Pradl & Amras

The name Pradl probably goes back to the Latin expression Pratellumwhich refers to a Roman settlement in the area. According to the Innsbruck city chronicle, the name Pradl was first mentioned in a document in 1178. Until the industrialisation of the 19th century, Pradl was a collection of farms to the east of Innsbruck. In the 19th century, when the cotton spinning mill Herrburger und Rhomberg (1839), the Epp soap factory (1885) and the gasworks (1859), the village grew rapidly. In 1900, what is now Innsbruck's largest district already had around 2000 inhabitants. The gasworks on the site of today's Rapoldipark in particular changed the face of Pradl. The nearby railway station also contributed to Pradl's growth and change. The town had grown to its limits and the village had become the most important location for energy and infrastructure. In 1861, the town began to be lit with gas lights. Over 500 gas lights lit Innsbruck at the turn of the century. More and more kitchens were also fuelled by gas. The main problem with gas production was that it was produced by burning coal. Smoke and dust polluted the air right next to the houses and farms. While Innsbruck benefited from industrialisation, Pradl mainly felt the negative aspects of it: overpopulation, rapid transformation of the social fabric and dirt were the consequences of this development. The village was unable to enjoy the positive aspects of modernisation. Despite the growth, there was a lack of money to upgrade the infrastructure. There were hardly any sewers, roads, schools, health care or even public transport. The drinking water was still spreading typhus in the 20th century and there was little or no sign of modernisation.

In 1904, the village became a district. Until then, Pradl and its southern neighbour Amras had formed a municipality. At a citizens' meeting in 1902, a large majority of the people of Pradl voted in favour of the merger. In Amras, on the other hand, the majority were against the incorporation, which is why Pradl first had to secede from Amras in order to become part of Innsbruck.

From 1912, the tram connected Pradl with the city centre. From the former town centre at Florianibrunnen wurden nach Süden hin Zinshäuser im Heimatstil oder dem klassizistischen Historismus als Wohnstätten für die Arbeiter und Angestellten gebaut. Die Straßenzüge entstanden am Reißbrett. Die großen Wohnanlagen weiter im Osten in der Pembaurstraße oder der Gabelsbergerstraße wurden nach den damals neuesten Erkenntnissen in der Architektur mit geräumigen Innenhöfen und viel Grün angelegt. Der soziale Wohnbau wurde von seinem architektonischen Vertreter in Innsbruck Theodor Prachensky nicht nur quantitativ, sondern auch qualitativ weiterentwickelt. Viele dieser Häuser und Wohnanlagen kann man bis heute noch sehen. Die Fabriksarbeiter hatten, obwohl sie immer noch zu den ärmeren Bevölkerungsteilen zählten, nicht das Los der Verelendung zu teilen, das dem Proletariat in anderen großen Städten durch den ungezügelten Kapitalismus zugemutet wurde. Das war wohl neben der kirchlichen Dominanz mit ein Grund, warum Kommunismus und Sozialismus in Tirol nur gebremst Fahrt aufnahmen.

In 1927, the homeless shelter in Hunoldstraße was opened to counteract the social hardship of the post-war period. At the same time, the neighbourhood between Pradl and Amras, known among locals as the "Stalingrad“ bekannten Kaufmannblöcke im Internationalen Stilwhich, with their inner courtyards and cubic form, are now listed buildings. Between 1939 and 1945, the Südtirolersiedlungen im Osten Pradls gebaut. Eichhof, Ahornhof und Lindenhof still characterise the image of Pradl today with their large inner courtyards.

Perhaps the biggest change in Pradl has been the redevelopment of the Tivoli area since 2000: where fans and players of Innsbruck's football clubs used to party and celebrate, a completely new neighbourhood has been created with over 400 flats, a retirement home, kindergarten, playground, supermarkets, office buildings and a skateboard park.

