe housing shortages in the young Republic of German-Austria, affordable housing and modern sanitary facilities became more important than representative façades and grand rooms. The increasingly professional education of master builders and architects at the Imperial-Royal State Trade School also contributed to a new understanding of construction, replacing the often self-taught veterans of the gold-rush era of Classicism. A stroll through Saggen and parts of Wilten and Pradl still transports visitors back to the Gründerzeit. Claudiaplatz and Sonnenburgplatz are among the most impressive examples. The construction company Huter & Sons still exists today. The company is now located in Sieglanger on Josef-Franz-Huter-Straße, named after its founder. Although the residential building on Kaiser-Josef-Straße no longer bears the company’s name, it remains, in all its opulence, a remarkable relic of the period that permanently transformed Innsbruck’s appearance. In addition to his residence on Schöpfstraße, the district of Wilten contains a second building associated with the Retter family. Opposite the university on Innrain stands Villa Retter. Josef Retter’s eldest daughter, Maria Josefa, who herself had been educated according to the principles of the reform educator Maria Montessori, opened Innsbruck’s first Haus des Kindes (“House of the Child”) in 1932. Above the entrance, a portrait depicts the benefactor Josef Retter. The south façade is adorned with a mosaic in the characteristic style of the 1930s, referring to the building’s original purpose. A smiling blond girl embraces her mother, who is holding a book, and her father, who carries a hammer. The family crypt at Westfriedhof Cemetery is another notable legacy of the Retter family.
A republic is born
Hardly any era is more difficult to grasp than the interwar period. The Roaring Twenties, jazz, and automobiles come to mind just as readily as inflation and economic crisis. In major cities like Berlin, young women carrying themselves as flappers with bobbed hair, cigarettes, and short skirts danced lasciviously to the new sounds. In Innsbruck, American drinks were served during Five O'Clock Tea at the bar in the Knights' Hall (Rittersaal) of the Cafe Gasthaus Zur Annasäule, which later became the Alt-Innsbruck. The suits of armor can still be admired in the bay window from Maria-Theresien-Straße. For the most part, however, as part of the young Republic of German-Austria, Innsbruck’s population belonged to the faction of poverty, economic crisis, and political polarization. Right from the start, the proclamation of the republic in front of the parliament in Vienna before more than 100,000 people—who were less enthusiastic than they were curious and unsettled—was anything but smooth, accompanied by riots, shootouts, two deaths, and 40 injuries. No one knew how things were supposed to continue after the end of the monarchy and the loss of a large part of the state territory. The new Austria seemed too small and incapable of surviving. The bureaucratic apparatus of the Austro-Hungarian Empire carried on seamlessly under a new flag and name. In the constitution, the federal states, as successors to the old crown lands, were granted a great deal of leeway in legislation and administration under the framework of federalism. However, enthusiasm for the new state among the population remained limited. Not only was the supply situation miserable after the loss of the vast majority of the former giant Habsburg empire, but people also distrusted the underlying concept of the republic. The monarchy had not been perfect, but very few people could relate to the idea of democracy. Instead of being subjects of the Emperor, people were now citizens, but only citizens of a dwarf state with an oversized capital that was little loved in the federal states, rather than citizens of a great empire. In the former crown lands, which were largely governed by the Christian Social Party, people frequently spoke of the "Viennese hydrocephalus" (Wiener Wasserkopf) that let itself be fed by the yields of the hardworking rural population. Other federal states also toyed with the idea of breaking away from the republic after the plan to join Germany, which was supported by all parties, was banned by the victorious powers of the First World War. The various Tyrolean plans, however, were particularly spectacular. From a neutral alpine state with other federal states, a free state consisting of Tyrol and Bavaria, or extending from Kufstein to Salurn, an annexation to Switzerland, all the way to a Catholic church-state under papal leadership, many options were considered. The most obvious solution was particularly popular. Feeling German was nothing new. So why not also attach oneself politically to the big brother to the north? This desire was highly pronounced, especially among urban elites and students. The annexation plan (Anschlussplan) received 98% approval in a vote in Tyrol, but it never came to fruition. In Innsbruck, the Tyrolean National Assembly (Tiroler Nationalversammlung) and the Tyrolean National Council (Tiroler Nationalrat)—a concentration government with members from all parties—constituted themselves in the autumn of 1918 from the members of the former provincial parliament (Landtag). The National Council had authority over the people's and citizens' militias (Volks- und Bürgerwehren), which had formed at the municipal level to maintain public order, at least on paper. Primarily between Innsbruck and the Brenner Pass, up to 50,000 soldiers were stationed at the railway stations, causing problems while waiting for their transport home.
Instead of becoming a part of Germany, Tyrol was occupied by the hated Wallsche (Italian forces). For nearly two years after the end of the war, Italian troops occupied Innsbruck. Following the complex and lengthy peace negotiations in Paris, it finally became a certainty: on October 10, 1920, the formal annexation of South Tyrol took place. At the Brenner Pass, the barrier gate went down. On the North Tyrolean side, only a few administrative and customs buildings were erected, but in the southern part of the village, large barracks shot out of the ground to secure the new border militarily. Historical Tyrol was split in two. In Innsbruck and many other Tyrolean municipalities, pompous mourning ceremonies were organized annually on this date for years. In 1924, the Innsbruck city council decided to name squares and streets around the main railway station after South Tyrolean cities. Bozner Platz as well as Brixner Straße and Salurner Straße still bear their names today. Many people on both sides of the Brenner felt betrayed. Although they had by no means won the war, they did not see themselves as losers to Italy. Hatred toward Italians reached its peak in the interwar period, even though the occupying forces acted with pronounced mildness. A passage from the 1930s short story collection "The Front Above the Peaks" (Die Front über den Gipfeln) by Karl Springenschmid reflects the general mood:
"The young girl says, 'Becoming Italian would be the worst thing.
Old Tappeiner just nods and grumbles: "I know it myself and we all know it: becoming a whale would be the worst thing."
Trouble was also brewing in domestic politics. The revolution in Russia and the subsequent civil war with millions of fatalities, expropriation, and a complete reversal of the system cast its long shadow all the way to Austria. The prospect of "Soviet conditions" terrified people. Austria was deeply divided. Capital and federal states, city and countryside, citizens, workers, and peasants—in the vacuum of the first postwar years, each group wanted to shape the future according to its own ideas. The cultural struggles of the late monarchy between conservatives, liberals, and socialists continued seamlessly. The rift existed not only on a political level. Morals, family, leisure activities, education, faith, legal understanding—every sphere of life was affected. Who should govern? How should wealth, rights, and duties be distributed? Liberals and the Tyrolean People's Party (Tiroler Volkspartei), which had emerged from the Peasants' League (Bauernbund), the People's Association (Volksverein), and the Catholic Working Class (Katholische Arbeiterschaft), were at least as hostile toward Social Democracy as they were toward the federal capital of Vienna and the Italian occupiers. A communist overthrow was not a real danger, especially in Tyrol, but it was effectively instrumentalized in the media as a threat to bring Social Democracy into disrepute. Although a workers', peasants', and soldiers' council (Arbeiter-, Bauern- und Soldatenrat) modeled on the Soviet system had proclaimed itself in Innsbruck in 1919, its influence remained minimal and it was supported by no political party. From 1920 onward, so-called soldiers' councils were officially formed, but like the rest of politics, they were dominated by the Christian Socials. The conservative peasant and bourgeois camp right of center militarized itself more professionally with the Tyrolean Homeland Guard (Tiroler Heimatwehr) and enjoyed a stronger influx of members than leftist groups, also thanks to church support. From church pulpits and in conservative media, Social Democracy was referred to as the "party of Jews" (Judenpartei) and homeless traitors to the fatherland. People were all too eager to blame them for the lost war and its consequences. The Tiroler Anzeiger summed up the public fears: "Woe to the Christian people if the Jew-Socialists win the elections!".