Amras can be traced back even further than Pradl. The village was built below today's Ambras Castle. It was first mentioned in writing in 837 as "locus omeras". The name probably goes back to the shady location. The Latin Ad umbras means nothing other than "by the shadows". The Counts of Andechs built their castle of the same name here a little later. Omeras probably goes back to the shady location at the foot of the Patscherkofel and the Latin stem ad umbrasback to the shadows. Amras was a settlement with its own administration, a typical rural Tyrolean village. Until 1256, Amras did not belong to Wilten Abbey, but to Ampass.

Where the DEZ shopping centre now adjoins the old village, there was the Amraser See lake until the 19th century, which gradually became marshy and is now only remembered in old pictures and from the Amraser-See-Straße. Emperor Maximilian had fish bred here to make it easier for himself and his court to starve on Christian fasting days.

According to an art historical study by Wilhelm Fischer from 1951, the famous painting gives an impression of early modern Amras Winterlandschaft des niederländischen Malers Pieter Bruegel (circa 1525 – 1569), das im Wiener Kunsthistorischen Museum hängt. Bruegel war neben dem apokalyptisch veranlagten Hieronymus Bosch der bekannteste Vertreter der flämischen Malerei der Zeit um 1500. Zwischen 1552 und 1555 hatte er sich nach seiner Ausbildung in Antwerpen nach Italien begeben, um sich dort im Geist der Zeit mit der Renaissancekunst zu beschäftigen. Diese Zeit ging als Anfang der

This period went down as the beginning of the Kleinen Eiszeitwhich lasted from the 15th century to the 19th century in varying localised forms. In Tyrol, too, this minor climate change caused an above-average number of crop failures and major economic upheavals and supply bottlenecks.

On his return journey to northern Europe, Bruegel stopped in Innsbruck and was inspired by the landscape and people. Unlike Albrecht Dürer a few years earlier in his famous watercolour depicting a city view of Innsbruck, he captured an everyday scene, as in most of his paintings. Although he set the scene in the Netherlands, as can be seen from some details such as the inn's sign, the wintry, alpine landscape fits in perfectly with the perspective from today's district looking north. In the foreground you can see a hunting party, presumably returning to the Inn Valley from Ambras Castle, which was not yet walled at the time. In the background, adults and children are skating and playing on the lake against the backdrop of the Karwendel and the Inn Valley. The rural village of Amras and the hustle and bustle in it seem to have made a lasting enough impression on the master that he captured the experience in oil twelve years later. Whether the ice-skating peasants are Tyrolean or Flemish, whom Bruegel placed in a Tyrolean setting, is of no further concern to us.

1938, also 34 Jahre nach Pradl wurde Amras im Rahmen der reichsweiten Eingliederungen unter den Nationalsozialsten in Innsbruck eingemeindet. Der Bau von größeren urbanen Wohnhäusern nahm erst später seinen Anfang, was sich im Baustil niederschlägt. Während in Pradl viele Häuser aus der Zeit um die Jahrhundertwende stammen, werden die Wohnblöcke in Amras von der Nachkriegsarchitektur dominiert. Ur-Amraser fühlen sich bis heute noch vielfach als Bewohner eines eigenen Dorfes, Innsbrucker ist man nur im zweiten Rang. Im Osten der Philippine-Welser-Straße befinden sich einige der schönen Bauernhäuser, die den Stadtteil im Amraser Selbstverständnis ebenso darstellen wie den Wohlstand, zu dem die Landwirte mittlerweile gekommen sind. Östlich an Amras schließt das Innsbrucker Gewerbegebiet mit dem Einkaufszentrum DEZ an. Das DEZ bildet den Endpunkt der Hauptverkehrsader Südring, der von West nach Ost den Großteil des Autoverkehrs führt. Wie die meisten europäischen Städte kämpfen auch Innsbrucks Kaufleute in der Innenstadt seit dem Aufstieg des Autos in den 1960er und 70er Jahren unter dem Druck der Einkaufszentren in der Peripherie um ihre Existenz.