While the Tyrolean People's Party dominated in rural districts, Social Democracy in Innsbruck under the leadership of Martin Rapoldi always managed to win between 30% and 50% of the vote in elections from 1919 onward, despite the strong headwinds. Under the new municipal code of 1919, which provided for universal suffrage for all adults, the city council comprised 40 members. Out of 24,644 citizens called to the ballot box, an incredible 24,060 exercised their right to vote. A certain degree of emancipation also became noticeable. Right from the first city council with free elections, three women were represented. The fact that the Social Democrats did not secure the mayoral seat was due to the majorities in the city council formed by alliances among the other parties.
High politics, however, was merely the backdrop to the actual misery. Martin Rapoldi got straight to the point in September 1919: "Gentlemen, for the moment the constitutional question is completely secondary to the population, as is whether the province has more rights or fewer rights. More potatoes is the slogan in our province." Time and again, looting and hunger riots broke out in the provincial capital. Those who had money could supply themselves with food on the black market; the rest depended on charity from foreign aid shipments. Long after the war, the province of Tyrol still required outside help to feed its population. Under the headline "Significant Expansion of the American Child Relief Action in Tyrol," the Innsbrucker Nachrichten reported on April 9, 1921: "Taking into account the needs of the province of Tyrol, the American representatives for Austria have most generously increased the daily number of meals to 18,000 portions." Alongside hunger, medical care was a major issue. The epidemic that went down in history as the Spanish Flu also took its toll in Innsbruck in the years after the war. Exact numbers were not recorded; worldwide, the number of fatalities is estimated at 27 to 50 million. In Innsbruck, at the height of the Spanish Flu, around 100 victims are said to have succumbed to the disease daily. Many Innsbruckers had not returned home from the battlefields and were missing as fathers, husbands, and workers. Many of those who did make it back were wounded and scarred by the horrors of war. As late as February 1920, the "Tyrolean Committee of Siberians" (Tiroler Ausschuss der Sibirier) organized a benefit evening at the Gasthof Breinößl "…in favor of the fund for the repatriation of our prisoners of war…". On top of this came unemployment. Civil servants and public sector employees in particular had lost their jobs after the League of Nations tied its loan to harsh austerity measures. Public sector salaries were cut. Strikes occurred repeatedly. Tourism as an economic factor was nonexistent due to the problems in the surrounding countries, which were likewise ravaged by the war. The construction industry, which had been booming before the war, collapsed completely. Innsbruck’s largest company, Huter & Söhne, had over 700 employees in 1913; at the peak of the economic crisis in 1933, only 18 remained. The middle class largely collapsed. The average Innsbrucker was destitute and malnourished. Often, no more than 800 calories per day could be scraped together. In this climate of poverty, the crime rate was higher than ever before. Many people lost their homes. In 1922, 3,000 families in Innsbruck were looking for accommodation despite a municipal emergency housing program that had already been in effect for several years. Apartments were built into every available property. On February 11, 1921, a long list in the Innsbrucker Nachrichten detailing the individual projects under way included this item:
"The municipal hospital has vacated the epidemic barracks in Pradl and placed them at the disposal of the municipality for the creation of emergency housing. The necessary credit of 295 K (Editor's note: Kronen) was approved for the construction of 7 emergency apartments."
In the early years, there was hardly any improvement in people's everyday lives. The central government had little enforcement power in distant federal states like Tyrol. For a time, Innsbruck, like many other Austrian municipalities, even began printing its own money. The amount of money in circulation rose from 12 billion kronen to over 3 trillion kronen between 1920 and 1922. An epochal inflation was the result. Then, politics woke up from its lethargy. Under Chancellor Ignaz Seipel, the Republic managed to secure a League of Nations loan. The krone, a relic of the monarchy, was replaced by the schilling as the official currency of Austria on January 1, 1925. Between 1918 and 1922, the old currency had lost more than 95% of its value against the dollar relative to the pre-war exchange rate. With the currency stabilization following the League of Nations loan, however, not only did banks and citizens recover, but public sector construction orders also picked up again. Innsbruck modernized. What economists call a sham boom (Scheinblüte) occurred. This short-term economic recovery was a bubble, but it brought major residential construction and infrastructure projects to the city of Innsbruck. In Innsbruck, there are no deliberate places of remembrance dedicated to the creation of the First Republic. The heritage-protected residential complexes such as the Schlachthofblock, the Pembaurblock, the Mandelsbergerblock, the Pembaurschule, the municipal indoor swimming pool (Städtisches Hallenbad), the Höhenstraße up to the Hungerburg, and the cable cars onto the Patscherkofel and Nordkette are contemporary witnesses that remain in operation to this day. The city purchased the Achensee lake and, as the main shareholder of TIWAG, built the power plant in Jenbach. In 1930, the Universitätsbrücke bridge connected the clinic in Wilten with the Höttinger Au. On the Sill river, the Pembaurbrücke and the Prinz-Eugen-Brücke were constructed. In Reichenau, the first airfield opened on June 1, 1925, involving Innsbruck in air traffic 65 years after the opening of the railway line. Many interested onlookers gathered on the meadow east of the city to witness the event. A monument to the pilots who fell in the World War was unveiled before the German airline Aero Lloyd took off for Munich in a single-engine Fokker-Grulich F III. In the autumn, the integration of the new airfield into the Strasbourg – Zurich – Innsbruck – Vienna route by the French Compagnie Internationale de Navigation followed. Thanks to the daring efforts of pilot Raoul Stojsawljewic, remote regions and alpine mountain huts could now also be supplied with food from Innsbruck, as a report in the Innsbrucker Nachrichten from June 7, 1926, shows:
"In fine weather yesterday morning, Major Stojsawljewic from German Lufthansa took off with his aircraft and flew toward Kühtai, where he dropped free beer, donated by the 'Löwenbräu' brewery, by parachute from a low altitude. At 10 o'clock, the Patscherkofelhaus was approached and beer from the Zipf brewery was dropped..."
Trotz der kurzzeitigen Höhenflüge war die Erste Republik auch auf lokaler Ebene eine schwere Geburt und sie sollte nicht lange Bestand haben, obwohl viel Positives seinen Anfang nahm. Aus Untertanen wurden Bürger. Was in der Zeit Maria Theresias begann, wurde nun unter neuen Vorzeichen weitergeführt. Der Wechsel vom Untertanen zum Bürger zeichnete sich nicht nur durch ein neues Wahlrecht, sondern vor allem durch die verstärkte Obsorge des Staates aus. Staatliche Regelungen, Schulen, Kindergärten, Arbeitsämter, Krankenhäuser und städtische Wohnanlagen traten an die Stelle des Wohlwollens von Grundherrn, Landesfürsten, wohlhabender Bürger, der Monarchie und der Kirche. Bis heute basiert vieles im österreichischen Staatswesen sowie im Innsbrucker Stadtbild und der Infrastruktur auf dem, was nach dem Zusammenbruch der Monarchie entstanden war. Auch gesellschaftliche Bräuche und alltägliche Lebenseinstellungen veränderten sich in der Republik nach dem Zusammenbruch der Monarchie. Der 1925 eingeführte Weltspartag erinnert alljährlich an die Einführung des Schillings und die Mahnung an Kinder und Erwachsene zum verantwortungsvollen Umgang mit Geld. Die Handschrift der jungen Massenparteien und das neue Verhältnis zwischen Zentralstaat und Bürger sind bei allem Lokalpatriotismus unübersehbar.
The Bocksiedlung and Austrofascism
Political violence, alongside hunger and a severe housing shortage, shaped Austria throughout the 1920s and 1930s. The two major mass parties of the young republic, the Social Democrats and the Christian Socials, regarded each other with hostility. Both parties established paramilitary organizations to enforce their political agendas on the streets if necessary. The Republikanischer Schutzbund on the Social Democratic side and various Christian Social or even monarchist-oriented Heimwehr groups, which for simplicity may be grouped under this collective term, watched one another like opposing sides in a civil war. Many politicians and functionaries on both sides had fought on the front during the war and had become deeply militarized as a result. The Tyrolean Heimwehr enjoyed superior infrastructure and political connections due to the support of the Catholic Church. On November 12, 1928, the tenth anniversary of the founding of the Republic, 18,000 Heimwehr members marched through the city in the first nationwide Heimwehr rally, demonstrating their strength on what was the most important holiday for Austrian Social Democrats. From 1930 onward, the Nazi Party (NSDAP) also became increasingly visible in public life. It found supporters particularly among students and disillusioned young workers. By 1932, the party already had 2,500 members in Innsbruck. Violent clashes between the hostile political factions occurred repeatedly. The most notorious of these became known as the Hötting Hall Battle (Höttinger Saalschlacht) of May 27, 1932. At that time, Hötting was still independent and not yet part of Innsbruck. The community was inhabited mainly by workers. In this “red” stronghold of Tyrol, National Socialists planned a rally at the Goldener Bär Inn, a traditional meeting place of Social Democrats. This provocation escalated into a fight that left more than thirty people injured and one National Socialist dead. The violence spread across the entire city; even in the hospital, the injured continued fighting each other. Only the intervention of the gendarmerie and the army succeeded in separating the opposing sides.
After these years that resembled a civil war, the Christian Social Party prevailed in 1933 under Chancellor Engelbert Dollfuß (1892–1934). His goal was the establishment of the so-called Austrian Corporate State (Österreichischer Ständestaat), today better known under the term Austrofascism. The entire state apparatus was to be unified under the Fatherland Front (Vaterländische Front), modeled on Mussolini’s fascism in Italy: anti-socialist, authoritarian, socially conservative, anti-democratic, antisemitic, and militarized. Quite a few people welcomed the replacement of parliament and the multi-party system by a strong leader who promised peace and order. In Innsbruck, unlike in many Austrian cities where this political upheaval was at times accompanied by bloodshed, no significant fighting occurred. On 15 March, the headquarters of the Tyrolean Social Democratic Workers' Party (Sozialdemokratische Arbeiterpartei Tirol) in the Hotel Sonne was cleared out. The leader of the Republican Protection League (Republikanischer Schutzbund), Gustav Kuprian, was arrested on charges of high treason, and the individual units of the Schutzbund were disarmed. The Tiroler Wochenzeitung was established as the party newspaper. Innsbruck’s municipal council was reduced from forty to twenty-eight members. Instead of being elected through free elections, council members were appointed by the provincial governor. The Social Democrats, who had previously held strong representation, were removed from the city government. Dollfuß was extraordinarily popular in Tyrol, as photographs of the crowded square in front of the Hofburg during one of his speeches in 1933 demonstrate. His policies came closer than any other contemporary system to the traditions of the Habsburg Monarchy. As early as 1931, several Tyrolean mayors had joined forces in an effort to lift the ban on the Habsburg family entering Austria. This policy was supported by the Catholic Church and was even incorporated into the Constitution of 1934: “In the name of God, the Almighty, from whom all law proceeds, the Austrian people receive this Constitution for their Christian, German federal state founded on a corporative basis.” The close relationship with the Church provided the government with access to infrastructure, media organizations, and affiliated institutions. The Fatherland Front, together with its paramilitary units, took harsh action against the despised Socialists. It did not hesitate to employ repression and violence against both individuals and institutions associated with the political opposition. Suspected and actual Socialists, Social Democrats, trade unionists, and Communists were repeatedly arrested. The press was politically controlled and censored, while newspaper articles glorified the idyllic nature of rural life. Large families received financial support. Schools were segregated by gender, and the curricula differed accordingly: domestic work for girls and pre-military training for boys. Cultural policy deliberately distinguished itself from that of the National Socialist and anti-clerical neighbor to the north. Theatre and music were intended to present Austria as the “better and more civilized” German state.
tion Austrofascism, however, brought peace and order only briefly, if at all. On 25 July 1934, a coup attempt by the banned National Socialists took place in Vienna, during which Chancellor Engelbert Dollfuß was killed. Hitler, who had not ordered the attacks, initially distanced himself publicly from the events, helping to suppress the planned overthrow before it could gain momentum. An attempted coup also occurred in Innsbruck. During an effort by a group of National Socialists to seize control of the city, a police officer was shot and killed in Herrengasse. In memory of the murdered Federal Chancellor, who was subsequently elevated to the status of a martyr, the square in front of the theatre, where he had met with Richard Steidl only two weeks earlier, was renamed Dollfuß Square (Dollfußplatz) by “order of the Government Commissioner of the Provincial Capital of Tyrol.” Dollfuß’s successor as head of state was Kurt Schuschnigg (1897–1977), a native Tyrolean. The war veteran, who came from the lower nobility of the former Austro-Hungarian Empire, was a member of the Innsbruck student fraternity Austria. In 1930, Schuschnigg, then a lawyer and member of parliament, founded the Ostmärkische Sturmschar, a Catholic and antisemitic paramilitary organization intended to serve as a counterweight to the more radical Heimwehr groups. As Minister of Education and Minister of Justice, Schuschnigg played a key role in the rightward shift of society under the Corporate State. Among other measures, he reintroduced the death penalty. For the people of Innsbruck, however, little changed under the new Chancellor in terms of everyday hardship. Economically, the Corporate State was unable to reverse the situation during the 1930s. Government investment in major infrastructure projects came to a halt following the economic crisis of 1931. By 1933, the unemployment rate had reached 25 percent. The reduction of social welfare measures that had been introduced at the beginning of the First Republic had dramatic consequences. Long-term unemployed individuals were excluded from receiving social benefits as so-called “Ausgesteuerte” (persons whose entitlement to benefits had expired). Poverty led to rising crime rates, and assaults, robberies, and thefts became commonplace. As in previous decades, housing remained a particularly serious problem. Despite the city's efforts to provide modern housing, many Innsbruck residents still lived in dilapidated dwellings. Private bathrooms or even a separate bedroom for each person were rare exceptions. Since Innsbruck’s rapid growth beginning in the 1880s, housing conditions had remained precarious for a large part of the population. The railway, industrialization, refugees from the German-speaking regions of Italy, and the economic crisis had pushed the city to the limits of its capacity. After Vienna, Innsbruck had the second-highest number of residents per house in Austria. Housing rents were so high that workers often slept in shifts in order to share the costs. Although new apartment blocks and homeless shelters had been built, especially in Pradl, including the Workers’ Residence (Wohnheim für Arbeiter) on Amthorstraße in 1907 and the Hostel (Herberge) on Hunoldstraße, these measures were insufficient to bring the situation under control.
In this climate of social dictatorship and economic hardship, several shantytowns and barrack settlements emerged on the outskirts of the city. They were founded by the excluded, the desperate, and those left behind who could find no place within the system. The former prisoner-of-war camp in Höttinger Au, west of the city, served as emergency accommodation for homeless people. The most famous and notorious inner-city enclave, remembered to this day, was the Bocksiedlung ("Bock Settlement") in the area of present-day Reichenau. Beginning around 1930, several families settled there between the airport then located on the site and the concentration camp that would later be built in Reichenau. According to local legend, Otto and Josefa Rauth were the founders of the settlement after their caravan became stranded there. In the Innsbruck of the Corporate State, having the wrong party affiliation was enough to make affordable housing unattainable. As an openly declared Communist, Rauth possessed what was arguably the most disadvantageous party membership of all. His raft, the Ark Noah (Arche Noah), with which he planned to travel via the Inn and Danube rivers to the Soviet Union, remained moored on the riverbank in front of the Sandwirt Inn (Gasthof Sandwirt) and never actually set sail. Gradually, a settlement developed that existed both physically on the edge of the city and socially on the margins of society. It was run like an independent commune by its unofficial mayor, Johann Bock (1900–1975). He managed everyday life within his sphere of influence in a rough but warm-hearted manner. The air raids of the Second World War further worsened Innsbruck's housing situation and caused the Bocksiedlung to grow. At its peak, it is said to have contained around fifty dwellings. Even the barracks of the Reichenau concentration camp were used as sleeping quarters after the last National Socialists held there had been transferred or released. The Bockala, as the inhabitants were known, had a terrible reputation among the respectable citizens of the rest of the city, and despite later attempts to romanticize or soften its history, that reputation was probably not entirely undeserved. Many, though not all, residents were unemployed or involved in criminal activities. Often, however, they were simply people who had fallen through the cracks of society and found refuge in the Bocksiedlung. As helpful and supportive as the often eccentric residents could be toward one another, physical violence and petty crime were part of everyday life. Excessive alcohol consumption was commonplace. There were no paved roads, no sewage system, no sanitary facilities, and no regular electricity supply. Even access to drinking water remained precarious for a long time, creating a constant risk of disease outbreaks. The dwellings themselves were as diverse as their inhabitants. They included caravans, circus wagons, wooden barracks, corrugated metal huts, brick houses, and concrete buildings. Within the Bocksiedlung, houses and wagons were rented out and sold. With the tacit tolerance of the City of Innsbruck, property rights acquired through long-term occupation even emerged under Johann Bock's leadership. The residents cultivated self-sufficiency gardens and kept livestock. In difficult times, even dogs and cats occasionally appeared on the menu. There were no fixed boundaries to the settlement; in Innsbruck, being a Bockala was as much a social status as it was a place of residence.
The beginning of the end for the Bocksiedlung (“Bock Settlement”) came with the 1964 Olympic Games and a fire that had occurred in the settlement the year before. An urban legend claims that the fire was deliberately set by the municipal authorities in order to accelerate the clearance of the neighborhood and make way for the construction of the Olympic Village (Olympisches Dorf). In 1967, Mayor Alois Lugger and Johann Bock negotiated the future of the settlement and compensation payments from the municipality for its evacuation. According to local accounts, these discussions took place in a rather alcohol-laden atmosphere. Nevertheless, it would take several more years before the settlement effectively came to an end. It was not until 1976 that the last remaining dwellings were forcibly vacated due to unsanitary conditions. Many of the Bockala were relocated to municipal apartments in Pradl, Reichenau, and the newly constructed Olympic Village (O-Dorf). The customs and lifestyle associated with the Bocksiedlung continued there under a new address for several years, contributing in large part to the negative reputation that these neighborhoods still carry today. Less firmly embedded in the collective memory of many Innsbruck residents than the legends of the Bocksiedlung is the interwar period. Yet this era often remains a much greater part of everyday culture than we realize. In churches such as St. Jakob in Defereggen in East Tyrol or the parish church of Fritzens, images depicting Dollfuß as the protector of the Catholic Church can still be seen, more or less without comment. Even today, there are “red” and “black” motorists’ clubs, sports associations, rescue organizations, and Alpine clubs whose roots can be traced back to this period. The history of the Bocksiedlung has been painstakingly reconstructed by the Innsbruck City Archive through numerous interviews and extensive archival research, and was published in a highly readable form in the book: Bocksiedlung. Ein Stück Innsbruck (Bocksiedlung: A Piece of Innsbruck) published by the Innsbruck City Archive. The book provides a valuable account of both the settlement itself and the social realities of Innsbruck in the twentieth century.
Air raids on Innsbruck
The appearance of a city is subject to constant change. Certain eras left particularly visible changes in Innsbruck's cityscape. The political, economic, and social upheavals from the 15th century onward, as well as in the second half of the 19th century, are also reflected in buildings and monuments. However, the most drastic event with the greatest impact on the cityscape was likely the air raids on the city during World War II, when the "home front" became an actual theater of war. For centuries, its location at the foot of the Brenner Pass had been a blessing for the city; now, it became its undoing. Innsbruck was an important supply station for reinforcements for the Italian front. On the night of December 15–16, 1943, the first Allied air raid struck the ill-prepared city. 269 people fell victim to the bombs, 500 were injured, and more than 1,500 were left homeless. Over 300 buildings, primarily in Wilten and the inner city, were destroyed and damaged. On Monday, December 18, the front page of the Innsbrucker Nachrichten—the predecessor to the Tiroler Tageszeitung—featured all kinds of propagandistic reports about the successful and heroic defensive struggle of the German Wehrmacht on all fronts against the alliance of the "Anglo-Americans" and "the Russian," but made no mention of the bombing raid on Innsbruck.
"Bombing Terror over Innsbruck"
December 16 will remain recorded in the history of Innsbruck as the day on which the air terror of the Anglo-Americans struck the Gau capital with all the severity of this mean and brutal method of warfare, which can no longer be called conduct of war. In several waves, enemy bomber formations approached the city and directed their attacks with numerous high-explosive and incendiary bombs against residential areas. Severe damage to residential buildings, hospitals, and other community facilities was the sad result—exceeding all previous damage—of this criminal assault, which brought severe suffering to numerous families in our city, a heavy burden on their way of life, the bitter fate of the destruction of cherished property, the destruction of hearth and home, and homelessness. Boundless hatred and the burning desire to retaliate against this inhuman atrocity with relentless severity are the sole sentiments moving all minds, alongside dealing with personal and community hardships. We all look upon our soldiers with complete trust and await with confidence the day on which the Führer will give the command to deploy their concentrated power with new weapons against the enemy in the West, who through his terror of murder and arson against the defenseless has once again proven that he differs in no way from the Asiatic beasts in the East—unless it be through greater cowardice. The city's air-raid protection facilities have proven their worth, as has the air-raid discipline of the population. Up to this hour, 26 fallen have been reported, a number that in all likelihood should not increase significantly. Relief measures began immediately and effectively under the leadership of the Party and with the active cooperation of the Wehrmacht.
This imaginatively crafted report barely made it onto page 3. The city's poor preparation for the foreseeable bombardment was likely something they preferred not to display too prominently, given the immense scale of the damage to the city and the tragic personal losses among the population. That the mortal remains of the victims of the December 15, 1943 air raid were laid out in state on what is today's Landhausplatz, directly in front of the newly constructed *Gauhaus*—the symbol of National Socialist power—carries a sad irony of fate. In January 1944, construction began on air-raid shelters and other protective measures. A large portion of the work was carried out by prisoners from the Reichenau concentration camp.
In total, Innsbruck was attacked twenty-two times between 1943 and 1945. In the process, nearly 3,833—almost 50%—of the buildings in the city were damaged, and 504 people died. In the final months of the war, any sense of normalcy had ceased to exist. The population lived in constant fear. Schools were closed as early as the morning hours. A regular daily routine was out of the question. Fortunately, the city was only subject to targeted attacks. German cities like Hamburg or Dresden were completely flattened by Allied firestorms within a matter of hours, leaving tens of thousands dead. Nevertheless, the toll was devastating. Many buildings, such as the Jesuit Church, Wilten Abbey, the Servite Church, and the public indoor pool on Amraserstraße, were hit. The attack on December 16, 1944—one year after the first strike—devastated the Cathedral and the Town Hall. Historical buildings and monuments in Innsbruck received special care and protection. The *Golden Roof* was protected with a specialized structure, as was Maximilian's sarcophagus in the Court Church (*Hofkirche*). The statues of the Court Church, the "*Schwarze Mander*" (Black Men), were relocated to Kundl. The painting of the Virgin of Succor by Lucas Cranach from the Innsbruck Cathedral was transferred to the Ötztal during the war.
Many years after the war, the city was still characterized by the rubble and damage of the air raids; today, very little remains to remind us of these events that were traumatic for so many Innsbruck residents. The air-raid shelter south of Innsbruck along the Brennerstraße and the markings on houses indicating air-raid cellars—with their black squares, white circles, and arrows—can still be seen today. Two of the anti-aircraft gun positions, now merely overgrown masonry ruins, can be visited on the *Lanser Köpfl* above Innsbruck. In Pradl, where along with Wilten most of the buildings were damaged, bronze plaques on the affected houses point to their post-war reconstruction. On the old Innsbruck Town Hall, a wall painting commemorates the direct bomb hit in December 1944.